1,793 stories from Theater News Online
The battle of the sexes is never-ending and as old as the ages as this enjoyable revival of Moliere's The School for Wives neatly points out.
Ronald Harwood's two plays closely examine whether it's ever right for great artists to go on producing great art under oppressive regimes. There are no easy answers.
Horton Foote's last play may have brought him a late-life triumph, but its comic intent comes packed with tragic subtext.
Lillian Hellman's pride of vipers are front and center in this excellent revival of The Little Foxes. All the greed and manipulation are hard to miss.
Shakespeare's Globe has come up with one of the best As You's of recent years. Kudos to Thea Sharrock for her traditional handling of the work.
Phylicia Rashad has taken on the role of a different type of Big Momma in August: Osage County. Let's say, she's learning on the job.
Into the Hazard (Henry 5): A play that makes good use of television to set the stage, it's still the action on stage providing the most dramatic moments
Season nine of Scott Siegel's Broadway by the Year series comes to an end celebrating 1970. Not exactly a blockbuster year, but one that included Company, The Rothschilds and Applause, among…
Irena's Vow to close on June 28 at the Walter Kerr
A brilliant revival of Arcadia confirms once more the sterling qualities of the Stoppard masterwork.
A Romeo and Juliet that neither quickens the heart nor sends the pulse a racing inaugurates the Globe's new season.
This is a startling revival of Wallace Shawn's brilliant if flawed play.
Debbie Reynolds makes her Cafe Carlyle debut a pleasant way to spend some quality time with a silver screen legend.
The Tony Awards show was a series of hit and miss moments. Let's just say the 2008-2009 season deserved a better platform.
With The Power of Two, Michael Feinstein and Cheyenne Jackson have put together a whale of a cabaret act. It bodes well for a burgeoning cabaret future together.
Director Marianne Elliott has adopted a Gothic aesthetic for the National's first crack at All's Well That Ends Well. It provides style and substance in near perfect harmony.
Michael Grandage's Hamlet gives us a splendid Jude Law in the title role. It also gives us a play that at time seems freshly written.
Three decades old, and thoroughly WASP-centric, this A.R. Gurney classiic speaks broadly in an age of diminishing expectations.
Tony Award winners announced - Billy Elliot The Musical big winner with 10 triumphs.
God of Carnage to take summer off, return through November 15.
The promise of the future extrapolated from the present gets a working over in this excellent revival of J.B. Priestley's Time and the Conways
Too Close to the Sun set for Comedy Theatre. Musical about Hemingway's last year.
