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35,726 stories from The Guardian

Edmond de Bergerac review " France's hectic answer to Shakespeare in Love by Michael Billington

Birmingham RepThis slapstick look at the classic play about Cyrano the long-nosed poet has been given a witty, kaleidoscopic staging It is not hard to see why Alexis Michalik's play has cloc…

SOURCE: The Guardian at 6:59am on March 22, 2019

'She's rebellious': actor on giant Plymouth sculpture she inspired by Steven Morris

Nicola Kavanagh says crude criticism of Messenger may be fuelled by fear of the unknown An actor who was the inspiration behind a giant bronze sculpture of a female figure has described her …

SOURCE: The Guardian at 5:40am on March 22, 2019

Ain't Too Proud review " thrilling music but shallow drama in Temptations musical by Alexis Soloski

Imperial Theatre, New York Broadway's latest jukebox music is electrified by fantastic singing and dancing but let down by some inert storytelling There's a chilly irony at the shrink-wrappe…

SOURCE: The Guardian at 9:00pm on March 21, 2019

Actor playing gay role in musical sacked for homophobic comments by Kevin Rawlinson

Oluwaseyi Omooba had been due to play star role in The Color Purple in UK stage show An actor playing a gay character in a stage production of the Color Purple has been sacked over homophobi…

SOURCE: The Guardian at 4:04pm on March 21, 2019

Falling review " teen daughter's postcards from the edge by Miriam Gillinson

Old Fire Station, OxfordNear catastrophe in a back garden sparks up this heartfelt if over-signposted play strongly influenced by children's theatre A black hole is engulfing Claire and her …

SOURCE: The Guardian at 4:00pm on March 21, 2019

Downstate review " big-question drama on how we live with child abusers by Michael Billington

Dorfman, LondonFour sex offenders are confronted by one of their victims in Bruce Norris's viscerally acted drama about punishment Bruce Norris likes to live dangerously. In Clybourne Park, …

SOURCE: The Guardian at 8:58am on March 21, 2019

Standing at the Sky's Edge review " Richard Hawley's ode to Sheffield estate by Catherine Love

Crucible, SheffieldThis across-the-decades Park Hill musical is cleverly staged, moving through idealism, dilapidation and gentrification Rising above Sheffield station, the buildings of the…

SOURCE: The Guardian at 7:11am on March 21, 2019

The really empty space: do you need actors to make theatre? by Matt Trueman

From Enda Walsh's disembodied voices to a Royal Court escape room, experimental theatre is being made without performers 'I don't know if it is theatre," Enda Walsh says of his new show. In …

SOURCE: The Guardian at 2:00am on March 21, 2019

White Noise review " Suzan-Lori Parks provokes and disturbs by Alexis Soloski

The Public Theater, New York The Pulitzer prize-winning playwright has created an absurdist, challenging drama about the fallout from a racially motivated attack by police Slavery ended in 1…

SOURCE: The Guardian at 10:00pm on March 20, 2019

Royal Court and Globe join UK arts climate protest by Matthew Taylor

Leading arts institutions stage day of action to raise awareness of ecological crisis Some of the UK's leading arts institutions " including the Royal Court Theatre and Shakespeare's Globe "…

SOURCE: The Guardian at 12:39pm on March 20, 2019

The Rubenstein Kiss review " passion and paranoia as spy drama implodes by Arifa Akbar

Southwark Playhouse, LondonThis drama inspired by Julius and Ethel Rosenberg is ripe for revival but the story asks more questions than it answers James Phillips calls it the "perfect time" …

SOURCE: The Guardian at 10:07am on March 20, 2019

Warehouse wonders: Josie Rourke at the Donmar " in pictures

As the artistic director prepares to leave the Donmar Warehouse, we look back over her reign " from City of Angels to the Shakespeare Trilogy Continue reading...

