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35,726 stories from The Guardian

Casting a puppet as an autistic child is a grotesque step backwards | Frances Ryan by Frances Ryan

A new play about autism has sparked a row by using an inanimate figure pulled by strings in the central role, while the other characters are played by humansThere are some ideas that should …

SOURCE: The Guardian at 6:12am on February 12, 2019

'The man controls the woman's voice': why Berberian Sound Studio is horribly apt by Ryan Gilbey

The story of a sound engineer recording effects for an Italian horror film is coming to the Donmar Warehouse. It's not a gorefest, say its director and writerThe first thing you see when you…

SOURCE: The Guardian at 4:04am on February 12, 2019

Dancing in the street: could choreographers build better cities? by Lyndsey Winship

A new project is looking at how choreography can improve urban engineering, but there has long been a profound relationship between cities and danceIn the crowded conventillos (shared teneme…

SOURCE: The Guardian at 7:06am on February 11, 2019

Miles Jupp: my double life as Mr Banks from Mary Poppins by Miles Jupp

Having been repeatedly told that he looks like David Tomlinson, Miles Jupp now finds himself playing the mildly aristocratic character actorThere is something unnerving about feeling that so…

SOURCE: The Guardian at 5:48am on February 11, 2019

James Cousins: Epilogues review " double acts with big ideas by Sanjoy Roy

DanceEast, IpswichThe dramatic aerial swimming and plaintive soundtrack of Cousins's celebrated 2012 work Within Her Eyes is revived for this intriguing programme of duetsWithin Her Eyes, cr…

SOURCE: The Guardian at 3:36am on February 11, 2019

Blue/Orange review " smarm, charm and raw emotion in gladiatorial mental health drama by Arifa Akbar

Birmingham Repertory theatreJoe Penhall's play about a young black patient caught between two clashing white doctors is incendiary, intellectually rich and ever topicalWhen Blue/Orange was f…

SOURCE: The Guardian at 7:36am on February 10, 2019

The week in theatre: Noughts & Crosses; The Cherry Orchard; Cost of Living " review by Susannah Clapp

Derby theatre; Barbican; Hampstead, LondonMalorie Blackman's bestseller leaps off the stage in a fine new adaptation. Plus, Chekhov without the samovars and 2018's Pulitzer prize winnerIt is…

SOURCE: The Guardian at 4:18am on February 10, 2019

random review " debbie tucker green's knife-crime drama hits home by Clare Brennan

Leeds PlayhouseKiza Deen excels in green's heart-wrenching one-woman play about the killing of a black schoolboyA son and brother dies as a consequence of "something important, not no random…

SOURCE: The Guardian at 4:18am on February 10, 2019

Often Onstage review " radiates charm, fun and irony by Ka Bradley

Battersea Arts Centre, LondonFrom their half-baked moves to a fine display of stressful yoga, Figs in Wigs delight in making a virtue of their flawsOften Onstage begins at the end, opening o…

SOURCE: The Guardian at 4:18am on February 10, 2019

Albert Finney on stage: that indefinable quality called 'weight' by Michael Billington

The actor shone as brightly in theatre as he did on film, helping to create modern classics from Billy Liar to Joe Egg, and playing the first Hamlet at the National's Southbank homeBecause h…

SOURCE: The Guardian at 1:36pm on February 8, 2019

Albert Finney, cinema's original 'angry young man', dies aged 82 by Andrew Pulver

Celebrated actor who rose to fame in the 'kitchen sink' era before evolving into one of the screen greats of the postwar period, has diedAlbert Finney, who forged his reputation as one of th…

SOURCE: The Guardian at 11:18am on February 8, 2019

Luisa Omielan: 'The funniest dream? My friend's baby served to me as a kebab' by Harriet Gibsone

The What Would Beyonce Do? standup on the things that make her laugh the mostSister Act. Or Booty Call, a really obscure film with Jamie Foxx in it. It's about two guys that are trying to ha…

SOURCE: The Guardian at 9:12am on February 8, 2019

'Playable shows are the future': what Punchdrunk theatre learned from games by Alysia Judge

When one critic hailed the company's immersive show 'game of the year', founder Felix Barrett explored video games' non-linear storytelling. Now he spies a new frontier for the stageThere is…

