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35,727 stories from The Guardian

The week in theatre: Antony and Cleopatra; Touching the Void; Poet in da Corner " review by Kate Kellaway

Olivier, London; Bristol Old Vic; Royal Court, LondonRalph Fiennes's Antony grapples with a midlife crisis while Sophie Okonedo's Cleopatra is the ultimate diva in an outstanding production …

SOURCE: The Guardian at 3:18am on September 30, 2018

Arts 'guardians' set up in wake of Kevin Spacey scandal by Nosheen Iqbal

Old Vic theatre trained staff to 'act as an outlet' for concerns around sexual harassment and bullyingA pioneering workplace scheme set up in the wake of the Kevin Spacey scandal at the Old …

SOURCE: The Guardian at 4:18pm on September 29, 2018

Leo Butler, playwright: 'I want to take the audience on a trip' by Interview By Holly Williams

The Sheffield-born writer tells how taking part in a clinical trial on LSD gave him the chance to relive his youth " and the subject for his new playLeo Butler was born in Sheffield in 1974.…

SOURCE: The Guardian at 10:48am on September 29, 2018

Romesh Ranganathan: 'I'll stop talking about race when I stop experiencing racism' by Romesh Ranganathan

Is it OK to tell Irish jokes in a fake Sri Lankan accent? The comedian on talent shows, trolls and his right to offendMy first ever gig was at a Pontins holiday camp when I was nine. It had …

SOURCE: The Guardian at 9:36am on September 29, 2018

17c review " rollicking 21st-century take on Samuel Pepys by Lyndsey Winship

Old Vic, LondonPepys's celebrated diaries come under feminist scrutiny in Big Dance Theater's postmodern mashupWhat's the British slang for penis? The woman in the wig wants to know. She's a…

SOURCE: The Guardian at 5:12pm on September 28, 2018

'Home theatre' boom lets audiences star in their own kitchen-sink drama by Derek Bond

Community-led performers are flipping theatre's power dynamic by putting on shows in their audience's homeThe rise in immersive and interactive theatre means audiences are used to being part…

SOURCE: The Guardian at 11:36am on September 28, 2018

Charlie Ward review " Chaplin's slapstick turns into shellshock by Catherine Love

York Army Museum Lying in a row of beds, an audience of 10 is transported to a wartime hospital in Sound&Fury's arresting showThere are no images of the first world war in Sound&Fury…

SOURCE: The Guardian at 10:33am on September 28, 2018

Dancing to the diary of Samuel Pepys " in pictures by Tristram Kenton

New York City-based company Big Dance Theater makes its UK premiere at the Old Vic in London with 17c, a feminist contemporary dance-theatre presentation of the diarist's life Continue readi…

SOURCE: The Guardian at 8:24am on September 28, 2018

Pinter at the Pinter review " terrifying, tantalising power games by Michael Billington

Harold Pinter theatre, London Antony Sher, David Suchet and Hayley Squires are among the cast for a compelling set of works by the master playwrightJamie Lloyd has had the bold, bright idea …

SOURCE: The Guardian at 7:18am on September 28, 2018

Now the Hero/Nawr yr Arwr review " breathtaking requiem for the fallen by Rian Evans

Various venues, SwanseaWarriors emerge from the waves of Swansea Bay at the start of an epic piece of theatre marking the end of the first world war'Remembrance is not enough." These stark w…

SOURCE: The Guardian at 12:18pm on September 27, 2018

My favourite Pinter by Antony Sher, Hayley Squires and Paapa Essiedu by Interviews By Chris Wiegand

Stars of the West End's Pinter at the Pinter season pick plays by the dramatist that changed the way they thought about theatre Continue reading...

