DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
4,023 stories from http://www.theaterscene.net

What Passes for Comedy by Victor Gluck, Editor-in-chief

G.D. Kimble's "What Passes for Comedy" depicts the fascinating era of early live television talk shows and the racism and anti-Semitism which was acceptable in those days. However, it also h…

SOURCE: www.theaterscene.net at 6:44pm on October 31, 2022

HOUND DOG by Tony Marinelli

Director Machel Ross does little to guide this play to any semblance of cohesion.  Scenes 1 and 13, between Hound Dog and Ayse, her childhood best friend, begin with the exact same lines …

SOURCE: www.theaterscene.net at 1:04am on October 30, 2022

Twlya Tharp: "In the Upper Room" & "Nine Sinatra Songs" by Joel Benjamin

A scene from Twyla Tharp's "In the Upper Room" at New York City Center (Photo credit: Benjamin Miller) Joel Benjamin, Critic When Twyla Tharp's ballets are good, they are great: works of …

SOURCE: www.theaterscene.net at 12:00pm on October 29, 2022

A Raisin in the Sun by Victor Gluck, Editor-in-chief

Mandi Masden, Tonya Pinkins and Toussaint Battiste in a scene from Robert O'Hara's production of Lorraine Hansberry's "A Raisin in the Sun" at The Public Theater (Photo credit: Joan Marcus) …

SOURCE: www.theaterscene.net at 9:33pm on October 27, 2022

Montag by Victor Gluck, Editor-in-chief

While director Dustin Wills has given 'Montag" a superb production, the meaning and message of Kate Tarker's play remains obscure. Demonstrating female empowerment alone is not enough if the…

SOURCE: www.theaterscene.net at 3:49pm on October 24, 2022

Chushingura " 47 Ronin by Joel Benjamin

It's not clear what Amaterasu Za's mission is.  If, as Dachs' program comments indicate, it is to bring Japanese culture to modern audiences, the company needs to be less stodgy and more …

SOURCE: www.theaterscene.net at 12:35pm on October 24, 2022

Albert Camus' "The Fall" by Tony Marinelli

Belgian actor Ronald Guttman gives a subtle, yet wrenching performance in "The Fall," expounding the philosophies of Albert Camus trapped in the sad and now resigned character of the exiled …

SOURCE: www.theaterscene.net at 11:57pm on October 23, 2022

The Winter's Tale (Bedlam) by Victor Gluck, Editor-in-chief

Many of Bedlam's productions have used small casts with most of the actors playing more than one role. In the case of "The Winter's Tale," not one of Shakespeare's more often produced plays,…

SOURCE: www.theaterscene.net at 1:20pm on October 21, 2022

Melissa Etheridge Off Broadway: My Window " A Journey Through Life by Tony Marinelli

Etheridge may be 61, but she sounds just as she did when she first came on the American rock scene in 1988:  full-throated emotion and raspy vocals that bring honesty and pathos to intens…

SOURCE: www.theaterscene.net at 11:26pm on October 19, 2022

Death of a Salesman by Joseph Pisano

To be clear, the casting isn't colorblind; it's just casting, with director Miranda Cromwell delicately drawing out a different set of lived experiences from Miller's almost untouched words.…

SOURCE: www.theaterscene.net at 6:46pm on October 19, 2022

1776 by Joel Benjamin

Directed by Jeffrey L. Page (who also did the simplistic choreography) and Diane Paulus, this production's well-meaning gimmick is to have all the historic characters played by a "cast that …

SOURCE: www.theaterscene.net at 11:37am on October 18, 2022

Leopoldstadt by Victor Gluck, Editor-in-chief

Tom Stoppard's "Leopoldstadt" is a powerful achievement, a history of our time as well as a cautionary tale. In depicting Jewish life in Vienna from 1899 - 1955, It also reveals a way of lif…

SOURCE: www.theaterscene.net at 11:53pm on October 17, 2022

Everything's Fine by Victor Gluck, Editor-in-chief

Actor/writer/director Douglas McGrath is a charming storyteller and his one-man show "Everything's Fine" is a total delight. He tells the entertaining and poignant story of his eventful 14th…

