DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
1,908 stories from The New Yorker

More Broadway Recommendations for Mike Pence by Michael Schulman

Dear Vice-President-elect Pence,

SOURCE: The New Yorker Subscription at 3:51pm on November 21, 2016

David Oyelowo and Daniel Craig Face Off in "Othello" by Michael Schulman

It's an odd fact of "Othello" that Iago has more lines than the title character. But inconspicuousness"the ability to keep his own name out of the spotlight while cruelly manipulating events…

SOURCE: The New Yorker Subscription at 11:00pm on November 17, 2016

Richard Nelson's Final Election Play Proves to Be Eerily Prophetic by Michael Schulman

Around three-thirty yesterday afternoon, Richard Nelson made his final edits to a project that has spanned this parlous political season: a trilogy of quiet and sad dramas called "The Gabrie…

SOURCE: The New Yorker Subscription at 3:46pm on November 9, 2016

Peter Morgan Serves the Queen, Again by Michael Schulman

Is Queen Elizabeth II interesting? Not in a world-historical sense"the dwindling power of the monarchy in the postcolonial age, the assortment of turmoils that have raged around her durin…

SOURCE: The New Yorker Subscription at 3:00pm on November 4, 2016

A Deep Portrait of Nerd Angst

The twenty-three-year-old actor Ben Platt, known for his adorkable role in the "Pitch Perfect" movies, delivers a deeper portrait of nerd angst in "Dear Evan Hansen," a new musical by Benj P…

SOURCE: The New Yorker Subscription at 12:00am on November 4, 2016

Winter Theatre Preview by Michael Schulman

Few living actors can match the raw star power of Cate Blanchett, whose hypnotic self-possession"she has the gravitational pull of a small planet"made her a natural for roles like Queen Eliz…

SOURCE: The New Yorker Subscription at 12:00am on November 4, 2016

What Lady Gaga Finds Appealing in Reel-to-Reel by David Sax

A week ago, Lady Gaga released her fifth album, “Joanne,” which has a stripped-down sound that is quite different from her previous efforts. She has promoted the album with pe…

SOURCE: The New Yorker Subscription at 12:49pm on October 28, 2016

A "Rocky Horror" for the "High School Musical" Generation by Sarah Larson

The network-TV pop musical, usually performed live, has picked up steam in recent years, with unnerving results. Watching Christopher Walken fop sleepily through "Hook's Tango" or Carrie Und…

SOURCE: The New Yorker Subscription at 12:28pm on October 21, 2016

What Michael Moore Understands About Hillary Clinton by Richard Brody

"Michael Moore in TrumpLand" isn't quite the film that I expected it to be, and that's all to the good. Moore is, of course, a genius of political satire, deploying his persona"as a populist…

SOURCE: The New Yorker Subscription at 7:00pm on October 19, 2016

The New York That Could Have Been by Alexandra Lange

If there is a plaque commemorating the location of the entrance to Alfred Ely Beach's pneumatic railway, built in secret below 265 Broadway, in lower Manhattan, the writer Sam Lubell and I d…

SOURCE: The New Yorker Subscription at 2:15pm on October 18, 2016

The Dynamism of Janet McTeer by John Lahr

Some actresses prefer to meet a journalist for the first time with a press agent in tow; some opt for the neutrality of a restaurant; some suggest the distracting hubbub of the sound stage. …

SOURCE: The New Yorker Subscription at 12:00am on October 17, 2016

Revisiting a Legendary Sondheim Flop by Michael Schulman

In seventh grade, I became completely obsessed with the 1981 musical "Merrily We Roll Along," by Stephen Sondheim and George Furth. It was my introduction to cynicism, set to a brassy Broadw…

SOURCE: The New Yorker Subscription at 3:20pm on October 14, 2016

Immersion Theatre, on Broadway by Michael Schulman

In an era of binge-watching, live-tweeting, and the Oculus Rift, how can theatre compete as all-consuming entertainment? Perhaps it's our desire to be more than spectators"to be sucked headl…

