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8,108 stories from DC Theatre Scene

What's international director Ethan McSweeny doing in small town Staunton, VA? by Tim Treanor

– Ethan McSweeny's been handed the keys to the American Shakespeare Center. Here’s what he plans to do with them. – How the Job Found the Man He knew of the place, but he d…

SOURCE: DC Theatre Scene at 12:12pm on October 25, 2018

Review: The Lifespan of a Fact, Daniel Radcliffe, Cherry Jones and Bobby Cannavale by Jonathan Mandell

The first fact that fact-checker Jim (Daniel Radcliffe) argues about in the essay by  magazine writer John (Bobby Cannavale) is how many strip clubs there are in Las Vegas. Adult Industry…

SOURCE: DC Theatre Scene at 2:12pm on October 24, 2018

Anna Ziegler's Actually, a provocative counterpoint to the issue of sexual consent by Meaghan Hannan Davant

Anna Ziegler's (Photograph 51) new two-person play Actually sets out as an intimate exploration of one of our society's most taboo, yet timely, topics"sexual consent among two young people i…

SOURCE: DC Theatre Scene at 12:04pm on October 24, 2018

Review: Blight, a dark comedy about guilt and real estate from Pinky Swear Productions. by Lorraine Treanor

When a 15 year old boy leaves home with a gun, heads out to kill as many people as he can, say, at, a Planned Parentood clinic, and then kills himself, who should take the blame?  The chi…

SOURCE: DC Theatre Scene at 10:54am on October 24, 2018

Review: Sing to Me Now. Overworked muse seeks intern by John Bavoso

In the promotional materials for their production of Iris Dauterman's Sing To Me Now, Rorschach Theatre has been highlighting one particular quote from the script: "Every second you hesitate…

SOURCE: DC Theatre Scene at 10:54am on October 24, 2018

Review: Mozart's Figaro in Four Quartets from In Series by Susan Galbraith

Mozart's delightful Marriage of Figaro has been a perennial favorite, not only produced frequently by opera companies, but its material has been poured over, parsed, and mastered as part of …

SOURCE: DC Theatre Scene at 1:04pm on October 23, 2018

Review: Henry V, commedia-style, finds the funny but loses the tragedy by Tim Treanor

It is worth noting that almost all the Shakespeare histories are tragedies, and almost all the kings whose stories he recounts are fools or knaves or both. The one exception (aside from the …

SOURCE: DC Theatre Scene at 1:04pm on October 23, 2018

ROOMS, a Rock Romance review: Ten years later, fall in love again at MetroStage by Susan Galbraith

What to call the rare and precious experience of sitting in the darkness of a theatre where something has broken out of its own self and taken wing?  Some say a magical work of art is one…

SOURCE: DC Theatre Scene at 1:18pm on October 22, 2018

Review: Frankenstein, part of We Happy Few's Horror Rep by Jill Kyle-keith

We Happy Few specializes in bringing classical plays to life- and what better classic to choose this Halloween season than Mary Shelley’s Gothic horror story, Frankenstein? WHF’s…

SOURCE: DC Theatre Scene at 12:12pm on October 22, 2018

Gloria A Life Review: Stories from Gloria Steinem's life and the women's movement as support group in trying times by Jonathan Mandell

  Gloria Steinem herself came out in the last twenty minutes of Gloria: A Life to lead the "talking circle," an unscripted conversation with the audience. This was the officially design…

SOURCE: DC Theatre Scene at 3:24pm on October 21, 2018

'Actually' may change how you see the next "he said/she said" case by Keith Loria

Reading the description of Anna Ziegler's thought-provoking play, Actually, it's easy to think the story was ripped right from today's headlines. After all, the plot follows two freshmen at …

SOURCE: DC Theatre Scene at 12:36pm on October 19, 2018

Dance Review: Deborah Colker's Dog Without Feathers, enigmatic and beguiling by Maria Di Mento

Companhia de Dança Deborah Colker's Dog Without Feathers (Cão Sem Plumas) at the Kennedy Center's Eisenhower Theater though Saturday is a small spectacle, but it's a powerful spectacle…

SOURCE: DC Theatre Scene at 11:32am on October 19, 2018

What happens to a community after a mass shooting? A look into Blight by John Bavoso. by Keith Loria

