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35,726 stories from The Guardian

Richard II review " women of colour's blazing show reflects our current chaos by Michael Billington

Sam Wanamaker Playhouse, LondonAdjoa Andoh is extraordinarily expressive in a production with politics to the fore that makes one see the play afresh By casting an iconic English history pl…

SOURCE: The Guardian at 6:37am on March 7, 2019

Medea review " a funny, brutal and raw masterpiece by Natalie Haynes

Barbican, LondonSimon Stone's smart and harrowing retelling of Euripides is performed by a flawless ensemble Euripides' Medea was first performed in Athens, in 431BC" and it came last in a …

SOURCE: The Guardian at 4:58am on March 7, 2019

Mischief Theatre's next 'Goes Wrong' comedy will be magic show by Mark Brown Arts Correspondent

Magic Goes Wrong has been co-written with magicians Penn & Teller There has been a creaky murder mystery that went wrong, a catastrophic Peter Pan and a chaotic A Christmas Carol. Next w…

SOURCE: The Guardian at 2:00am on March 7, 2019

Self-destructive dance superstar Sergei Polunin: 'Ukraine put me on a list of terrorists' by Simon Hattenstone

He was sacked from the Paris Opera Ballet after homophobic and sexist online rants. In an exclusive interview, he talks about the joy of self-sabotage " and his Vladimir Putin tattoo It is f…

SOURCE: The Guardian at 1:00am on March 7, 2019

Inside Bitch review " prison truths beyond Orange Is the New Black by Arifa Akbar

Royal Court, LondonClean Break's satirical look at the stereotypes around life in jail ends up undone by its own artifice Inside Bitch is a drama about drama and its misrepresentations. Four…

SOURCE: The Guardian at 2:49pm on March 6, 2019

The Taming of the Shrew review " Shakespeare in a woman's world by Gareth LlÅ·r Evans

Sherman theatre, CardiffJo Clifford's inventive and playful production gives the characters new conflicts, complexities and genders Notwithstanding its running gags at the expense of academi…

SOURCE: The Guardian at 11:00am on March 6, 2019

Alys, Always review " stylish staging of Harriet Lane's thriller by Michael Billington

Bridge theatre, LondonJoanne Froggatt plays a lowly journalist who ascends into elite literary circles in Nicholas Hytner's smooth production Journalists enjoy seeing themselves depicted on …

SOURCE: The Guardian at 6:22am on March 6, 2019

Under the Umbrella review " a desperate search in China's marriage market by Kate Wyver

Belgrade theatre, Coventry Amy Ng's family drama has the seeds of a great story, but is undone by melodrama and parody The definition of a good future differs significantly for three generat…

SOURCE: The Guardian at 5:49am on March 6, 2019

'They've become my family': how amateur theatre connects communities by Clare Horton

A unique National Theatre project has given 200 amateur actors, dancers and musicians of all ages new confidence Until the start of last year, 13-year-old Blessing had never been to a theatr…

SOURCE: The Guardian at 3:27am on March 6, 2019

Leigh Bowery's most outrageous looks " in pictures by All Photographs: Fergus Greer, Courtesy Of Michael Hoppen Gallery

From pom-pom headwear to multicoloured jigsaw suits, a new exhibition celebrates the late performance artist and fashion icon's unique style Continue reading...

SOURCE: The Guardian at 2:00am on March 6, 2019

'I'm raising demons': Billy Postlethwaite on playing Macbeth in his dad's shadow by Chris Wiegand

He grew up listening to his father Pete reciting Shakespeare over breakfast. Now Billy Postlethwaite is taking on the part that obsessed them both: Macbeth Billy Postlethwaite has lost his m…

SOURCE: The Guardian at 1:00am on March 6, 2019

Chicago's Steppenwolf theatre begins $54m expansion with UK firm by Edward Helmore

The theatre broke ground this week on a 50,000 sq ft project that will include a 400-seat theatre-in-the-round The renowned Steppenwolf theatre in Chicago has broken ground on a $54m expansi…

SOURCE: The Guardian at 4:52pm on March 5, 2019

Letter: Duncan Weldon obituary by Michael Meadowcroft

Duncan Weldon was indeed "star-struck from the outset". He seemed to be larger than life even when a mere year ahead of me at the local grammar school in Southport: shortly after we had left…

SOURCE: The Guardian at 11:43am on March 5, 2019

Naked villainy: behind the scenes of Richard III " in pictures

Tom Mothersdale plays the ruthless king in Headlong, Bristol Old Vic and Alexandra Palace's new touring production of Richard III. Tristram Kenton went backstage Continue reading...

