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2,260 stories from Chicago Theater Beat

Review: The Lockout..a Musical (Six Hours Short) by Scotty Zacher

The Lockout introduces a new genre: sports musicals. The content dribbles fast and furious. And the shots are all 3-pointers. Now, the level of audience enjoyment will be directly related to…

SOURCE: Chicago Theater Beat at 8:46pm on August 27, 2013

Review: The Clean House (Crabapple Productions) by Scotty Zacher

Director Emmi Hilger's confident, brisk direction assures this play's success, as she coaxes most of the necessary humanism from the central sisterly duo. And it's Susan Fay, playing Lane, w…

SOURCE: Chicago Theater Beat at 5:32pm on August 27, 2013

Review: Mythical Proportions (Theater Wit) by Scotty Zacher

Intimately and instantly familiar monologues performed in character are Nora Dunn's artistic signature. Like the poems she wrote for her demanding dad, her unstoppable need to make-believe h…

SOURCE: Chicago Theater Beat at 3:31pm on August 27, 2013

Review: Bo Thomas and the Case of the Sky Pirates (Babes With Blades) by Scotty Zacher

Bo Thomas is a winner: a rollicking ride with smart wordplay, fantastic action and a snappy leading lady. A sequel is implied, and I hope it happens: Bo's got a lot more adventures in her. …

SOURCE: Chicago Theater Beat at 12:02am on August 27, 2013

Review: Mr. Marmalade (Dream Sequence Theater) by Scotty Zacher

The cast of Mr. Marmalade seem to be having fun doing a play this sadistic and confused - but that's also part of the problem. They go through these disturbing moments with such ease that yo…

SOURCE: Chicago Theater Beat at 6:15pm on August 26, 2013

Review: The Birds (Hell in a Handbag Productions) by Scotty Zacher

Hell in a Handbag's The Birds, a riotously funny and ingeniously crafted parody of Hitchcock's 1963 comedic thriller, has found the perfect ingénue in Catherine McCafferty. (read more...)

SOURCE: Chicago Theater Beat at 3:30pm on August 26, 2013

Review: Pr0ne " A Casting Couch Musical Comedy (Underscore Theatre Company) by Scotty Zacher

In spite some messiness, this young company succeeds in saying something and being an authentic voice of their generation. So while Pr0n may shock and titillate, it has something to say in o…

SOURCE: Chicago Theater Beat at 6:17pm on August 25, 2013

First Look 2013 Repertory of New Work (Steppenwolf Theatre) by Scotty Zacher

Steppenwolf Theatre's mission of their 2013 First Look initiative is to develop new plays for future production at Steppenwolf Theatre and theatres across the country. The program cover say…

SOURCE: Chicago Theater Beat at 10:43pm on August 24, 2013

Review: The Last Cyclist (Genesis Theatrical Productions, National Pastime Theatre) by Scotty Zacher

The Last Cyclist is an astounding testament to the human spirit"even in the face of evil, there were those who used the power of art as a weapon against the encroaching darkness. Highly Rec…

SOURCE: Chicago Theater Beat at 10:30pm on August 23, 2013

Review: Enchanted April (Idle Muse Theatre) by Scotty Zacher

I love Enchanted April the play more than the movie. Barber includes more backstory on characters building a connection to their before and after vacation intervention. The audience become…

SOURCE: Chicago Theater Beat at 2:35pm on August 23, 2013

Review: The Dumb Waiter (Proud Kate Theatre Project) by Scotty Zacher

                The Dumb Waiter  Written by Harold Pinter  Directed by Charlie Marie McGrath The Alley Stage, …

SOURCE: Chicago Theater Beat at 9:20pm on August 21, 2013

Review: Pink Milk (Oracle Theatre and White Elephant Project) by Scotty Zacher

Despite a talented, energetic cast and an imaginative design team, this production turns sour from a bombardment of unfocused images, themes, movements, metaphors, and storylines - a classic…

SOURCE: Chicago Theater Beat at 1:34pm on August 19, 2013

Review: The Nerd (Black Fox Theatre) by Scotty Zacher

If Black Fox Theatre's production of Larry Shue's hit 80's farce The Nerd weren't so mediocre, its dated script guarantees the lack of butts in seats. (read more....)