SOURCE: The New Yorker Subscription at 12:00am on October 14, 2016

Anna Deavere Smith's Public-Interest Theatre

Anna Deavere Smith has carved out a singular niche straddling performance art, academia, and public-interest journalism. Her documentary solo works, in which she plays a panoply of interview…

SOURCE: The New Yorker Subscription at 12:00am on October 7, 2016

Festival Spotlight: Playing the President by Michael Schulman

It's become a cliché of this election season that, if you were to present the current Presidential race as fiction, no one would believe it. So what better time to hear from a group of fict…

SOURCE: The New Yorker Subscription at 5:01pm on October 4, 2016

Andrew Rannells Stars in "Falsettos" by Michael Schulman

The thirty-eight-year-old actor Andrew Rannells is part of a new crop of gay stars"like Chris Colfer and Tituss Burgess"who never had to bother to be closeted in the public eye. Lean and boy…

SOURCE: The New Yorker Subscription at 12:00am on September 30, 2016

A Disneyland of Organic Delights at Olmsted by Becky Cooper

There's something unnervingly wholesome about Olmsted, the new garden-to-table eatery in Prospect Heights. Enter it and you find an alternate reality: bathrooms smell like lemon verbena, bea…

SOURCE: The New Yorker Subscription at 12:00am on September 30, 2016

Parents in Town, Day FIVE by Patrick Heij

In four days, we saw every show ever produced on or off Broadway except "Hamilton"; sadly, none of us was willing step up and perform the necessary sex work. We devoured upward of three dinn…

SOURCE: The New Yorker Subscription at 11:27am on September 24, 2016

Catching Up with Richard Nelson, Real-Time Election Playwright by Michael Schulman

What were you up to on Friday, September 16th? Did you think about Donald Trump or Hillary Clinton? Did you talk about the election with the people you encountered? Chances are that you did,…

SOURCE: The New Yorker Subscription at 8:00am on September 22, 2016

How Many Jokes About the Upper West Side Can You Make? by Michael Schulman

George St. Geegland and Gil Faizon are two Upper West Side alter kakers who are partial to turtlenecks, cultural programs at the Y, and the oeuvre of Alan Alda. For a time, they hosted a …

SOURCE: The New Yorker Subscription at 12:35pm on September 21, 2016

Hari Nef, Model Citizen by Michael Schulman

A few days before graduating from Columbia University, in May, 2015, the actress and model Hari Nef showed up at a Flatiron office building to meet Ivan Bart, the president of IMG, the agenc…

SOURCE: The New Yorker Subscription at 12:00am on September 19, 2016

Postscript: Edward Albee, 1928-2016 by Hilton Als

Writing that gets under your skin, in your bones, will play in your head and memory like nothing else. While painting, photography, and movies can come at you with a very particular force"an…

SOURCE: The New Yorker Subscription at 7:44pm on September 17, 2016

Remembering Crazy Eddie: His Prices Were Insane by Michael Schulman

Growing up in Manhattan in the eighties, I loved the TV commercials for the electronics chain "Crazy Eddie." What kid wouldn't? The pitchman, an unholy mashup of Pee-wee Herman and Donald Tr…

SOURCE: The New Yorker Subscription at 8:58am on September 17, 2016

"Oh, Hello": Skeezy-Nebbish Antics on Broadway

George St. Geegland and Gil Faizon, who bear a curious resemblance to the comedians John Mulaney and Nick Kroll, are two Upper West Side alter kakers partial to turtlenecks, bra-sniffing, an…

SOURCE: The New Yorker Subscription at 12:00am on September 16, 2016

Theatre of War: Sophocles' Message for American Veterans by Robin Wright

On the fifteenth anniversary of 9/11, I went to see two classical Greek tragedies about the toll of war on the human psyche. General Joseph Dunford, Jr., the chairman of the Joint Chiefs of …

SOURCE: The New Yorker Subscription at 4:29pm on September 12, 2016
« Previous 25   Page 42 of 77   Next 25 »