COLLATERAL DAMAGE by JOHN LAHR
David Hare on the march to war in Iraq.
David Hare on the march to war in Iraq.
“The Day Emily Married” and “Fiction.”
Revivals by Arthur Miller and Nathan Lane.
Star turns in a Shakespeare comedy.
Words and Music by Margaret Case Harriman
This Profile, by Margaret Case Harriman, appeared in The New Yorker in 1940, not long after Porter suffered a debilitating horse-riding accident.
KING COLE by JOHN LAHR
The not so merry soul of Cole Porter.
An artist in search of his muse in “Sight Unseen.”
Twenty-seven characters in search of a play.
Boy and Light Raise the Roof.
Insanity and insects in “Guinea Pig Solo” and “Bug.”
"A Raisin in the Sun" and a Bollywood lemon.
Sondheim and Stoppard on Broadway.
Studies in psychology and slickness.
Initmate Apparel, Match.
Comedy and collapse in “Twentieth Century” and “Well.”
“Frozen” and “Embedded.”
Two leaders dethroned at Lincoln Center.
“Fiddler on the Roof” and “Bridge and Tunnel.”
A death-wish trifecta.
LONDON POSTCARD: DARK MATERIAL by Louis Menand
Adam Guettel’s Italian romance.
Richard Foreman takes on the ghosts of imperialism.
Savion Glover at the Joyce Theatre.
Adam Green meets the last of the great press agents.
Wallace Shawn’s "Aunt Dan and Lemon."
Tracey Scott Wilson on race, ambition, and journalistic ethics.
Love and tap in “Never Gonna Dance.”