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35,726 stories from The Guardian

9 to 5 The Musical review " slick and stylish Dolly Parton period piece by Michael Billington

Savoy theatre, LondonThis beloved revenge fantasy is as subtle as a sledgehammer but its advocacy of workplace equality makes it hard to dislikeYou can't escape the presence of Dolly Parton …

SOURCE: The Guardian at 6:42pm on February 17, 2019

Britain's loneliest bat takes to the stage by Patrick Barkham

It has spent 16 winters on its own. Now a playwright has turned one bat's sad story into a gay parable full of deceit and longingInspiration is often found in unexpected places and, last sum…

SOURCE: The Guardian at 10:54am on February 17, 2019

Mother Courage and Her Children review " canny power from Julie Hesmondhalgh by Clare Brennan

Royal Exchange, ManchesterAnna Jordan's new adaptation sets Brecht's anti-war play in a dystopian 2080From the lighting rig are suspended wire grids on to which are fastened ragged cardboard…

SOURCE: The Guardian at 4:18am on February 17, 2019

James Cousins Company: Epilogues review " shades of Crystal Pite by Hanna Weibye

DanceEast, IpswichJames Cousins's new triple bill, including his duet in which a dancer never touches the ground, deserves a wider audienceIn this triple bill at DanceEast, the London-based …

SOURCE: The Guardian at 3:12am on February 17, 2019

David Earl: 'My mum once baked me a cake like a labrador on wheels' by Harriet Gibsone

The actor and comic known for his character Brian Gittins on the things that make him laugh the mostHarry Hill. In the 90s. The Hawth, Crawley. Laughed more that hour than any other. Reason …

SOURCE: The Guardian at 12:54pm on February 16, 2019

The week in theatre: All About Eve; The American Clock; Superhoe " review by Susannah Clapp

Noël Coward; Old Vic; Royal Court, LondonGillian Anderson is the steely centre of Ivo van Hove's glitzy adaptation of All About Eve, while Nicôle Lecky's Superhoe storms the Royal Cour…

SOURCE: The Guardian at 9:36am on February 16, 2019

Andrew Scott on being Fleabag's new crush: 'This is uncharted territory' by Simon Hattenstone

Keen to avoid being typecast as baddies like Moriarty, the actor is delighted to be playing a sexy priest in the eagerly awaited second series of Phoebe Waller-Bridge's FleabagAndrew Scott i…

SOURCE: The Guardian at 7:18am on February 16, 2019

Sea Wall/A Life review " Jake Gyllenhaal dazzles with return to stage by Jake Nevins

Public Theater, New YorkThe Oscar nominee and Tom Sturridge star in two one-act memory pieces that meaningfully explore birth, death, and fatherhoodOpening this week at New York's Public The…

SOURCE: The Guardian at 5:12am on February 16, 2019

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Notting Hill to Fatboy Slim, here's our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 3:04pm on February 15, 2019

Berberian Sound Studio review " aural sex-drenched horror hits its targets by Michael Billington

Donmar Warehouse, London This fascinating adaptation of a film about a Foley artist creating sound effects for a horror movie attacks its targets " artistic responsibility and male power str…

SOURCE: The Guardian at 11:42am on February 15, 2019

Princess & the Hustler review " vibrant family drama has heart and purpose by Miriam Gillinson

Bristol Old Vic As the British civil rights movement gathers momentum, racial tensions threaten a family in 1960s Bristol in this locally-gestated new playAn angry mob surges forward, banner…

SOURCE: The Guardian at 11:42am on February 15, 2019

Tanztheater Wuppertal Pina Bausch: Since She review " dreamlike oddness by Lyndsey Winship

Sadler's Wells, LondonChoreographed by Dimitris Papaioannou, the company's first new work since its founder died in 2009 is uncanny in its blending of his and her imaginationsWhen Pina Bausc…

SOURCE: The Guardian at 8:24am on February 15, 2019

Edward II review " Marlowe's murky drama of love, murder and a hollow crown by Kate Maltby

Sam Wanamaker Playhouse, LondonNick Bagnall's production ably draws out the parallels with Shakespeare's Richard II and the cast speak the verse beautifullyThere seems to be blood on an arch…

