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8,108 stories from DC Theatre Scene

Review: The Duchess of Malfi, an old school (17th century) slasher story by Tim Treanor

The Duchess of Malfi is a morality play with no morals, a revenge play in which no one’s revenged, except accidentally; a tragedy in which so many people get killed that there’s …

SOURCE: DC Theatre Scene at 11:24am on November 3, 2018

Matthew Gardiner, directing Billy Elliot, admits the lead would have been his dream as a boy dancer. by Keith Loria

Before becoming a prominent director in D.C., Matthew Gardiner, Signature Theatre's associate artistic director, was a promising ballet dancer. Gardiner studied at The Washington Ballet star…

SOURCE: DC Theatre Scene at 1:12pm on November 2, 2018

Anastasia: highly entertaining historical hooey by Alexander C. Kafka

Pour Disney princess movies, Nicholas and Alexandra, Dr. Zhivago, Annie, My Fair Lady, and An American in Paris in a mixer, hit blend, and you'll end up with Anastasia, a historically and na…

SOURCE: DC Theatre Scene at 1:12pm on November 2, 2018

The Washington Ballet's modern dance program shines a fresh light on venerable works by Maria Di Mento

The Washington Ballet's Contemporary Masters program, which opened Wednesday night at the Harman Center for the Arts and continues through Sunday, is a master class in late 20th Century mode…

SOURCE: DC Theatre Scene at 10:42am on November 1, 2018

From the rainbow, voices raise in praise of Ntozake Shange by Lorraine Treanor

Celebrating the life of Ntozake Shange (1948 – 2018). May our words of praise and gratitude, like sparks drawn upward to the sky, ascend to meet her. From performer and friend, Rene…

SOURCE: DC Theatre Scene at 10:42am on November 1, 2018

Review: The Agitators. Friends and fighters, Frederick Douglass and Susan B Anthony by Debbie Minter Jackson

The first time they met in western New York, in the fall of 1849, playwright Mat Smart imagines, Frederick Douglass and Susan B. Anthony would have had a wary interchange.  Both are stron…

SOURCE: DC Theatre Scene at 12:48pm on October 31, 2018

In his first play, Parts of a Night, retired actor Rick Foucheux writes about the comedy and drama of life backstage by Christopher Henley

When Rick Foucheux retired from acting, he did so as one of the most popular, award-winning,  one might even say beloved performers in town. Many bemoaned the prospect of no more Foucheux…

SOURCE: DC Theatre Scene at 12:48pm on October 31, 2018

Librettist Mark Campbell on Silent Night, the WWI Christmas Eve miracle on the battlefield by Susan Galbraith

Librettist Mark Campbell and I last spoke when he was  mentoring young librettists in a "supportive role" for Washington National Opera's American Opera Initiative. Now Campbell is front …

SOURCE: DC Theatre Scene at 10:36am on October 31, 2018

Review: Venus in Fur. Ives' cheeky play of obsession, bondage and revenge at 4615 Theatre by Tim Treanor

The masochist believes in the transformative power of magic, of the variety that the goddess Circe used to turn Odysseus’ men into swine. To the masochist, the beloved is a goddess (Ve…

SOURCE: DC Theatre Scene at 3:54pm on October 30, 2018

Review: Sheila and Moby, a perfect fit for Flying V by Steven McKnight

Local playwright Patrick Flynn has spent the last two years developing his new comedy about growing up and proving how"adults can be idiots, just like children."  Sheila and Moby recei…

SOURCE: DC Theatre Scene at 2:48pm on October 30, 2018

Review: Sweat, Lynn Nottage's brutal, brilliant sucker punch at Everyman Theatre by Jayne Blanchard

The white-hot rage and caustic bitterness against de-industrialization, unemployment, minorities, and immigrants, not to mention races and religions other than white and Christian, may have …

SOURCE: DC Theatre Scene at 12:36pm on October 30, 2018

Review: King John. Aaron Posner rescues this lesser Shakespeare by Susan Galbraith

Director Aaron Posner has assembled some of the most splendid, certainly several of them among the most beloved actors who tread the local boards. Indeed, Folger Theatre has done further val…

SOURCE: DC Theatre Scene at 11:33am on October 30, 2018

Review: East of Eden at NextStop Theatre by Marshall Bradshaw

East of Eden is an American classic, a huge and sprawling novel, stretching from the Civil War to World War I and from California to Connecticut. John Steinbeck — who won the Pulitzer …

