DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
35,726 stories from The Guardian

'A world to escape into': how theatre gives prisoners a way out by Matt Trueman

The show Inside Bitch, made by women with experience of the penal system, dismantles Bad Girls stereotypes, while new play The Jumper Factory explores fear behind men's bravado 'Deeply distu…

SOURCE: The Guardian at 1:00am on February 26, 2019

Glory review " get in the ring for a wrestle with racism by Mark Fisher

Dukes, LancasterThree young fighters grapple with a world of blue-eyed heroes and foreign-looking villains in Nick Ahad's witty play Real life has a way of sneaking into the theatre. Only da…

SOURCE: The Guardian at 11:46am on February 25, 2019

Slap festival review " ecstasy, rage and intimate confessions by Catherine Love

Various venues, YorkThe annual experimental showcase serves up a strange, compelling programme of dance, performance and live art Outside York Art Gallery, as tourists and tunic-clad visitor…

SOURCE: The Guardian at 6:34am on February 25, 2019

'Women are the powerbrokers': gender-flipping Shakespeare's Shrew by Natasha Tripney

Two new takes on The Taming of the Shrew radically alter the dynamic by setting the play in a matriarchal society The first time Jo Clifford was asked to adapt The Taming of the Shrew, she h…

SOURCE: The Guardian at 2:00am on February 25, 2019

Lee Ridley, Lost Voice Guy: 'It's quite ironic if I'm the voice of the disabled' by Sam Wollaston

The Britain's Got Talent winner, who has cerebral palsy and uses a voice box in his standup act, talks about ditching his day job " and the thorny issue of being inspiring In April 2015, Lee…

SOURCE: The Guardian at 1:00am on February 25, 2019

Equus review " Peter Shaffer's homoerotic classic is exhilarating by Michael Billington

Theatre Royal Stratford East, LondonNed Bennett brilliantly directs the landmark 1973 play about a teenager who has blinded horses I've often complained about the move towards a directors' t…

SOURCE: The Guardian at 7:05pm on February 24, 2019

'Bill Hicks was a bit misogynist' " young comics reassess the standup legend by Brian Logan

He was the Kurt Cobain of comedy, railing against advertising, politicians, the war on drugs, even waffle waitresses. What do the new generation make of the chain-smoking motormouth? Comedy …

SOURCE: The Guardian at 10:00am on February 24, 2019

Tanztheater Wuppertal: Bon Voyage, Bob … review " love, loss and Pina by Lyndsey Winship

Sadler's Wells, LondonThe loss of the company's founder Pina Bausch a decade ago is at the heart of this meticulous meditation on grief and death Bon Voyage, Bob … is only the second new f…

SOURCE: The Guardian at 7:32am on February 24, 2019

Princess and the Hustler review " a crucial slice of black British history by Clare Brennan

Bristol Old VicA beautifully crafted play about a family threatened by racial tensions during the 1960s Bristol bus boycott The Princess, in Princess and the Hustler, is 10-year-old Phyllis …

SOURCE: The Guardian at 3:00am on February 24, 2019

AniMalcom review " faithful adaptation of David Baddiel's children's bestseller by Clare Brennan

Broadway theatre, Letchworth Garden CityA mischievous menagerie of six actors have fun down on the farm Mother, father, grandfather, big sister and little brother dance around the bed singin…

SOURCE: The Guardian at 3:00am on February 24, 2019

The week in theatre: Jesus Hopped the 'A' Train; Shipwreck; Berberian Sound Studio " review by Susannah Clapp

Young Vic; Almeida; Donmar Warehouse, LondonTwo prisoners confront each other and God in a vital revival, Trump gets off lightly, and a clever tale of a sound engineer packs some real reverb…

SOURCE: The Guardian at 3:00am on February 24, 2019

Harriet Lane: 'The level of detail " about everything " is extraordinary' by Interview By Kate Kellaway

The writer on seeing her first novel, Alys, Always, become a stage play directed by Nicholas Hytner Harriet Lane " once a journalist at the Observer " wrote Alys, Always, her thrilling debut…

SOURCE: The Guardian at 11:00am on February 23, 2019

Shakespeare's Titania: from Gwendoline Christie to Judi Dench " in pictures

Game of Thrones star Christie is the latest actor to be cast as the fairy queen in A Midsummer Night's Dream, which is coming to the Bridge theatre in London in June. Here are some of the ot…

