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35,727 stories from The Guardian

Sundowning review " devastating dementia drama lingers and burns by Miriam Gillinson

Tristan Bates theatre, London Hazel Maycock is superb in a moving family tale crammed with feeling and insightDementia is a heartbreaker. It's also a nightmare to stage: repetitive, meanderi…

SOURCE: The Guardian at 7:04am on October 23, 2018

Shobana Jeyasingh: Contagion review " the body's feverish battleground by Sanjoy Roy

Imperial War Museum North, ManchesterA dance work about the world flu pandemic that killed millions at the end of the first world war suggests a humanity invadedShobana Jeyasingh's Contagion…

SOURCE: The Guardian at 11:12am on October 22, 2018

Dave Chappelle and Jon Stewart review " sharp satire at America's expense by Brian Logan

Royal Albert Hall, LondonThe world-renowned pair team up with comics Mo Amer and Michelle Wolf to tackle Trump, the opioid crisis and gun violence in a night which delivers big laughsPlenty …

SOURCE: The Guardian at 10:06am on October 22, 2018

Thick As Thieves review " harrowing two-hander explores life after being in care by Gareth LlÅ·r Evans

Theatr Clwyd, MoldTwo friends raised in care meet after many years in a complex drama featuring some deeply committed performancesTowards the climax of Katherine Chandler's Thick As Thieves,…

SOURCE: The Guardian at 10:06am on October 22, 2018

Manon review " an epic fail of the Bechdel test by Sanjoy Roy

Manchester Opera HouseThe story of an ill-treated 18th-century convent girl is troubling, but English National Ballet perform Kenneth MacMillan's version with breathtaking virtuosityThe open…

SOURCE: The Guardian at 12:12pm on October 21, 2018

Todd Solondz: 'I have weak moral fibre. I wish I were stronger' by Ryan Gilbey

His films tackled paedophilia, abortion and deadly dachshunds. In his debut play, the barbed laureate of US cinema explores the race and class dynamics of childcare. But his own nanny isn't …

SOURCE: The Guardian at 10:04am on October 21, 2018

Wise Children review " Emma Rice's joyous Angela Carter adaptation by Kate Kellaway

Old Vic, LondonCarter's riotous novel about a south London theatrical dynasty bursts on to the stage in this life-enhancing showAt the end of a programme essay, Emma Rice wonders what Angela…

SOURCE: The Guardian at 3:24am on October 21, 2018

The Great Tamer review " out on a limb with Dimitris Papaioannou by Luke Jennings

Sadler's Wells, LondonThe Greek choreographer delves into ancient myth for his visionary piece fragmenting the human experienceIn the opening scene of The Great Tamer, directed and choreogra…

SOURCE: The Guardian at 3:24am on October 21, 2018

Europe review " David Greig's Yugoslav war play still resonates by Clare Brennan

Leeds PlayhouseCharacters stranded in a transitional land exchange stories, fears and hopes in this timely productionPremiered during the Yugoslav wars, the action of David Greig's first ful…

SOURCE: The Guardian at 3:24am on October 21, 2018

The week in theatre: Company; Measure for Measure; Stories " review by Susannah Clapp

Gielgud; Donmar Warehouse; Dorfman, LondonMarianne Elliott dazzlingly remakes Sondheim, Josie Rourke adds a Shakespearean twist, and from Nina Raine, a sperm donor comedy…How marvellous th…

SOURCE: The Guardian at 10:18am on October 20, 2018

Europe review " David Greig's searing border story still hits home by Catherine Love

Leeds PlayhouseJames Brining's revival of this rueful study of foreignness and fear doesn't go out of its way to seem timely because it doesn't need toWhat is Europe? A continent, an idea, a…

SOURCE: The Guardian at 3:12pm on October 19, 2018

Patti LuPone steals the show in 'glorious' reimagining of Company by Aamna Mohdin

Actor returns from retirement to give show-stopping performance in acclaimed show that swaps male lead for a womanPatti LuPone has reclaimed her crown as queen of musicals in a performance t…

SOURCE: The Guardian at 1:04pm on October 19, 2018

Nude, skewed and turbo-charged: the dancers weaving a mesmerising magic by Lyndsey Winship