The rolling world premiere of Blight, a new play by playwright and DC Theatre Scene writer John Bavoso, is being produced by Pinky Swear Productions at the Anacostia Playhouse. "Silvia is…

SOURCE: DC Theatre Scene at 11:32am on October 18, 2018

Mother of the Maid Review: Glenn Close as Joan of Arc's mother by Jonathan Mandell

Genghis Khan had a mother; so did Amelia Earhart and Dwight Eisenhower.  Perhaps Mother of the Maid, starring Glenn Close as the woman whom Joan of Arc called Ma, will start a trend of of…

SOURCE: DC Theatre Scene at 9:12pm on October 17, 2018

Review: Aida, stellar performances in Constellation's standout production by Missy Frederick

There are only about a dozen cast members onstage at the exhilarating closing of Aida's first act, but given their vocal power and emotional heft, you'd swear there were 30. Constellation Th…

SOURCE: DC Theatre Scene at 1:32pm on October 17, 2018

Review: The Fall. Members of a student uprising in Cape Town here at Studio. by John Bavoso

Imagine a large group of college students, surrounded by the international media, anxiously awaiting the moment when a statue depicting a key figure from their country's racist past is toppl…

SOURCE: DC Theatre Scene at 12:24pm on October 17, 2018

Review: D. W. Gregory's Dirty Pictures at Baltimore Theatre Project by Jayne Blanchard

Racy photographs stoke the mayhem and comedy of local playwright D.W. Gregory's world premiere play, Dirty Pictures, but its true catalyst lies in finding beauty in the ordinary and overlook…

SOURCE: DC Theatre Scene at 8:04am on October 17, 2018

Review: New Guidelines for Peaceful Times at Spooky Action Theatre by Kelly McCorkendale

The title, New Guidelines for Peaceful Times, sounds like a satirical take on a dystopian world. But it's not. It's a much more earnest, honest, and delicate look at how war"the internal …

SOURCE: DC Theatre Scene at 8:04am on October 17, 2018

Apologia Review: Stockard Channing as Great Idealist, Bad Mother by Jonathan Mandell

In Apologia, the well-acted, finely directed Off-Broadway production of Alexi Kaye Campbell's 2009 play,  Stockard Channing portrays Kristin Miller, a long-time activist, American expatri…

SOURCE: DC Theatre Scene at 8:04pm on October 16, 2018

Rebecca Ende Lichtenberg named new Managing Director of Studio Theatre today by Lorraine Treanor

Studio Theatre's Board of Trustees announced today that, after an extensive nationwide search for the position of its Managing Director, it has selected Rebecca Ende Lichtenberg, who has ser…

SOURCE: DC Theatre Scene at 6:54pm on October 16, 2018

Review: Venus in Fur from Compass Rose by Jill Kyle-keith

Venus in Fur is a complex play within an even more complex play. The story begins simply: director Thomas Novachek (Joe Mucciolo) has adapted nineteenth century writer Leopold von Sacher-Mas…

SOURCE: DC Theatre Scene at 4:42pm on October 16, 2018

Review: How I Learned to Drive. Round House production shows why it won Vogel the Pulitzer Prize by Tim Treanor

It took a brave playwright to write How I Learned to Drive and it takes a brave company to stage it now, and if you go to see it with an open heart, you are a brave person, too. How I Learne…

SOURCE: DC Theatre Scene at 1:24pm on October 16, 2018

Performing The Fever in DC, its co-creators hope to repair "something that feels a bit broken." by Kate Colwell

We can't tell you much about 600 Highwaymen's new show, The Fever, without spoiling the experience. Woolly Mammoth Theatre cryptically calls it a "spellbinding examination of how we assemble…

SOURCE: DC Theatre Scene at 12:18pm on October 16, 2018

Review: Anon(ymous) by Tim Treanor

In this play, Anon (Eiren Stevenson) and his mother Nemasani (Toni Rae Salmi) flee their war-desecrated county to go to a land that they have heard is just and prosperous. But when they get …

SOURCE: DC Theatre Scene at 10:06am on October 16, 2018

What's Twelfth Night doing in a NY '80's queer club? Avant Bard adaptors explain. by Keith Loria

William Shakespeare's Twelfth Night, or What You Will has been probably adapted into more styles, settings than any of the Bard's plays. Whether it's Play On, a Broadway jukebox musical f…

SOURCE: DC Theatre Scene at 1:24pm on October 15, 2018
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