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35,726 stories from The Guardian

The week in theatre: Tartuffe; The Son; Equus; As You Like It " review by Kate Kellaway

Lyttelton; Kiln; Theatre Royal Stratford East, London; Royal Shakespeare theatre, Stratford-upon-AvonMolière's anti-hero is a dodgy Highgate hippy, Florian Zeller dazzles with the latest ad…

SOURCE: The Guardian at 3:00am on March 3, 2019

'I hate talking about class': Zawe Ashton on acting, privilege and being bullied by Martha Hayes

Best known for Fresh Meat, she now stars with Tom Hiddleston in Pinter's Betrayal. Zawe Ashton talks about bullying, Michelle Obama and why she finds language such a turn on Zawe Ashton is d…

SOURCE: The Guardian at 3:00am on March 3, 2019

Tanztheater Wuppertal Pina Bausch: Bon Voyage, Bob review " striving for significance by Sarah Crompton

Sadler's Wells, LondonTanztheater Wuppertal's magnificent dancers are let down by Alan Lucien Øyen's stultifying meditation on loss What was it that made Pina Bausch so special? How did o…

SOURCE: The Guardian at 2:59am on March 3, 2019

To Kill a Mockingbird producer says small theaters can use Sorkin script by Associated Press In New York

Scott Rudin had issued legal threats over different adaptation Offer intended to 'ameliorate the hurt caused here' Dozens of community and non-profit theaters across the US forced to abando…

SOURCE: The Guardian at 5:03pm on March 2, 2019

50 years of Joseph and the Amazing Technicolor Dreamcoat " in pictures

It's 50 years since the original Joseph concept album was released. This summer, the show is back at the London Palladium and there's also a new touring production on the road. Look back at …

SOURCE: The Guardian at 1:51pm on March 2, 2019

Glenda Jackson: 'I'm a big admirer of Theresa May' by Emma Brockes

The former MP is set to play King Lear in New York " her second take on the role. She talks acting, ambition, and her admiration for the woman 'slogging away' at Brexit Glenda Jackson, 82, e…

SOURCE: The Guardian at 4:00am on March 2, 2019

Nish Kumar: 'I have not got over Brexit' by Brian Logan

The standup and TV host on how British politics broke his heart, Question Time abuse and why he's the Bob Dylan of comedy When Nish Kumar first made his mark as a solo comic, his material wa…

SOURCE: The Guardian at 2:00am on March 2, 2019

Sheridan Smith to star in Joseph and the Amazing Technicolor Dreamcoat by Chris Wiegand

Smith will play the Narrator this summer when Andrew Lloyd Webber and Tim Rice's musical returns to the Palladium Sheridan Smith will return to the West End stage this summer in a new produc…

SOURCE: The Guardian at 9:28am on March 1, 2019

Rob Auton: 'My haircut got comments like " Doth thou playeth the lute, sire?' by Harriet Gibsone

The polymath standup, writer and painter on the things that make him laugh the most Brian Gittins doing his show on the top deck of a bus in Edinburgh. Continue reading...

SOURCE: The Guardian at 8:51am on March 1, 2019

Tesseract review " strap in for the shapeshifting worlds of Charles Atlas by Lyndsey Winship

Barbican, LondonInspired by a sci-fi novella, the artist teams up with Rashaun Mitchell and Silas Riener for a bracing dance experiment A woman's face looms, very large and unnervingly close…

SOURCE: The Guardian at 7:43am on March 1, 2019

Art rarely touches on disabled siblings " that's why a new play made me cry | Rhiannon Lucy Cosslett by Rhiannon Lucy Cosslett

At a charity event I felt, for the first time, that my varied emotions were shared. We need more stories of this kindI don't often cry when I go to the theatre. I certainly don't often have …

SOURCE: The Guardian at 7:30am on March 1, 2019

Baby Face review " terrifying take on the infantilisation of women by Catherine Love

Theatre Deli, SheffieldKaty Dye gives a powerful performance deconstructing the idea of sexy innocence and society's worship of feminine youth In contemporary society and pop culture, there …

SOURCE: The Guardian at 6:24am on March 1, 2019

The Remains of the Day review " Ishiguro's novel makes cerebral theatre by Arifa Akbar

