Hapgood
Tom Stoppard is a brilliant playwright, but sometimes he can't tell the difference between a play and a lecture. Hapgood's ratio of physics versus theatre is unfortunately skewed toward the…
Tom Stoppard is a brilliant playwright, but sometimes he can't tell the difference between a play and a lecture. Hapgood's ratio of physics versus theatre is unfortunately skewed toward the…
Photo: Jonathan KeenanSometimes ambiguity adds suspense and atmosphere to a production. Sometimes it is just confusing. At the beginning of Edna O'Brien's Haunted, part of the Brits Off Broa…
Nyack High School presented an excellent production of The Laramie Project for two performances this month. The pacing could have been quicker, but many of the performances were top-notch, a…
photo: T. Charles EricksonNo one can fault John Guare for being ambitious. His play A Free Man of Color, which has been in gestation for over twenty years, represents not only two decades of…
Shakespeare's Merchant of Venice is a choleric, cynical play.First, of course, there is the ugly anti-Semitism. Shylock, more frequently known as "The Jew," has spent his life being called "…
Photo: Joan MarcusDostoevsky's grim novella is here blasted to unexpectedly brilliant life in a stage adaptation by Robert Woodruff and the amazing actor Bill Camp. The unnamed Man poses a t…
Wow!Last March a few thousand people were lucky enough to experience the truly staggering Sondheim birthday celebration at the New York Philharmonic. Many who saw it (most?) judged it one of…
Photo: Holly CasterJoan Collins is a force to be reckoned with. She turned down Darryl Zanuck's (staggeringly coarse) sexual advances, even though she knew she might be risking her career. S…
The Broadway Close Up series at Merkin Hall presented a lovely evening of Jerome Kern songs last Monday. There was no patter--just luscious singing. Director Denis Jones set up some of the s…
Photo: DfxDenStephen Jeffreys' comedy-drama is a delicious throwback to Restoration times. With Cromwellian Puritanism a thing of the past, the return of the monarchy was an optimal time for…
Photo: Annie ParisseAs The Amoralists' production of Ghosts in the Cottonwoods begins, we see Bean Scully sucking venom out of her son Pointer's leech bites. He is 18 years old and nude, and…
Photo: Michael BrosilowIt is a theatre season of prodigious feats of memory. Mark Rylance in La Bete. Belle Caplis is Balm in Gilead. Bill Camp in Notes From Underground. And now Michael Sha…
Photo: Joan Marcus"I am a sick man. I am a wicked man. An unattractive man. I think my liver hurts." With these classic opening lines of Dostoevsky's Notes From Underground, actor and co-ada…
Elling. Elling is a little play. A very little play. A teeny-tiny, itsy-bitsy play. Brendan Fraser and Denis O'Hare play odd-couple roommates, both recently out of a psychiatric hospital. Ev…
I've read the reviews, and it's hard to argue with them. Women on the Verge of a Nervous Breakdown is indeed sloppy, uneven, and unfocused. The score by David Yazbek is only amiable. The boo…
Photo Credit: Torso XXI by Colm McCarthyThe people at the T. Schreiber Theatre are doing something amazing over on 26th Street. In their production of Lanford Wilson's Balm in Gilead, on the…