3,986 stories from CurtainUp
Certainly well-named. It's as light and refreshing as the morning dew.
One year after his death, the Irish Repertory Theatre is reviving Frank McCourt's musical revue. . . a worthy tribute but somehow lacking fluidity.
Director Terry Johnson puts this essentially American play on the West End stage but I suspect that those laughing loudest in the audience are native New Yorkers in London
Old jokes about old men and that little blue pill never die, but comically speaking, the blue of the pill has long faded to gray
A WTF-Nikos world premiere by Amy Herzong
It is gratifying that Mark St. Germain's absorbing play about an imagined yet entirely possible meeting between the controversial and legendary psychoanalyst Dr. Sigmund Freud and the rising…
Warchus' production transfers to Broadway in September and it will be most interesting to see how it is received there after the American chilly critical response in the 1990s.
-- it's buoyed by Richard Easton as the Critic and Mary Louise Wilson as Mama...
If you've ever bitten your nails all the way down to your fingertips while watching an Alfred Hitchcock thrille, then you'll understand the pleasure of watching Richard Taylor's new play
Gardner McKay's much produced Sea Marks at Shakespeare & Company-Bernstein Theater
Shakespeare & Company founder Tina Packer's lecture-performance on the Bard's women
Dana Ivey does Beckett at Westport Country Playhouse
Serious theater is the name of the game at Berkshire Theatre Festival
Shaw's first hit at NJ Shaespeare Company
Bruce Norris's new play at Steppenwolf not a coup-de-theater for our critic
John Douglas Thompson further burnishes his reputation as Richard III at Shakespeare & Co.
John Guare's comic yet poignant psychodrama still entertains at WTF Main Stage
Veteran book writer Joe DiPietro's contribution appears to be a mighty one as his often sly and witty text is far superior to the mediocre musical and lyrical components that it surrounds.
Martin McDonagh's dark comedy at the Mark Taper Forum.
The bard's popular comedy rounds out the repertory trio of of plays at the Old Globe
An intriguing but flawed world premiere at Williamstown
A fine example of what can happen when a funny, whimsical, and assertively allegorical musical with a message is placed in the charge of a very talented cast. Would that many an adult-orient…
Williamstown's not to be missed all-male production. Combined with Barrington Stage's Sweeney Todd, the first half of July is a mini Sondheim Festival.
A modestly pleasant play with some smart people, a few snappy lines, but no surprises
