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1,908 stories from The New Yorker

The Women of "Hamilton" by Michael Schulman

Lin-Manuel Miranda's rightfully lauded hip-hop musical "Hamilton," which has just opened on Broadway after a smash run at the Public, is about many things, among them men: how they fight, wr…

SOURCE: The New Yorker Subscription at 6:45am on August 7, 2015

E. L. Doctorow in The New Yorker by David Haglund

E. L. Doctorow died on Tuesday in Manhattan. He was eighty-four. Widely celebrated for his often formally adventurous historical novels""The Book of Daniel," "Ragtime," "Billy Bathgate,"�…

SOURCE: The New Yorker Subscription at 1:17pm on July 22, 2015

Save SubCulture by Russell Platt

"A Dynamic Home for Artists and New Music of All Kinds," the home page says on the Web site for National Sawdust, a cutting-edge venue in Williamsburg that opens, after much anticipation,…

SOURCE: The New Yorker Subscription at 9:14pm on July 16, 2015

A Musical Set in the Mind of Sergei Rachmaninoff by Hilton Als

I want to say a special word about Dave Malloy's "Preludes," because it is the work of an artist who is not afraid to try things, or to create worlds that haven't necessarily been seen befor…

SOURCE: The New Yorker Subscription at 2:52am on June 26, 2015

The Shakespeare Algorithm by Alastair Gee

In 1727, a writer and editor named Lewis Theobald was preparing to unveil "Double Falsehood," a tragicomedy that he said was based on manuscripts of a lost play by Shakespeare. "The good old…

SOURCE: The New Yorker Subscription at 2:19pm on June 19, 2015

Movie of the Week: "Grey Gardens" by Richard Brody

Movies change over the years. Decades ago, I saw "Grey Gardens" as a story of a festering delusion of the American aristocracy and the closed circles of high society decaying into inanition …

SOURCE: The New Yorker Subscription at 1:23pm on June 18, 2015

The Best Broadway Musical That Doesn't Exist by Michael Schulman

Broadway loves a messy, washed-up diva who cleans up (only so much) for a comeback, and on Monday night that diva was "Smash." It's been two years since NBC cancelled the series, a musical d…

SOURCE: The New Yorker Subscription at 7:22pm on June 10, 2015

The Tony Awards Phone Home by Michael Schulman

The Tony Awards broadcast is an act of contortion, in which one medium (live theatre) simultaneously puffs itself up and scrunches itself down to fit into another (television). Every once in…

SOURCE: The New Yorker Subscription at 3:46pm on June 8, 2015

On Broadway by David Owen

In the late nineteen-nineties, Elise Engler asked an upstairs neighbor a vexing philosophical question: Is a safety pin a thing? Engler is an artist, and she was working on a sequence of dra…

SOURCE: The New Yorker Subscription at 10:15am on June 1, 2015

SOLOS AND SOLITARIES by JOHN LAHR

Telling it like it was and wasn't.
"Woman Before a Glass"; "Primo"; "Orson's Shadow."

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

MARCH MADNESS by JOHN LAHR

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

SCOUNDREL TIME by JOHN LAHR

Trials and tribulations on Broadway and Off.
Romance; The Last Days of Judas Iscariot; Dirty Rotten Scoundrels.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

PRISONERS OF ENVY by JOHN LAHR

Donald Margulies and David Rabe on the not-so-sweet smell of success.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

MAD WOMEN by HILTON ALS

“K.I. from ‘Crime’ ” and “Belize.”

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

MR. WRONG by JOHN LAHR

Neil LaBute’s “Fat Pig.”

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

THE DESTINY OF ME by JOHN LAHR

Dame Edna, Woody Allen, and the selfish gene.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

SHADOWBOXING by JOHN LAHR

Rage takes the stage.
"Whoopi," "The God of Hell."

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

A CRITIC AT LARGE

THE HITMAKER by ROBERT GOTTLIEB
George S. Kaufman.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

THE TALK OF THE TOWN: THE BOARDS

RESONATING
Lillian Ross visits Randy Quaid on the set of Sam Shepard’s new play.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

THE TALK OF THE TOWN

PERSONAL RESPONSIBILITY DEPT.
Michael Specter on the activist Larry Kramer’s latest speech.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

SOMETHING BORROWED by MALCOLM GLADWELL

Should a charge of plagiarism ruin your life?
"Frozen."

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

SOUL SKETCHES by JOHN LAHR

Tennessee Williams’s unknown one-acts.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

REVIVALS

CINDERELLA STORY by Nancy Franklin

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

THE FURY AND THE JURY by JOHN LAHR

Women, and men, make themselves heard.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

RUNNING WILD by JOHN LAHR

“Richard III” and “Reckless.”

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015
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