8,501 stories from Backstage
AGMA Critical of Effort to Strip AGVA's Jurisdiction
A bitter power struggle at Santa Barbara's only Equity theatre company has led to the formation of a rival troupe with impressive Los Angeles connections.
Why are audiences so fickle? Can an entire audience simply lack a funny bone?
The New York state Assembly may soon consider legislation that would provide low-cost electric power to Broadway and Off-Broadway theatres.
Trained Performers Tap a Market Seeking Higher Audio Quality
Interview with Merle Dandridge of "Aida."
Moving a 25-year-old cultural institution in a fresh direction without violating the achievements of your predecessor or the spirit of the institution is undoubtedly a daunting task.
In September, Back Stage followed six recent acting school grads as they start their careers in the Big Apple. Now, London correspondents Mark Shenton and Lisa Martland talk to six people ab…
Despite the soaring costs of producing a Broadway musical, producer Stewart Lane asserts that within the last 10 years, it's a business that has become very "attractive financially, precisel…
Marc Silberschatz produces, directs, acts -- and, oh, he does publicity, too. But then, Twenty Feet Productions is his baby and he is determined to get it up and running.
Sir Peter and Rebecca Hall offer a master class in, well, everything.
Jerry Orbach inspired love and admiration from everyone who knew and worked with him.
An Overview of Black Theatre and Lots of Events
Veteran actor Brian Kerwin thrives on button-pushing fare.
If you want to work in television and film, get your training in theatre first.
What do outsiders want to know about acting, and how much should you tell them?
