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2,221 stories from stagebuddy.com

Interview: Nick Cordero on Finding the Heart in the Tough Sonny of 'A Bronx Tale' by Jose Solis

Ever since his breakout role as Cheech in the musical adaptation of Bullets Over Broadway, Nick Cordero has become the go-to-guy for brooding, tough characters who might not instantly win th…

SOURCE: stagebuddy.com at 9:00pm on May 24, 2017

Review: Kim Maresca at Feinstein's/54 Below by Evan Seplow

What stands out about Kim Maresca is how professional and polished she is for someone still so early in her career. With only one big show under her belt, she seems like she's had ten Broadw…

SOURCE: stagebuddy.com at 1:11pm on May 24, 2017

thEATer: Jenny Jules of NYTW's 'Sojourners'/'Her Portmanteau' on Her Favorite East Villages Eateries by Ariana Starr

Midtown isn’t New York’s only neighborhood for great theater. In this installment of thEATer, we interviewed Broadway veteran Jenny Jules, who is currently starring in Mfon…

SOURCE: stagebuddy.com at 12:38pm on May 23, 2017

Review: Venus by Tami Shaloum

Women's bodies have been put on display and fetishized throughout history. In the thought-provoking Venus, now playing at the Signature Theatre, playwright Suzan-Lori Parks explores the mani…

SOURCE: stagebuddy.com at 5:58pm on May 22, 2017

Review: Radicals in Miniature by Amy Fusselman

Audience members arriving for Ain Gordon's Radicals in Miniature at the Baryshnikov Arts Center are greeted by a stage on which twelve seemingly haphazardly-placed computer screens display s…

SOURCE: stagebuddy.com at 3:43pm on May 22, 2017

Review: Cagebirds by Saima Huq

Cagebirds, the David Campton play written in 1972, is as auspicious today as it ever was. Six women, representing as many walks of life as the subway platform at the Hoyt-Schermerhorn statio…

SOURCE: stagebuddy.com at 2:58pm on May 22, 2017

Interview: Costume Designer Paloma Young on Creating the Looks of 'Bandstand' and 'The Great Comet' by Jose Solis

From Imperial Russia to Neverland and Sherwood Forest, costume designer Paloma Young has become the go-to woman for clothes that can evoke fantasy while being grounded in reality. Her work c…

SOURCE: stagebuddy.com at 12:59pm on May 22, 2017

Review: The Lucky One by Mark Dundas Wood

According to program notes for Mint Theater Company's new production of A.A. Milne's 1922 play The Lucky One, the British playwright (and, of course, creator of the "Pooh" books) had a dista…

SOURCE: stagebuddy.com at 6:00am on May 19, 2017

The Artist Co-Op, a New Working Space Where Creativity is the Rule of the Land by Stagebuddy News

Rachel Berger is a working actor who was tired of having meeting in cafes, parks and libraries, which is why she decided the best way to find a space for her creativity to blossom was to set…

SOURCE: stagebuddy.com at 6:31pm on May 18, 2017

Review: Antigone by Erin Kahn

Jean Anouilh’s Antigone is less widely known than Sophocles’ Antigone. But Anouilh’s “adaptation” of the classic Greek tragedy is an important work in itself. W…

SOURCE: stagebuddy.com at 5:02pm on May 18, 2017

Review: Derren Brown: Secret by J. C. Wright

In the beginning of Secret, illusionist Derren Brown tells you that he will lie to you. He also tells you that he is neither magic nor psychic. By the end of the show you may be forgiven …

SOURCE: stagebuddy.com at 3:50pm on May 18, 2017

Review: Raisin by Jose Solis

It’s been 42 years since the show was last produced in New York City, so here’s 42 reasons why the APAC revival is essential. In 1974, Raisin, the musical version of Lorraine Han…

SOURCE: stagebuddy.com at 12:41pm on May 17, 2017

Review: Enda Walsh's 'Arlington' and 'Rooms' by K Krombie

Enda Walsh wants to mess with your mood swings by creating non-linear, atmospheric works for you to interpret. It is entirely up to you what you make of it. Walsh will not hold himself respo…

