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35,726 stories from The Guardian

Follow the Bird Lady! Cinderella costume parade " in pictures

Christopher Wheeldon is bringing his in-the-round Cinderella ballet to the Royal Albert Hall in London, complete with 370 costumes. We went behind the scenes for English National Ballet's fi…

SOURCE: The Guardian at 2:12pm on May 24, 2019

King Hedley II review " Lenny Henry and Aaron Pierre make a dynamic duo by Michael Billington

Theatre Royal Stratford East, LondonAugust Wilson's overheated story of an ex-con attempting to rebuild his life is buoyed by an energetic cast with meaty roles The parts are sometimes bigge…

SOURCE: The Guardian at 9:48am on May 24, 2019

Emily Atack review " I'm a Celebrity star on her roaring 20s by Hannah J Davies

The Grand, Clapham, London The Inbetweeners' actor gears up for her 30s with a look back at her regrets and a plea for us all to be nicer to one another Emily Atack isn't your regular standu…

SOURCE: The Guardian at 11:03pm on May 23, 2019

Four Quartets review " TS Eliot's poems brilliantly danced by Lyndsey Winship

Barbican, LondonWith unfussy, Cunningham-influenced movement alongside Kathleen Chalfont's readings, Pam Tanowitz has distilled Eliot's essence Choreographer Pam Tanowitz has been quietly p…

SOURCE: The Guardian at 12:06pm on May 23, 2019

Our Town review " Ellen McDougall's Wilder revival hits home with force by Michael Billington

Regent's Park Open Air theatre, LondonThe classic snapshot of a community is given fresh life by a youthful production that stresses the story's harsher moments Thornton Wilder's 1938 hymn t…

SOURCE: The Guardian at 11:03am on May 23, 2019

Does My Bomb Look Big in This? review " fierce, witty study of radicalisation by Arifa Akbar

Soho theatre, LondonNyla Levy's play about London schoolfriends, divided when one goes to Syria, is savvy, streetwise and energetic What makes a 15-year-old from Mitcham, south London, leave…

SOURCE: The Guardian at 11:03am on May 23, 2019

He Takes Her By the Hand … review " desire and dread in Bausch's Macbeth by Chris Wiegand

Opera House, WuppertalPina Bausch merges the domestic and dream worlds in a dark but playful version of Shakespeare's tragedy In Since She, the first of two new full-length pieces created by…

SOURCE: The Guardian at 7:48pm on May 22, 2019

'I even loved his Twankey': Dench, Hopkins, Mirren and more on Ian McKellen at 80 by Interviews By Catherine Shoard and Chris Wiegand

Wild parties, stunning performances, silhouette erections and marrying Patrick Stewart twice. As the actor turns 80, friends including Derek Jacobi, Janet Suzman, Michael Sheen, Bill Condon …

SOURCE: The Guardian at 3:18pm on May 22, 2019

The Duchess (of Malfi) review " indictment of patriachal power by Mark Fisher

Royal Lyceum, EdinburghZinnie Harris reframes the tragedy to take in the consequences of male violence, as Kirsty Stuart's duchess provides a defiant centre They're a pathetic lot, the men w…

SOURCE: The Guardian at 3:18pm on May 22, 2019

Hoard review " emotional wreckage from a drive-by family visit by Arifa Akbar

Arcola theatre, LondonThere are entertaining performances in Bim Adewunmi's lively debut play about a British-Nigerian family with a dinner guest The dinner party has served as the setting f…

SOURCE: The Guardian at 12:03pm on May 22, 2019

Anna review " lies and surveillance in communist East Berlin by Michael Billington

Dorfman theatre, LondonElla Hickson's inventive thriller turns the audience into spies behind a glass wall, with fascinating but flawed results Created by Ella Hickson and sound designers Be…

SOURCE: The Guardian at 9:54am on May 22, 2019

A lifetime of material: a comedian's guide to the Indian election by Anuvab Pal

The Stay Awake party, the polling station in an area populated by lions … on the eve of results in India, Anuvab Pal reveals how the biggest election in history " with 900 million voters "…

SOURCE: The Guardian at 9:54am on May 22, 2019

The Cheviot, the Stag and the Black, Black Oil review " buoyant revival of a Scottish classic by Michael Billington

