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2,260 stories from Chicago Theater Beat

Review: The Mountaintop (Court Theatre) by Scotty Zacher

More molehill than mountaintop, this wholly preposterous and trivializing depiction of King's last night on earth is earnestly but hopelessly staged at Court Theatre by the excellent Ron OJ …

SOURCE: Chicago Theater Beat at 1:59pm on September 16, 2013

Review: The Old Man and the Old Moon (PigPen Theatre Co. and Writers' Theatre) by Scotty Zacher

Full of visual and sonic beauty, PigPen Theatre's lush production maintains the narrative's pleasant intrigue. The ensemble is almost balletic in its graceful physicality, and its puppet pro…

SOURCE: Chicago Theater Beat at 12:17pm on September 16, 2013

Review: Set Up (TheatreBam Chicago) by Scotty Zacher

Directed by George Keating, the gauche events drag on just like the bad date that it's meant to portray. Sullivan and Civetta never spark the chemistry necessary to make us root for their to…

SOURCE: Chicago Theater Beat at 4:30pm on September 14, 2013

Review: Clumsy Sublime (Curious Theatre Branch) by Scotty Zacher

In Barrie Cole's problematic play, scenes with no real purpose besides establishing character go on and on long past necessary, and this plodding is made worse by poor performances and the l…

SOURCE: Chicago Theater Beat at 10:22am on September 14, 2013

Review: White Tie Ball (Teatro Vista) by Scotty Zacher

Martin Zimmerman's 90-minute one-act world premiere focuses on two mixed-race Arizona brothers trying to find their way in the world. Director Edward Torres does a fine job of making the pla…

SOURCE: Chicago Theater Beat at 12:38am on September 13, 2013

Review: Other People's Money (Shattered Globe Theatre) by Scotty Zacher

Other People's Money is swift-moving, tightly written and gripping to the bitter end. With a strong cast, along with Andrew Hildner's bifurcated set, this production lives up to its name. (…

SOURCE: Chicago Theater Beat at 11:32pm on September 12, 2013

Review: Warped (Stage Left Theatre) by Scotty Zacher

Warped isn't always easy to endure, but it's a story that needs to be told. Lhota's fantastic script and the truly talented ensemble make this premiere hard to watch, and impossible to shake…

SOURCE: Chicago Theater Beat at 12:18am on September 12, 2013

Review: The Balcony (Trap Door Theatre) by Scotty Zacher

The Balcony overlooks the agony of war through it's characters' sexual roleplay. If you enjoy your existentialism with a side of tawdry humor, this balcony has the perfect seat for you.

SOURCE: Chicago Theater Beat at 9:44pm on September 11, 2013

Review: Sweet Child of Mine (The Neo-Futurists and The Last Tuesday Society) by Scotty Zacher

As an ode to the act of creation and commentary on the often overly-esoteric nature of performance art, Sweet Child of Mine is also a lovely valentine to the relationship parents have to the…

SOURCE: Chicago Theater Beat at 12:44pm on September 9, 2013

Review: The Rubenstein Kiss (Coriolis Theater) by Scotty Zacher

Historical dramas are a tricky beast, but Coriolis Theater's latest production concerning the infamous Rosenberg execution brings out the poignancy of the story and overcomes the flaws in th…

SOURCE: Chicago Theater Beat at 8:43pm on September 8, 2013

Review: 9 Circles (Sideshow Theatre) by Scotty Zacher

9 Stories is arresting and chilling, a flawlessly executed tale that's horrific in its relevance. It's the most disturbing play I've seen all year, and one of the very best I've seen in a lo…

SOURCE: Chicago Theater Beat at 7:09pm on September 8, 2013

Review: Monty Python's Spamalot (NightBlue Performing Arts) by Scotty Zacher

Encountering gut-busting and anachronistic props and puns, the slap-happy warriors led by John Gurdian's bumptious King Arthur, "Spamalot" will have your LOL with its cheeky, irreverent and …

SOURCE: Chicago Theater Beat at 4:56pm on September 8, 2013

Review " Hank Williams: Lost Highway (American Blues Theater) by Scotty Zacher

As musical bios go, Lost Highway - penned by Mark Harelik and Randal Myler - is one of the best there is, merging a compelling story with close to two dozen old school country tunes. Highly …