SOURCE: DC Theatre Scene at 10:32am on October 30, 2018

Review: Can't Pay, Won't Pay! High food prices skyrocket Daniel Fo's farce by Kate Gorman

Can't Pay, Won't Pay! could just as easily be titled "I Love Antonia" for the heroine's strong similarities to Lucille Ball and the crazily comic situations navigated by two working class co…

SOURCE: DC Theatre Scene at 9:12pm on October 29, 2018

Playwright Ntozake Shange has died at age 70 by Tim Treanor

The novelist, poet, performer and playwright Ntozake Shange, best known for her 1976 Obie-winning choreopoem for colored girls who have considered suicide when the rainbow is enuf, died last…

SOURCE: DC Theatre Scene at 3:36pm on October 29, 2018

Review: Long Way Down. Justin Weaks' solo performance a revelation by Emily Priborkin

You’re a fifteen-year-old boy named Will, and your eighteen-year-old brother has been shot. Shawn was your friend, your protector, and your teacher ever since your father was killed, a…

SOURCE: DC Theatre Scene at 1:24pm on October 29, 2018

Review: A Midnight Dreary, horror with a dash of humor, shaken and stirred by Emily Priborkin

Darkness,  corpses, catacombs, and cats: welcome to the world of Edgar Allan Poe. His stories embody the spirit of Halloween, which is why it's fitting that We Happy Few is performing his…

SOURCE: DC Theatre Scene at 12:18pm on October 29, 2018

Review: The Fever at Woolly Mammoth won't be the same without you by Meaghan Hannan Davant

Sitting in a circle of chairs facing inwards, arranged at the outermost edges of an otherwise empty stage, it is impossible to discern the actors from the audience.  There is a playful te…

SOURCE: DC Theatre Scene at 12:12pm on October 27, 2018

Review: Paglen's Sight Machine. Trevor Paglen's art by algorithm with the Kronos Quartet. by Josh Kaplan

Hank Dutt has played the viola in the Kronos Quartet, the world’s most famous avant-garde string quartet, for over forty years. His face is still gorgeous; his cheekbones sit as high a…

SOURCE: DC Theatre Scene at 11:12am on October 27, 2018

Review: Little Shop of Horrors. Megan Hilty and cast give smashing performances by Jeffrey Walker

I'll bet my mutant Venus fly trap you know this show. Little Shop of Horrors took off-Broadway by storm in the 1980s, the talented team of book writer and lyricist Howard Ashman and compo…

SOURCE: DC Theatre Scene at 3:36pm on October 26, 2018

Ready to Fringe again? Charm City Fringe in Baltimore starts November 1 by Keith Loria

The 2018 Charm City Fringe Festival returns to the Bromo Arts District with 23 productions and more than 80 performances taking place between November 1 and November 11. Baltimore talent for…

SOURCE: DC Theatre Scene at 12:18pm on October 26, 2018

Steinbeck's East of Eden, a passion project for NextStop's Evan Hoffman by Keith Loria

While John Steinbeck's Of Mice and Men and The Grapes of Wrath have historically been on high school reading lists for decades, one of the Pulitzer and Nobel Prize winner's more ambitious wo…

SOURCE: DC Theatre Scene at 12:18pm on October 26, 2018

Review: The Waverly Gallery. Elaine May thrills in her return to Broadway by Jonathan Mandell

Elaine May is back on a Broadway stage after more than 50 years, and making the most of it in The Waverly Gallery, Kenneth Lonergan's meticulously observed, funny and sad play about a woman'…

SOURCE: DC Theatre Scene at 7:48pm on October 25, 2018

Review: Illyria, or What You Will, a wildly imaginative Twelfth Night by Steven McKnight

The challenge of finding a fresh take on any play by The Bard has foiled many an artist, but Avant Bard joyfully clears that hurdle with Illyria, or What You Will, a clever reimagining of Tw…

SOURCE: DC Theatre Scene at 4:32pm on October 25, 2018

Bracing new works from San Francisco Ballet's Unbound Festival by Alexander C. Kafka

A meditation on the arc of a lifetime. A message piece about soul-eroding communication technology. A frenetic exploration of Jung's notion of male and female psychic elements. Such was the …

SOURCE: DC Theatre Scene at 3:24pm on October 25, 2018
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