3,308 stories from Newsday
Broadway-bound, a post-'Producers' Henry Goodman may be bloodied, but he's unbowed
With the year barely begun, the first of January's theatrical casualties are already announced.
'The Graduate" is not quite as ludicrous as it was when it opened last April. This should not be considered high praise.
The relentless motion of "Chicago” -- adapted from the 1975 Bob Fosse musical that was revived on Broadway to enormous success in 1996 -- undermines whatever emotional momentum is intended…
If "Chicago" takes off at the box office, it could herald the return of the movie musical, celebs attending last week's Ziegfeld Theater premiere said on the red carpet.
Plays receive first exposure at playwrights festival
It was murder getting 'Chicago' to the big screen: three decades of holdups, talent troubles and ...all that jazz
Large cast, lavish sets make 'Dinner' a treat
The Broadway community, thanks to an effort organized by director Scott Ellis ("The Man Who Had All the Luck," "The Boys From Syracuse") and the League of American Theatres and Producers, teamed up to participate in the U.S. Postal Service's Santa Project, in which letters to Santa from underprivileged youths are answered by good Samaritans filling in for St. Nick.
Second item.
Max Von Essen's name isn't on the marquee at the Minskoff Theatre, but that hasn't kept audience members from wondering why it sounds so familiar.
The orchestra, the tap dancing, the formal wear: "White Tie and Tails," Tommy Tune's latest show, is very much a retro of a star vehicle. "Everything old is new again," Tune contends in the …
Ultimately, the only real shocker in LaBute's 100-minute confrontation is the unconvincing bond between Schreiber's Ben, a married man with kids, and Weaver's Abby, who is single, 12 years o…
The first half of "Gone Home" is an intriguing game.
Oh what a beautiful stage return for Duke
Priscilla Lopez's latest project.
Tune's back on the New York stage in 'White Tie'
Whether you can tolerate Baz Luhrmann's Broadway "La Bohème" will depend largely on which you trust more: your eyes or your ears.
People of any age can be Baz fans.
The result is a witty, swanky, thoroughly delightful intellectual vaudeville that's as light as it is sneakily substantial.
May and Aiello try 'Adult Entertainment'
To say that "What Didn't Happen" is a young-man's play is a good thing. To say that the drama feels less mature than his earlier work is disappointing, but not nearly enough to shake serious…