SOURCE: The Guardian at 8:06am on February 8, 2019

Blue review " Williams' Menagerie reworked into tale of Welsh sorrows by Gareth LlÅ·r Evans

Chapter, CardiffA damaged Carmarthen family are shaken by a newcomer in this smart and superbly acted riff on the American classicIf Amanda Wingfield and her children had lived on the coast …

SOURCE: The Guardian at 8:06am on February 8, 2019

I don't think I've ever been so hurt by a piece of art. People with disability deserve better | Anthea Williams by Anthea Williams

Stage director Anthea Williams walked away from one of Sydney festival's biggest shows crushed. 'How disability is understood affects me every day of my life' "How could this creature think …

SOURCE: The Guardian at 7:04am on February 8, 2019

Dracula review " Stoker's chiller returns to library where it was written by Michael Billington

The London LibraryA cast of two do their best to breathe cohesion into a play full of sex, shrieks and floating eyes … but without a vampire in sightGiven that Bram Stoker researched his 1…

SOURCE: The Guardian at 7:04am on February 8, 2019

Tilda Swinton Answers An Ad on Craigslist review " resplendent with movie-star magic by Kate Wyver

Vault festival, LondonThe ethereal star " as seen in an exuberant drag act by Tom Lenk " becomes a spirit guide in this wry show about the role movies play in our livesExuberantly strange an…

SOURCE: The Guardian at 7:04am on February 8, 2019

The best Shakespeare films " ranked! by Andrew Dickson

Kenneth Branagh graduates from player to playwright this week for All is True, in which he plays an ailing Bard. But which big-screen Shakey is the greatest?Despite its hey-nonny-nonny reput…

SOURCE: The Guardian at 5:48am on February 8, 2019

random review " debbie tucker green lays bare a family's unthinkable pain by Catherine Love

Leeds Playhouse This portrait of a family devastated by a random stabbing lands its blows with a heavy thudIn 2008, random was a sharp retort to the stereotypical "urban" image of soaring kn…

SOURCE: The Guardian at 4:18pm on February 7, 2019

Farewell to Michael Ross, a writer whose words are a gift to actors by Miriam Gillinson

Ross, who has died aged 40, left two new plays " The Shy Manifesto and The Good Landlord " which are full of compassion and dark comedyThe news last month that the playwright Michael Ross ha…

SOURCE: The Guardian at 1:06pm on February 7, 2019

Strictly come dada! The festival where bodies turn into highways by Mark Fisher

The Manipulate festival in Scotland has surreal square dances, puppetry without puppets and jaw-dropping human landscapesIn between shows at the Manipulate festival, a veteran arts producer …

SOURCE: The Guardian at 11:54am on February 7, 2019

New Work New Music review " Royal Ballet's short works are a step in the right direction by Lyndsey Winship

Royal Opera House, LondonFrom Aletta Collins' refreshing abstraction to Calvin Richardson's human piñatas, this is just what the Royal needsThe musicians of the London Sinfonietta are in …

SOURCE: The Guardian at 7:32am on February 7, 2019

Pinter Seven review " Danny Dyer and Martin Freeman on fire in glorious double bill by Michael Billington

Harold Pinter theatre, LondonDyer and Freeman excel as gunmen in The Dumb Waiter and Jamie Lloyd's staging of A Slight Ache, with John Heffernan and Gemma Whelan, is a revelationThe season o…

SOURCE: The Guardian at 6:24am on February 7, 2019

Woof review " lust, pain and jealousy in an intoxicating production by Kate Wyver

Sherman theatre, CardiffEvery emotion is tangible as Elgan Rhys's play about a 30-something gay couple races to a violent climaxWoof is a triumph for the Sherman theatre. In Elgan Rhys's per…

SOURCE: The Guardian at 3:24pm on February 6, 2019

Cougar review " breathless scenes of sexual power games in luxury hotels by Michael Billington

Orange Tree, RichmondThis unsettling portrait of a world and a relationship in crisis breezes through 80 scenes in 75 minutesRose Lewenstein's play triggers all kinds of associations. Since …

SOURCE: The Guardian at 10:54am on February 6, 2019
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