SOURCE: Chicago Theater Beat at 9:32pm on September 6, 2013

Review: Double Trouble (Porchlight Music Theatre) by Scotty Zacher

It's hard to imagine anyone doing a better, more handsome production of Double Trouble than Porchlight and the Aguilar brothers, but whether the writing itself is worth the considerable tale…

SOURCE: Chicago Theater Beat at 12:29am on September 6, 2013

Review: In God's Hat (Profiles Theatre) by Scotty Zacher

Dark comedy is a favorite genre of mine, and Hat finds some very funny moments of dry humor in its physically and emotionally bleak pulp landscape. Playwright Brett Rossi knows how to mine a…

SOURCE: Chicago Theater Beat at 9:16am on September 3, 2013

Review: 12 Nights (The Hypocrites) by Scotty Zacher

Sean Graney's new take on Shakespeare's timeless classic Twelfth Night manages to find a good environment for the famous identity crisis comedy " but the language is a different story. (read…

SOURCE: Chicago Theater Beat at 6:51pm on September 2, 2013

Chicago Fringe Festival 2013 reviews: Not Another Teen Solo Show, Men and Dogs, Phenomena by Scotty Zacher

With such a wide variety of genres, the Chicago Fringe Festival offers something to suit anyone's tastes. But to stay true to the spirit of the Fringe Festival, challenge yourself to see som…

SOURCE: Chicago Theater Beat at 3:21pm on September 2, 2013

Review: This Is War (Signal Ensemble Theatre) by Scotty Zacher

Under Director Ronan Marra's tight leadership, this ensemble does battle with their inner demons, presenting a startling insider's perspective of military life. (read more...)

SOURCE: Chicago Theater Beat at 8:52pm on September 1, 2013

Review: The Color Purple (Mercury Theater) by Scotty Zacher

The total package of the abundant and beautiful costumes, gorgeous lighting and the powerful singing and dancing of the entire company make this a satisfying and moving production. (read mo…

SOURCE: Chicago Theater Beat at 5:48pm on September 1, 2013

Review: A Raisin in the Sun (TimeLine Theatre) by Scotty Zacher

It feels very, very right that TimeLine Theatre debuted this, the most perfect production of 2013, on the 50th anniversary of the March on Washington. If ever an American classic, it's this …

SOURCE: Chicago Theater Beat at 8:47pm on August 30, 2013

Review: Conversations on a Homecoming (Strawdog Theatre) by Scotty Zacher

Within Murphy's engrossing story and Berry's astute direction, the honest revelations blister and bubble yet they never pop. The entire play takes on a surreal quality that will stay with yo…

SOURCE: Chicago Theater Beat at 12:28pm on August 30, 2013

Review: Boy Small (Fine Print Theatre) by Scotty Zacher

For some, Boy Small may deliver enough *schadenfreude* shock effects to endure this combination of a sauna and a sweat lodge. But what's missing is the anger that must have ignited the writi…

SOURCE: Chicago Theater Beat at 6:44am on August 30, 2013

Review: The Last Days of Judas Iscariot (Judas Redux) by Scotty Zacher

More than any play I've seen this year, this production felt like an intense, unforgettable gut-punch. I was absorbed, but couldn't separate joy from pain, confusion from sadness. Highly Rec…

SOURCE: Chicago Theater Beat at 6:52pm on August 29, 2013

Review: 9 to 5 (Marriott Theatre) by Scotty Zacher

Those among us who survived the big hair, shoulder pads and polyester pantsuits of the 1980s will revel in the retro-ambiance of this stage adaption. In all, 9 to 5 clocks in as a nostalgic …

SOURCE: Chicago Theater Beat at 12:05pm on August 29, 2013

Review: Next to Normal (Drury Lane Theatre) by Scotty Zacher

Besides the six flawless and deeply driven performances in William Osetek's kinetic staging, Next to Normal (its title far more realistic than "Light") remains a valuable, if generic, offeri…

SOURCE: Chicago Theater Beat at 11:02pm on August 28, 2013
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