SOURCE: www.theaterscene.net at 8:48pm on October 16, 2022

Baldwin & Buckley At Cambridge by Victor Gluck, Editor-in-chief

"Baldwin & Buckley at Cambridge" should stir up controversy as their 1965 topic is still relevant. Such a debate today would have a great deal more ammunition than either of these men ha…

SOURCE: www.theaterscene.net at 1:50pm on October 14, 2022

Powerhouse by Tony Marinelli

Harms' play never lets up in its homage to corporate intrigue laced with humor. The audience's caring for how Regan and Guy end up is a given, so that we can forgive his "poetic license" in …

SOURCE: www.theaterscene.net at 12:05pm on October 14, 2022

Cost of Living by Joseph Pisano

Perhaps because of its prestigious accolade, or just undeniable merit, "Cost of Living" is the first of Majok's heartfelt efforts to make the journey from off-Broadway to on-Broadway in the …

SOURCE: www.theaterscene.net at 10:47am on October 12, 2022

The Sea Lady by Victor Gluck, Editor-in-chief

Neith Boyce's "The Sea Lady," a Broadway-bound play in 1935, only now having its world premiere at Metropolitan Playhouse is an attempt at a Shavian play of ideas. Based on a 1901 novel by s…

SOURCE: www.theaterscene.net at 10:33am on October 11, 2022

Washington Square by Victor Gluck, Editor-in-chief

On what is either a shoestring budget or a conscious effort to strip Henry James' novel down to its essentials, Randy Sharp's new adaptation of "Washington Square" is both exciting theater a…

SOURCE: www.theaterscene.net at 7:58pm on October 10, 2022

Our Town…but Wilder by Joel Benjamin

Krevolin is a clever writer, turning Wilder's American folk tale into a modern comedy/drama with relevance to today's audiences.  Although he often makes his points a bit too obviously wi…

SOURCE: www.theaterscene.net at 4:51pm on October 10, 2022

Complicity by Tony Marinelli

On paper, Diane Davis' play "Complicity" offers a stark, yet refreshing take on the now familiar Harvey Weinstein-tainted Hollywood story of women being victimized by a male-run, male-driven…

SOURCE: www.theaterscene.net at 11:51am on October 10, 2022

I'm Revolting by Victor Gluck, Editor-in-chief

There are two truisms in life in addition to the one about death and taxes: it takes all kinds of people to make a world and something will get everyone in the end. The world premiere of Gra…

SOURCE: www.theaterscene.net at 10:38pm on October 5, 2022

Weightless by Victor Gluck, Editor-in-chief

"Weightless" is an engaging little indie rock musical, little in the sense that it has only three characters plus a narrator and runs only 75 minutes of playing time. The show features the B…

SOURCE: www.theaterscene.net at 3:47pm on October 4, 2022

New York City Center Fall for Dance 2022: Program 4 by Joel Benjamin

"Men of Kyiv," choreographed to high-spirited traditional folk music by Pavlo Virsky, pitted two groups of men"one wearing blue T-shirts, the other yellow, the colors of the Ukrainian nation…

SOURCE: www.theaterscene.net at 12:57pm on October 3, 2022

Cheek to Cheek: Irving Berlin in Hollywood by Tony Marinelli

As conceived, directed and choreographed by Randy Skinner, who was also part of the creative team that brought the stage version of the 1954 classic Irving Berlin's "White Christmas" to Broa…

SOURCE: www.theaterscene.net at 11:56am on September 27, 2022

Fall for Dance Festival 2022: Program 1 by Joel Benjamin

Perhaps the supreme dance festival in New York City, maybe even in the world, New York City Center's Fall for Dance 2022 is celebrating its 19th year of presenting a panoply of domestic and …

SOURCE: www.theaterscene.net at 11:50pm on September 26, 2022
« Previous 25   Page 46 of 161   Next 25 »