SOURCE: The Guardian at 9:12am on March 20, 2019

The Bay at Nice review " David Hare's battle of duty and desire by Michael Billington

Menier Chocolate Factory, LondonPenelope Wilton gives a fine turn as an understated heroine in this revival of Hare's play about a one-time pupil of Matisse David Hare's 1986 play was origin…

SOURCE: The Guardian at 6:54am on March 20, 2019

The Taming of the Shrew review " RSC's battle of reversed sexes by Michael Billington

Royal Shakespeare theatre, Stratford-upon-Avon Gender-swapped roles turn this courtship power game into a strange puzzle " although the trick plays dividends with its gleeful subplots You c…

SOURCE: The Guardian at 7:30pm on March 19, 2019

Comic Strip's riotous Soho club reborn as state-of-the-art theatre by Chris Wiegand

New Boulevard theatre aims to awaken area's rebel spirit in the building that hosted Eddie Izzard and Rik Mayall in the 80s A tiny new state-of-the-art theatre seeking to capture the "rebell…

SOURCE: The Guardian at 12:49pm on March 19, 2019

Boxing clever: how mind-warping sci-fi came to a Glasgow office block by Libby Brooks

Ahead of a stage trilogy about technology's advance, Cora Bissett talks GM babies, robot nurses and the timeless power of theatre A couple's intimate discussions about having a baby take pla…

SOURCE: The Guardian at 9:18am on March 19, 2019

Goodbye Norma Jeane review " the man behind Marilyn Monroe steps forward by Kate Wyver

Above the Stag theatre, LondonChoreographer Jack Cole's vitality is lost in Liam Burke's play that tackles issues of ownership of women's bodies All high kicks and hip swings, Jack Cole's d…

SOURCE: The Guardian at 7:10am on March 19, 2019

Disney's Frozen musical will reopen London's Theatre Royal Drury Lane in 2020 by Chris Wiegand

The stage show, directed by Michael Grandage, has been running on Broadway for a year An invasion of tiny Elsas " and a few Annas " will hit London in autumn 2020, as the stage musical of D…

SOURCE: The Guardian at 3:48am on March 19, 2019

It's the comedy economy, stupid! Elf Lyons on the true cost of standup by Chris Wiegand

After a Franglais Swan Lake, the comic explains economics with sex dolls in ChiffChaff. She talks about loving horror, how guinea pigs helped her through illness and standing up for comedian…

SOURCE: The Guardian at 11:59am on March 18, 2019

Yuli: this portrait of Carlos Acosta and Cuba is a dance film like no other by Lyndsey Winship

Ballet and film complement each other perfectly in a biopic of the superstar dancer that captures life under Castro's rule Dance on film can have many functions. It might act as a showstoppi…

SOURCE: The Guardian at 6:29am on March 18, 2019

Ballet Black review " welly-wearing dancers stage miners' strike by Lyndsey Winship

Barbican, LondonThe company's triple bill includes Ingoma, a powerful piece inspired by events that led to South Africa's anti-apartheid movement Ballet Black may be, by its nature, politica…

SOURCE: The Guardian at 2:00am on March 18, 2019

Dangerous Liaisons at Queensland Ballet: behind the scenes " in pictures

Originally an 18th century novel by French author Pierre Choderlos de Laclos, Dangerous Liaisons came to greater attention in the 1980s when it was made into a film starring John Malkovich, …

SOURCE: The Guardian at 8:42pm on March 17, 2019

'It's a no-knickers feeling!' The healing power of wild swimming by Kate Wyver

Liz Richardson's new show explores the transformative qualities of a freezing cold dip. She takes us to the source of her inspiration 'I want to jump in right now," says Liz Richardson. She …

SOURCE: The Guardian at 12:00pm on March 17, 2019

The Crown Dual review " inventive, fun parody of Netflix original by Mark Lawson

King's Head, LondonSkilfully combining play-that-goes-wrong antics with a potted history of the royals, this has fringe festival hit written all over it From the National Theatre of Brent to…

SOURCE: The Guardian at 7:37am on March 17, 2019

The Thread review " Russell Maliphant and Vangelis join forces in a Hellenic Riverdance by Sanjoy Roy

Sadler's Wells, LondonRooted in traditional Greek dancing, the choreography only blooms when it ditches folky footwork for more elastic moves The Thread has the hallmarks of a particular kin…

SOURCE: The Guardian at 7:35am on March 17, 2019
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