SOURCE: The Guardian at 11:23am on March 5, 2019

Olivier awards: Company and Come from Away lead nominations by Mark Brown

The gender-switched Sondheim classic and 9/11 heartwarmer each received nine nominations for the awards, to be held on 7 April A gender-switched revival of a Stephen Sondheim classic and a f…

SOURCE: The Guardian at 10:17am on March 5, 2019

Queen Victoria " the ballet: 'You think you know her. It turned out I didn't' by Lyndsey Winship

After her celebrated Jane Eyre, Cathy Marston is staging a revelatory regal ballet. She talks about binge-watching ITV's Victoria and the politics of storytelling Queen Victoria is falling …

SOURCE: The Guardian at 8:29am on March 5, 2019

Trixie Mattel review " glittering, belittling comedy from Drag Race star by Kate Wyver

O2 Academy, Newcastle Ill-judged jokes and a lack of wit and grit make for a tedious set from one of the queens on RuPaul's series In an interview with Rolling Stone, drag queen Trixie Matte…

SOURCE: The Guardian at 7:12am on March 5, 2019

'Dazzling' drama about race wins prize for Jackie Sibblies Drury by Chris Wiegand

US dramatist wins Susan Smith Blackburn prize for female playwrights with Fairview, beating dramas by debbie tucker green and Ella Hickson The American dramatist Jackie Sibblies Drury has wo…

SOURCE: The Guardian at 3:00pm on March 4, 2019

The Mirror Crack'd review " death and dazzle as Miss Marple goes to the movies by Arifa Akbar

Salisbury PlayhouseThis frenetic rewind for Agatha Christie's mystery splits between Hollywood homage and send-up In a bare room, an elderly woman sleeps in an armchair, sprained ankle on a …

SOURCE: The Guardian at 6:54am on March 4, 2019

From Sondheim to Dr Seuss: the jaw-dropping designs of Vicki Mortimer " in pictures by David Jays

The ghostly showgirls of Follies, Wayne McGregor's spellbinding Raven Girl and the madcap world of The Cat in the Hat have all been realised by the designer, who looks back at five of her …

SOURCE: The Guardian at 1:00am on March 4, 2019

Hamilton and Heathers celebrate big wins at WhatsOnStage awards by Mark Brown Arts Correspondent

Winning musicals also earn their lead actors prizes, while Company and The Inheritance also among winners Hamilton was the biggest winner at the only major theatre awards decided by the publ…

SOURCE: The Guardian at 4:30pm on March 3, 2019

Quartermark review " a classy medley from Richard Alston by Lyndsey Winship

Sadler's Wells, LondonClassical virtuosity combines with contemporary sensibility in this selection of highlights from a 25-year repertoire 'How small a thought it takes to fill a whole life…

SOURCE: The Guardian at 10:41am on March 3, 2019

Fiona Shaw: 'I'm delighted to be in with the young crowd!' by Michael Hogan

After her icy spymaster role in Phoebe Waller Bridge's Killing Eve, the acclaimed stage actor couldn't resist a part in Fleabag. Finally, she says, women's roles are improving For an actress…

SOURCE: The Guardian at 3:59am on March 3, 2019

The Remains of the Day review " gorgeous but unsubtle by Clare Brennan

Royal & Derngate, NorthamptonNiamh Cusack and Stephen Boxer shine in a clunky adaptation of Kazuo Ishiguro's novel Kazuo Ishiguro's 1989 Booker prize-winning novel is narrated by Stevens…

SOURCE: The Guardian at 3:00am on March 3, 2019

Andy Nyman: 'I didn't want any schmaltz in this Fiddler on the Roof' by Interview By Sarah Crompton

The star of Trevor Nunn's West End production talks heritage, horror and making magic with Derren Brown The versatile actor, writer and director Andy Nyman is about to play the harassed milk…

SOURCE: The Guardian at 3:00am on March 3, 2019
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