SOURCE: The Guardian at 1:42pm on February 14, 2019

Elaine McDonald obituary by Sarah Crompton

Ballerina who helped build a bridge between classical ballet and the contemporary worldElaine McDonald, who has died aged 75, was one of Britain's most distinctive ballerinas. Her role as mu…

SOURCE: The Guardian at 12:36pm on February 14, 2019

Mother Courage and Her Children review " Julie Hesmondhalgh is the business by Catherine Love

Royal Exchange, ManchesterIt's 2080 and Europe is in shreds in Anna Jordan's new version of Brecht's play, which has a compelling central performance War " what is it good for? Business, Mot…

SOURCE: The Guardian at 9:18am on February 14, 2019

Haiti's explosive Rite of Spring: from pagan Russia to vodou ritual by Lyndsey Winship

When Jeanguy Saintus first saw Stravinsky's Rite, he was reminded of his religion's initiation ceremonies. Now, he has created his own spirited version of the balletSince its infamous premie…

SOURCE: The Guardian at 8:12am on February 14, 2019

The American Clock review " Arthur Miller's snapshots of the 1930s by Michael Billington

Old Vic, LondonThis vaudeville about the Great Depression showcases Miller's capacity to capture the state of a troubled nationThe impromptu Arthur Miller festival " initiated by the transfe…

SOURCE: The Guardian at 6:36am on February 14, 2019

My funny valentine: standups on their most disastrous dates by Guardian Staff

A night in a cemetery, a trip to a strip club, five hours in A&E … comics relive their woeful romantic rendezvous Continue reading...

SOURCE: The Guardian at 4:24am on February 14, 2019

You Stupid Darkness! review " cracking jokes as the world burns by Kate Wyver

The Drum, PlymouthSam Steiner's hilariously bleak show about helpline volunteers has a charming cynicism and moments of compassionIn his new play, Sam Steiner makes us beam as the world burn…

SOURCE: The Guardian at 1:04pm on February 13, 2019

Harvey review " Steven Berkoff explores Weinstein's psyche by Arifa Akbar

Playground theatre, London This attempt to delve into the disgraced movie mogul's mind finds rage, denial and hateThe theatre's promotional blurb warns that Steven Berkoff will go "where no …

SOURCE: The Guardian at 1:04pm on February 13, 2019

Maggie Smith returns to theatre to play Goebbels' secretary Brunhilde Pomsel by Chris Wiegand

Downton Abbey actor stars in Christopher Hampton's A German Life about Nazi leader's assistant, who died in 2017Maggie Smith is to play Joseph Goebbels' secretary, Brunhilde Pomsel, in a new…

SOURCE: The Guardian at 8:32am on February 13, 2019

Much Ado About Nothing review " Shakespeare meets Dad's Army by Mark Fisher

New Vic theatre, Newcastle-under-LymeBeatrice and Benedick engage in heartwarming hostilities in Northern Broadsides' rich and rewarding productionRobin Simpson's Benedick has just been dupe…

SOURCE: The Guardian at 7:24am on February 13, 2019

Freestyle Love Supreme review " Lin Manuel Miranda's hip-hop improv by Alexis Soloski

Greenwich House Theater, New YorkThe Hamilton creator's goofily entertaining show has been around since 2004 and in its new Manhattan home, it's more fun than everLin-Manuel Miranda, the alm…

SOURCE: The Guardian at 9:32pm on February 12, 2019

All About Eve review " classic Hollywood updated with technical wizardry by Michael Billington

Gillian Anderson and Lily James give fine performances but this version of the 1950 film might be a little too clever for its own goodThis is a show that reeks of chic. It stars Gillian Ande…

SOURCE: The Guardian at 8:24pm on February 12, 2019

Rutherford and Son review " passion and power in Githa Sowerby's classic by Michael Billington

Crucible, SheffieldOwen Teale and Laura Elphinstone are superb, as a patriarch and his daughter, in Caroline Steinbeis's potent production The astonishing thing about Githa Sowerby's play is…

SOURCE: The Guardian at 6:12pm on February 12, 2019
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