Dimitris Papaioannou's show at Dance Umbrella is a painterly piece that leaves little to the imagination, while Le Patin Libre deliver a haunting show on iceLondon's Dance Umbrella festival …

SOURCE: The Guardian at 8:42am on October 19, 2018

Fin Taylor: 'The funniest sketch I've ever seen? Anything from Big Train' by Harriet Gibsone

The Whitey McWhiteface and Lefty Tighty Righty Loosey standup on the things that make him laugh the mostMat Ewins's Edinburgh show in 2017 is hard to top. He is one of my closest friends in …

SOURCE: The Guardian at 8:42am on October 19, 2018

Troilus and Cressida review " love, war and lechery on the road to dystopia by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonVirtuoso percussionist Evelyn Glennie provides a soundscape for Gregory Doran's futuristic production Expectation whirls me round, to borrow a p…

SOURCE: The Guardian at 6:33am on October 19, 2018

Broadway and the beast: King Kong takes to the New York stage by Jake Nevins

In an ambitious new production, a 20ft beast is transported to Broadway and the team behind it talks about how they updated the classic storyFor better or worse, while strolling through Manh…

SOURCE: The Guardian at 4:18am on October 19, 2018

The Lifespan of a Fact review " Daniel Radcliffe's patchy return to Broadway by Alexis Soloski

Studio 54, New YorkAn intriguing premise and a confident assemblage of ideas fall apart onstage despite a trio of strong performancesFact: Lifespan of a Fact is one of the three best new pla…

SOURCE: The Guardian at 10:48pm on October 18, 2018

Wise Children review " Emma Rice's spectacular Angela Carter carnival by Arifa Akbar

Old Vic, LondonRazzle-dazzle showbiz twins bewitch and delight in an inventive, smart and saucy productionWise Children is Angela Carter's rambunctious last novel about illegitimacy, incest …

SOURCE: The Guardian at 7:32pm on October 18, 2018

Cicely Berry obituary by Nicholas Fogg

Leading voice coach who joined the Royal Shakespeare Company in 1969Cicely Berry, who has died aged 92, was the best-known voice coach of her generation, though the term vastly underrates wh…

SOURCE: The Guardian at 5:24pm on October 18, 2018

Don Carlos review " Tom Burke strikes out with Schiller's tale of intrigue and incest by Kate Maltby

Exeter Northcott theatreThe actor and director Gadi Roll launch their new company with the drama set in the 16th-century Spanish courtSchiller's 18th-century drama has long lent itself to fl…

SOURCE: The Guardian at 3:18pm on October 18, 2018

Stories review " Nina Raine's smart drama about seeking a sperm donor by Michael Billington

Dorfman, LondonPlaying a single woman determined to have a child, Claudie Blakley lights up a new play by the Consent dramatistA character in Nina Raine's vibrant new play points out that th…

SOURCE: The Guardian at 9:54am on October 18, 2018

Kate Geraghty obituary by Nancy Whiskin

My aunt, Kate Geraghty, who has died aged 78, was an accomplished actor on stage and screen. Her stage name, Kate Lansbury, came from her great-grandfather George Lansbury, the Labour leader…

SOURCE: The Guardian at 8:54am on October 18, 2018

All You Need Is LSD review " Doctor Who meets Timothy Leary by Mark Fisher

Unity, LiverpoolDeparting from convention and reality, Leo Butler's simulated psychedelic experience crashes around with jolly abandonYou can imagine an Open University programme that sets o…

SOURCE: The Guardian at 6:33am on October 18, 2018

Company review " sex-switch Sondheim proves a heavenly fling by Michael Billington

Gielgud theatre, London Rosalie Craig and Patti LuPone star in Marianne Elliott's reimagining of the musical about marriage and the single lifeA gender change can work wonders. It is no secr…

SOURCE: The Guardian at 7:36pm on October 17, 2018

Death of a Salesman review " Don Warrington is the business by Mark Fisher

Royal Exchange, ManchesterSarah Frankcom gives Arthur Miller's decline-and-fall drama an extra edge in this powerful productionDon Warrington's Willy Loman is at the centre of his own univer…

SOURCE: The Guardian at 8:36am on October 17, 2018
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