Royal & Derngate, NorthamptonBarney Norris's adaptation of Kazuo Ishiguro's Booker winner about the perils of blind duty speaks to modern Britain 'The play must be unlike the book or the…

SOURCE: The Guardian at 11:48am on February 28, 2019

Ben Target review " kooky comic wants to send you to sleep by Brian Logan

Battersea Arts Centre, LondonTarget's absurdist show Splosh! " about swimming and his childhood in Houston " cocks a quiet snook at machismo It's my dream with this show, says Ben Target, "t…

SOURCE: The Guardian at 9:56am on February 28, 2019

Nanjing review " a haunting study of bloody atrocities by Catherine Love

Royal Exchange, ManchesterJude Christian's solo show confronts historical brutality and personal heritage by dwelling in the grey areas It's hard to pin down Nanjing, Jude Christian's elusiv…

SOURCE: The Guardian at 9:37am on February 28, 2019

Counting Sheep review " feverish show recreates Kiev uprising by Michael Billington

The Vaults, LondonThis viscerally powerful piece about the 2014 revolution divides the audience into protesters and observers Originally conceived by Mark and Marichka Marczyk, this piece of…

SOURCE: The Guardian at 5:39am on February 28, 2019

Sarah Frankcom to leave Manchester's Royal Exchange for London drama school by Chris Wiegand

Artistic director who won acclaim for her work with Maxine Peake is appointed to new role at Lamda London Academy of Music and Dramatic Art (Lamda) has appointed Sarah Frankcom as its new di…

SOURCE: The Guardian at 5:30am on February 28, 2019

Russell Kane: The Fast and the Curious review " a comedy whirlwind by Brian Logan

Wyvern theatre, SwindonCartoonish characters and an operatic vomiting routine animate conventional observations about Brits abroad, marriage and moving to the provinces A "fast, mental, neu…

SOURCE: The Guardian at 5:30pm on February 27, 2019

Richard Alston for hire: 'Who will let an elderly deaf man loose on their dancers?' by Lyndsey Winship

The newly knighted choreographer is shutting his company due to cuts and has snapped his achilles tendon. But he's full of optimism about the future I'm expecting Richard Alston to be angry,…

SOURCE: The Guardian at 3:00pm on February 27, 2019

The Son review " Florian Zeller's frightening tale of teen depression by Michael Billington

Kiln, London Fear and fleeting joy punctuate an exploration of family dynamics, charting the upheaval of divorce and adolescence Florian Zeller's remarkable play completes a trilogy that vie…

SOURCE: The Guardian at 7:44am on February 27, 2019

Drag kings, karaoke and watermelons: smart new celebrations of queerness by Kate Wyver

Two joyful shows " And the Rest of Me Floats and Sex Sex Men Men " use standup and striptease to discuss trans rights, pegging and the patriarchy In their kaleidoscopic celebrations of queer…

SOURCE: The Guardian at 6:44am on February 27, 2019

Pepperland: 'If you're here for a Beatles singalong, that's not going to happen' by Chris Wiegand

As their stunning Sgt Pepper dance show tours the UK, Mark Morris and Ethan Iverson recall how they fell for the album's 'hokey, vaudeville' charms The light-footed Fred Astaire is among the…

SOURCE: The Guardian at 6:02am on February 27, 2019

Simon Godwin: how the British director is taking on US theatre by David Smith In Washington

In his new role as artistic director of the Shakespeare Theatre Company in Washington DC, the National Theatre and RSC star talks about swapping Brexit for Trump As Donald Trump surged towar…

SOURCE: The Guardian at 3:00am on February 27, 2019

The Trick review " a magic show with nothing up its sleeve by Kate Wyver

Bush theatre, LondonEve Leigh's new play " about grief and old age " is overbearing in its manipulative attempts to make us feel sad It is billed as a magic show about grief but The Trick ha…

SOURCE: The Guardian at 7:20am on February 26, 2019

Views of the gods: Alan Rickman, Cate Blanchett and more theatre legends " in pictures by All Photographs: Ivan Kyncl, Courtesy Of The V&a, London

Ivan Kyncl: In the Minute, an exhibition celebrating the atmospheric work of the Czech-born theatre photographer, is at the V&A in London until 7 July Continue reading...

SOURCE: The Guardian at 2:00am on February 26, 2019
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