SOURCE: Chicago Theater Beat at 2:07am on August 15, 2013

Review: Cabaret (Light Opera Works) by Scotty Zacher

Light Opera Works delivers the goods for this timeless and masterful Kander & Ebb work, including plenty of bawdy dancing, a superb 25-piece orchestra and the musicianship of conductor …

SOURCE: Chicago Theater Beat at 9:44pm on August 13, 2013

Review: Flashdance the Musical (Broadway in Chicago) by Scotty Zacher

Despite a thin story line, if are just dying to see the iconic images of Alex dancing under a shower, wearing an oversized sweatshirt and doing that little quick-step dance " by all means, r…

SOURCE: Chicago Theater Beat at 10:02pm on August 12, 2013

Review: Drunk and Ready (Redtwist Theatre) by Scotty Zacher

There's problems with this show from the very beginning - the opening scene introduces the kind of friend who doesn't feel terribly bad about making light of another friend's dead fiancé, a…

SOURCE: Chicago Theater Beat at 8:52pm on August 11, 2013

Review: Invasion! (Silk Road Rising) by Scotty Zacher

Though not an easy play, the ideas Silk Road Rising presents here will stay with you long after the lights come up. As Khemiri's debut drama, it will also leave you wondering what he'll do n…

SOURCE: Chicago Theater Beat at 6:14pm on August 10, 2013

Review: Inventing Van Gogh (Strange Bedfellows Theatre) by Scotty Zacher

Despite the commitment of the cast and Dustin Pettegrew's inventive set design, Inventing Van Gogh comes across not as a compelling character study but an exercise by Playwright Steven Geitz…

SOURCE: Chicago Theater Beat at 5:57pm on August 8, 2013

Review: All-American (Redtwist Theatre) by Scotty Zacher

Playwright Julia Brownell does have a great way with dialogue. The script is frequently funny and the plot strands are tied up neatly at the end. She's clearly a talent to watch, and we can …

SOURCE: Chicago Theater Beat at 9:07pm on August 7, 2013

Review: The Last Five Years (Kokandy Productions) by Scotty Zacher

Kokandy Productions and director John D. Glover ups the ante of this gorgeous and intense score and story by having its two actors, Jim DeSelm and Allison Hendrix, accompany each other on pi…

SOURCE: Chicago Theater Beat at 6:27pm on August 6, 2013

Review: Bear Claw (Area IV Theatre) by Scotty Zacher

While Bear Claw offers some nice moments from good actors, there isn't enough actually going on to justify the plodding pace. If you have a terrific attention span and can bear with some of …

SOURCE: Chicago Theater Beat at 8:46pm on August 4, 2013

Review: Namosaur! (Factory Theater) by Scotty Zacher

Playwright Scott Oken mashes together a "Platoon" meets "Jurassic Park" parody. His dialogue is riddled with legendary movie quotes. His plot is twisted with slow-mode flashbacks and harmo…

SOURCE: Chicago Theater Beat at 7:31pm on August 3, 2013

Review: Romeo and Juliet (Midsommer Flight) by Scotty Zacher

Overall, this clean-cut execution of possibly the most famous love story in the world wins because it gives you the play as is. Even if you are only just beginning to dip into the Bard's wor…

SOURCE: Chicago Theater Beat at 10:54pm on August 2, 2013

Review: The Beautiful Dark (Redtwist Theatre) by Scotty Zacher

Playwright Erik Gernand and director Josh Altman have created a believable family to illustrate this gut-wrenching, gripping drama. In the intimate space and environmental staging at Redtwis…

SOURCE: Chicago Theater Beat at 9:03pm on August 2, 2013

Review: The 25th Annual Putnam County Spelling Bee (Theatre at the Center) by Scotty Zacher

Adapted from the play C-R-E-P-U-S-C-L-E, Rachel Sheinkin's book and William Finn's music and lyrics are catchy but not cloying, clever but not overly self-referential or indulgent. Highly Re…

SOURCE: Chicago Theater Beat at 2:35pm on August 2, 2013
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