Music Preview: Livingston Taylor " A Boston Treasure
"I see myself as I've always seen myself, as a pop musician in a folk genre."
"I see myself as I've always seen myself, as a pop musician in a folk genre."
Diane Williams's brusque vision of a perverse life force mesmerizes.
Without question, this BPYO rendition of Shostakovich Ten was one of the most urgent and necessary of any symphonic score I've heard all year.
"I still remember; I sat in his class, and I felt my future changing as he spoke."
This set is surely one of the finds of the year.
Perhaps Eugène Delacroix is best regarded as a leader of the resistance to academic art, part of the transition to impressionism.
This is a bewildering, frustrating, deeply weird novel, densely written and remarkably free of signposts.
This recording challenges our settled sense of what art music, in conjunction with colorful spoken and sung verse, can accomplish.
For once, an exceptional reboot of a classic game.
The Ballad of Buster Scruggs demonstrates the Coens' consummate skill for reinventing classic genre tropes, dovetailing deep affection with inspired re-interpretation.
The author's combination of knowledge and experience has resulted in a boisterous chronicle of one of indie rock's least probable but most luminous and unremitting stars.
Jack Black and Kyle Gass were happily living out their nerdy, rockstar dreams; and their fans were loving it.
Editor Heidi E. Erdrich has brought together a richly varied selection of poems, chosen from first collections of poetry written by twenty-one Native poets since the year 2000. .
Robert Venuti's opposition to the Modernism's rigid corporate style made healthy waves.
The Favourite may be a raucous historical lampoon -- but it is a timely one.
Leonard Cohen reinforces this dedication to lyricism with striking humility in his final book.
Not since Michelangelo Antonioni's Blow-Up and L'Aventura has there been such a mesmerizing tale of the more you look, the less you find out.
This musical hodgepodge at the American Repertory Theater could be called 'Let's Sing About Me (and Me, and Then More About Me).'
The show tells a story of women through portraits that span a little more than two hundred years.
This was a truly great performance, one that fully suited the BPO's season-long, dual commemorations.
These extraordinary books from world-class writers are about reviving, through words, a now-derelict town and the lives of its ten thousand murdered Jews.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Next summer promises to be a safe one, musically, at Tanglewood.
William Goldman was known as a consummate Hollywood insider, who nevertheless maintained a reputation as a literary-minded purveyor of exceptional cinema.
Peter Brook has decided to be more than a little stubbornly anti-theatrical in The Prisoner.