SOURCE: The Guardian at 7:54am on September 27, 2018

Antony and Cleopatra review " Okonedo and Fiennes are a magnificent match by Michael Billington

Olivier, London Simon Godwin directs a terrific and epic National Theatre production, filled with passion and delusionThis is the third production of Shakespeare's tragedy on the Olivier sta…

SOURCE: The Guardian at 6:48am on September 27, 2018

Trial By Laughter review " Private Eye team's tribute to satirist by Mark Lawson

Watermill, NewburyThe 'blasphemous' 19th-century pamphleteer William Hone is at the sharp end of destructive libel action in Ian Hislop and Nick Newman's dramaIan Hislop and Nick Newman, edi…

SOURCE: The Guardian at 1:18am on September 27, 2018

'A new way to stretch yourself': the older people realising their acting dreams by Frances Perraudin

Most theatres run youth groups but Manchester's Royal Exchange also has a company of amateur actors over 60. Its members discuss acting's cruelty and camaraderie " and the joy of 'not giving…

SOURCE: The Guardian at 3:24pm on September 26, 2018

Poet in da Corner review " thrilling grime musical leaves you Dizzee by Arifa Akbar

Royal Court, LondonDebris Stevenson tells how grime became her salvation in a show that explores race, representation and authenticityIn 2003, Dizzee Rascal won the Mercury prize for the sem…

SOURCE: The Guardian at 12:18pm on September 26, 2018

Rebus: Long Shadows review " Ian Rankin's sleuth fails to arrest by Michael Billington

Birmingham RepCharles Lawson is on fine form as a retired John Rebus but the novelist's Edinburgh underworld is missingYou can see the temptation to bring Ian Rankin's rumpled sleuth John Re…

SOURCE: The Guardian at 8:48am on September 26, 2018

4.48 Psychosis review " Kane's swansong is spoken, signed, mimed and danced by Miriam Gillinson

New Diorama, LondonSarah Kane's play becomes an exploration of living with profound disability in Deafinitely Theatre's productionSarah Kane's gruelling last play feels doubly painful in thi…

SOURCE: The Guardian at 9:42am on September 25, 2018

The Other Place review " rage, confusion and compassion in dementia drama by Michael Billington

Park theatre, LondonKaren Archer gives a fine performance as a woman experiencing cognitive difficulties in Sharr White's playHow do you dramatise dementia? Not easily. But Sharr White, in a…

SOURCE: The Guardian at 7:36am on September 25, 2018

National Theatre Wales row risks ignoring audiences | Gareth LlÅ·r Evans by Gareth LlÅ·r Evans

An open letter signed by 40 Welsh playwrights criticising NTW doesn't take into account audiences' responses to the company's recent showsLast week, Wales Arts Review published an open lette…

SOURCE: The Guardian at 5:24am on September 25, 2018

'He was flying': how Rudolph Nureyev defied gravity by Sarah Crompton

He was an explosively powerful dancer whose grace and beauty revolutionised ballet. Has anyone ever leapt higher? As two Nureyev films appear, we remember the impoverished Russian kid who el…

SOURCE: The Guardian at 2:12am on September 25, 2018

Has the English National Ballet become too predictable? by David Jays

Leading dancer Laurretta Summerscales has said the endless repeats of crowd-pleasing classics is one reason she left the ENB. So why is it so keen on Swan Lake and The Nutcracker?How many sw…

SOURCE: The Guardian at 2:06pm on September 24, 2018

The First Annual Trump Family Special review " outrageous musical can't outdo Donald by Alexis Soloski

Triad theater, New YorkThis musical parody stars Gina Gershon as Melania and is stuffed with unsubtle humour, but no parody is as shocking as the president himselfDemocracy in shambles? Why …

SOURCE: The Guardian at 2:06pm on September 24, 2018

National Theatre Wales is neglecting Welsh talent | Lisa Parry by Lisa Parry

Audiences crave new Welsh plays but NTW is marginalising our stories. It's time for a debate about what our national theatre should beLast week, a group of playwrights sent a letter to the h…

SOURCE: The Guardian at 11:48am on September 24, 2018

I Wish I Was a Mountain review " jazzy Hermann Hesse tale is stunning by Chris Wiegand

The Egg, BathWith two turntables, a street's worth of houses and a German fairytale, performance poet Toby Thompson creates a beautiful show for over-sevensChildren live in the moment but by…

SOURCE: The Guardian at 8:32am on September 24, 2018

Point of Echoes review " heave-ho for horror in haunting lighthouse show by Sanjoy Roy

The Place, LondonDesigned to be playable anywhere from local theatres to village halls, Ben Wright's choreographed play has small resources but creates a big worldThere's a lot to be said fo…

SOURCE: The Guardian at 3:06am on September 24, 2018
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