SOURCE: stagebuddy.com at 2:15pm on May 16, 2017

Review: Radiotheatre's Edgar Allan Poe Festival by Erin Kahn

Last year, RADIOTHEATRE sold out its Edgar Allan Poe Festival, and this year, their celebration of the master of horror is back. Inspired by old-time radio shows and the Pulp Fiction Era, RA…

SOURCE: stagebuddy.com at 4:46pm on May 15, 2017

Review: Dan Ruth's A Life Behind Bars by Scott Adams

Cutting-edge theater, or in this case, biting-edge theater, is all about taking risks. What's new and different about Dan Ruth's A Life Behind Bars is both his deep honesty in portraying a q…

SOURCE: stagebuddy.com at 1:18pm on May 15, 2017

Review: 3/Fifths by Jose Solis

A chronicle of my experience at James Scruggs' 3/Fifths running at 3-Legged Dog through May 28th. 06:50 PM – I arrive at 3LD and am told to sit and wait by where the blind woman (Cathe…

SOURCE: stagebuddy.com at 3:42pm on May 12, 2017

Q&A: Artists of the Downtown Urban Arts Festival, Part 2 by Hanna Oldsman

The Downtown Urban Arts Festival brings six weeks of multi-disciplinary cultural offerings to lower Manhattan, including theater, film, music and poetry. We caught up with the theater artist…

SOURCE: stagebuddy.com at 8:12am on May 12, 2017

Review: The Downtown Experience by Erin Kahn

Part historical tour, part virtual reality, and part street performance, The Downtown Experience (powered by The Ride) is an imaginative ride through the history of Downtown Manhattan, begin…

SOURCE: stagebuddy.com at 12:06pm on May 11, 2017

Review: Entertaining Mr. Sloane by J. C. Wright

There is a particular prop set up in Joe Orton's Entertaining Mr. Sloane that vividly distills both the essence of the play and the essential spirit of the playwright. One of the characters …

SOURCE: stagebuddy.com at 1:18pm on May 9, 2017

Interview: Lea Salonga on Returning to Feinstein's/54 Below and How She Discovers New Music by Jose Solis

Lea Salonga loved her spring shows at Feinstein's/54 Below in 2016 so much, that she's back in 2017 with new material and more of that star quality that has made her one of Broadway's most b…

SOURCE: stagebuddy.com at 9:27am on May 9, 2017

Q&A: Artists of the Downtown Urban Arts Festival, Part 1 by Hanna Oldsman

The Downtown Urban Arts Festival brings six weeks of multi-disciplinary cultural offerings to lower Manhattan, including theater, film, music and poetry. We caught up with the theater artist…

SOURCE: stagebuddy.com at 5:55am on May 9, 2017

Interview: Shay Gines on Directing Paul Zindel's Black Comedy "And Miss Reardon Drinks a Little" by Saima Huq

Just in time for its 50th anniversary, Paul Zindel’s black comedy And Miss Reardon Drinks a Little is hitting the New York theatre scene. Directed by Shay Gines, this work centers arou…

SOURCE: stagebuddy.com at 1:51pm on May 8, 2017

Interview: Max Von Essen on the Timeliness of 'The Dreyfus Affair' and How the Political Climate Helped Him Reignite the Love for His Work by Jose Solis

Tony nominee Max Von Essen will lead the company of The Dreyfus Affair at BAM from April 27-May 7. The play by Eve Wolf chronicles the saga of Alfred Dreyfus, a French artillery officer who …

SOURCE: stagebuddy.com at 8:30pm on May 3, 2017

Review: Mourning Becomes Electra by Victoria Santos

In a city full of ninety-minute plays with no intermission, this writer welcomes the return of the six-hour production. If youʼre the type to enjoy spending your Saturday night in the the…

SOURCE: stagebuddy.com at 5:00pm on May 3, 2017

Interview: Unitard on What They Love, Bonding Through Mutual Hatred, and the Nuclear Apocalypse by Jose Solis

The world is full of many things that make life worth living for, but there are things like artisanal cheese, gypsy pants and anything kale that make one wonder if we are in fact an intellig…

SOURCE: stagebuddy.com at 5:44pm on May 2, 2017
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