SOURCE: The Guardian at 10:37am on February 22, 2019

From boyband Shakespeare to Betrayal: Tom Hiddleston on stage " in pictures

As he returns to the London stage in Harold Pinter's Betrayal, look back at Tom Hiddleston's theatre career, including his early roles with Cheek by Jowl, Coriolanus and his hot-ticket Hamle…

SOURCE: The Guardian at 7:02am on February 21, 2019

Go with the flow: the mesmerising moves of Russell Maliphant by Lyndsey Winship

With a dance version of Dickens's A Christmas Carol, a collaboration with Greek composer Vangelis and his touring show Silent Lines, the questing choreographer is busier than ever I'm lost o…

SOURCE: The Guardian at 4:42am on February 21, 2019

Handbag? It's from Sports Direct: The Importance of Being Earnest for boxers by Arifa Akbar

Serving the cucumber sandwiches in a future Britain, Tara Arts and Two Gents present Oscar Wilde's classic as an urgent tale of migrant survival " with only two actors Ayesha Casely-Hayford …

SOURCE: The Guardian at 10:09am on February 20, 2019

Only Fools and Horses " The Musical review: vintage gags need better tunes by Mark Lawson

Theatre Royal Haymarket, LondonAmid the delightful comic dialogue, some of the musical numbers can feel like padding The smooth transition from dialogue to songs in musicals is the genre's t…

SOURCE: The Guardian at 8:18pm on February 19, 2019

Head of Talawa Theatre Company criticises lack of diversity in arts by Mark Brown Arts Correspondent

Arts Council England report says progress is slow and Michael Buffong asks 'Why?'Talented black actors, writers and artists are sill being kept out of the arts because of "painfully" slow pr…

SOURCE: The Guardian at 10:32am on February 19, 2019

Bodies review " deft revival for adultery neurosis comedy drama by Michael Billington

Southwark Playhouse, LondonJames Saunders' impeccably performed 70s piece takes on big issues as two couples swap partners and explore the poetry of painDedicated to retrieving forgotten pla…

SOURCE: The Guardian at 10:32am on February 19, 2019

Blue Door review " family ghosts question blackness in bleak drama by Kate Wyver

Ustinov Studio, Bath Tanya Barfield's 2006 play about a man meeting his ancestors asks: am I ever black or white enough?Tracing four generations backwards from 1995, Tanya Barfield's 2006 pl…

SOURCE: The Guardian at 9:24am on February 19, 2019

All in a Row review " autistic child puppet drama has warmth and truth by Miriam Gillinson

Southwark Playhouse, LondonGood puppetry lends rich humanity to the central character of this subtle if controversial production about a boy set to leave home for a residential schoolPlenty …

SOURCE: The Guardian at 9:24am on February 19, 2019

Come From Away review " relentless niceness in tale of post-9/11 Canadian kindness by Michael Billington

Phoenix theatre, LondonThis musical about plane passengers diverted to Newfoundland on 11 September has plenty of heart but not enough biteThis musical by the Canadian married team of Irene …

SOURCE: The Guardian at 5:54pm on February 18, 2019

David Ireland: 'I find it hard to end my plays without violence' by Mark Lawson

His plays have shocked audiences on both sides of the Atlantic. Is David Ireland bothered about the walk-outs? Will he give in to demands for trigger warnings?Cradling his grandchild for the…

SOURCE: The Guardian at 1:32pm on February 18, 2019

Good Dog review " tapestry of Tottenham life on the eve of riots by Mark Fisher

Traverse, EdinburghKwaku Mills is a revelation as a boy growing up amid poverty in this touring revival of Arinzé Kene's crackling, compelling monologueImagine an inner-city version of Unde…

SOURCE: The Guardian at 5:54am on February 18, 2019

Do we need an Only Fools and Horses musical? Of course we do, you plonker! by Stuart Jeffries

It was the cushty comedy that perfectly captured 80s Britain. As Only Fools and Horses hits the stage, we celebrate the TV classic that needed a new scale to measure audience laughterBack in…

SOURCE: The Guardian at 1:32am on February 18, 2019
« Previous 25   Page 445 of 1,430   Next 25 »