Publicity, diversity of views lost as daily criticism is reduced By John Moore
Companies depend on reviews to spur interest, fill seats at their productions
Companies depend on reviews to spur interest, fill seats at their productions
"It's an invention," said actor Kerry O'Malley.
Eagerly awaited "1940s Radio Hour" followup to debut despite writer's life-threatening health crisis.
"Defiance" explores the homecoming heartaches of Vietnam veterans, with lessons for a new generation
A special event in Colorado Springs honors a special force in American musical theater
To be 27, to be in New York City, to be in love—and to be a producer of a hit Broadway show, well, Tara Smith is living the dream.
The sharks are circling around the Ellie Caulkins Opera House - and my e-mail inbox.
"Disney apologist!" they cry, the most cutting barb one could ever launch at a critic.
Boggess simply inhabits the headstrong, 16-year-old princess who defies her well-meaning but ill-equipped single father. Bet on it: This tiny kid's gonna be a big Broadway star (hey, it's no…
Some see the Walt Disney Co. as an interloper that's overrun the Denver Performing Arts Complex with New Yorkers we'll never see again after The Little Mermaid closes at the Ellie Caulkins Opera House on Sept. 9. Nothing could be farther from the truth.
Lisa Gilford is a tough critic.
I went with her last week to the DCPA's production of "A Funny Thing Happened on the Way to the Forum." The second-banana role of Hysterium was created by her dad, Jack Gilford, on Broadway in 1962 and again in the movie in 1966.
"Piazza" composer's blood runs Broadway blue
It's hard to say and harder to hear, but the n-word uttered in a theater context has an important meaning.