Eden Court, InvernessJohn McGrath's 1973 play uses ceilidhs and hoedowns to tell the shocking tale of the exploitation of Scotland's natural resources John McGrath's 1973 play is a legend in…

SOURCE: The Guardian at 12:03pm on May 21, 2019

Audiences jump into bed and are paid to play at Take Me Somewhere by Kate Wyver

Various locations, GlasgowThis performance art festival serves up brazen tests of audience exploitation, a TV sleepover and feminist futurism How much would you have to be paid to make a foo…

SOURCE: The Guardian at 6:24am on May 21, 2019

Sex, money and idiots in power: Restoration comedy's endless appeal by David Jays

These late 17th-century plays " with their sea of unfamiliar words " can be daunting for actors. But this disillusioned world speaks to our own age of uncertainty 'It's the most terrified I…

SOURCE: The Guardian at 2:06am on May 21, 2019

This Girl Laughs, This Girl Cries, This Girl Does Nothing review " terrific triplets by Mark Fisher

Tron, GlasgowJemima Levick revives this tale about three sisters coming of age with wit and charm The clue is in the socks. We're faced by three girls, identical in their yellow coats, red b…

SOURCE: The Guardian at 4:18pm on May 20, 2019

Icy intimacy: the artist who performs on a bed of frozen thoughts by Kate Wyver

Chronic fatigue has left Amy Rosa 'watching life through glass'. Her new show urges viewers to make vulnerability a radical act 'We're not taught how to process difficult emotions," says per…

SOURCE: The Guardian at 9:42am on May 20, 2019

Theatre's role models for deaf children: 'they need to think anything is possible' by Miriam Gillinson

A new Horrible Histories show celebrates the achievements of deaf figures, while Mathilda and the Orange Balloon also makes creative use of British Sign Language Inspiration hit while theatr…

SOURCE: The Guardian at 6:24am on May 20, 2019

The Curious Case of Benjamin Button review " folk musical beats the movie by John Lewis

Southwark Playhouse, LondonA stunning cast sing, play and even puppeteer as the life-lived-backwards tale is relocated to Cornwall in ingenious style This musical has almost nothing to do wi…

SOURCE: The Guardian at 6:24am on May 20, 2019

The Rite of Spring review " dreamy and divine by Lyndsey Winship

The Place, LondonBased on classical Indian dance forms, Seeta Patel's interesting chamber version uncovers the lyricism in Stravinsky's score The Rite of Spring is a totemic work in the worl…

SOURCE: The Guardian at 1:54am on May 20, 2019

Pittsburgh state of mind: how August Wilson's flame burns on by Bridget Minamore

The playwright captured an entire century of black American experience. His widow Constanza Romero explains how she shares his message, as gritty play King Hedley II returns to the stage 'It…

SOURCE: The Guardian at 1:54am on May 20, 2019

Reginald D Hunter review " a standup punching down by Hannah J Davies

Alexandra Palace theatre, LondonIn Facing the Beast, the US comic offers an erratic hour of uncharitable observations and forced 'edge' As he mentions several times during his latest show, F…

SOURCE: The Guardian at 8:32pm on May 19, 2019

Al Murray review " the ultimate Brexiteer remains on the fence by Paul Fleckney

Alban Arena, St AlbansMurray's Pub Landlord character, a patriotic little Englander, is well-placed to comment on our political moment, but Murray seems unwilling to take sides "Having your …

SOURCE: The Guardian at 10:36am on May 19, 2019

Roger Allam: 'I like that in the theatre nothing is ever finished' by Lisa O'Kelly

The actor on playing a factory owner in Rutherford and Son, shyness, and Peter Mannion's take on Brexit Roger Allam is a distinguished English actor whose stage work has ranged from Inspecto…

SOURCE: The Guardian at 9:32am on May 19, 2019

Julian Clary review " a past master of the scornful ad-lib by Ryan Gilbey

Assembly Hall theatre, Tunbridge WellsThere may be a weary air to some of the obligatory scripted smut, but Clary's affectionate put-downs remain acutely calibrated A week shy of his 60th b…

SOURCE: The Guardian at 9:32am on May 19, 2019
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