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35,726 stories from The Guardian

'I felt like a spy infiltrating the IRA' " the hurling player who exposed his sport by Tim Jonze

Timmy Creed quit the tough Irish sport damaged and disillusioned. But he returned to his club 'undercover' " to turn its toxic masculinity into a play. He swings a stick at our wimpy writer …

SOURCE: The Guardian at 6:12am on August 16, 2019

The Canary and the Crow review " a vibrant schooling in identity issues by Kate Wyver

Roundabout, Summerhall, EdinburghDaniel Ward's bold autobiographical show for Middle Child Theatre describes life for a working-class black kid at an otherwise posh white grammar school Dani…

SOURCE: The Guardian at 1:24am on August 16, 2019

Styx review " rock'n'roll and memory loss by Kate Wyver

Zoo Southside, EdinburghUsing music, Greek myth and family history to explore dementia, this rousing gig/show is intimate and epic This storytelling concert is a tribute to the power of mus…

SOURCE: The Guardian at 1:12pm on August 15, 2019

Rose McGowan: Planet 9 review: 'She can hold a note " but not always the right one' by Brian Logan

Assembly Hall, EdinburghThe #MeToo activist made herself a refuge, where orbs shimmer and we can be our best selves. What a pity she spends this frustrating show wafting around like a refuge…

SOURCE: The Guardian at 1:12pm on August 15, 2019

Playwright Ifeoma Fafunwa: 'It was permission, all of a sudden, to speak' by Interview By Holly Williams

The Nigerian architect turned dramatist on the impact of her play Hear Word!, her Edinburgh festival debut " and why directing is a lot like designing buildings Ifeoma Fafunwa is a playwrigh…

SOURCE: The Guardian at 8:06am on August 15, 2019

Red Dust Road review " Jackie Kay adaptation loses its way by Mark Fisher

Royal Lyceum, EdinburghSasha Frost sparkles as a curious and vulnerable Kay searching for her birth parents, but this unfocused production fails to capture the intimacy of the soul-searching…

SOURCE: The Guardian at 7:03am on August 15, 2019

Stage invaders: why indie musicians are rocking up at the Edinburgh fringe by Mark Beaumont

Members of the Hoosiers, Maxïmo Park, Belle & Sebastian and Shed Seven talk about mental health, the pitfalls of the music biz and why they are swapping gigs for theatre audiences Fel…

SOURCE: The Guardian at 7:03am on August 15, 2019

The Argument review " no winners emerge from William Boyd's couple at war by Michael Billington

Theatre Royal, BathA whole set of relationships unravel in a shrewdly observant play showing the ripple effect of marital hostilities This is only the second play by the admired novelist Wil…

SOURCE: The Guardian at 7:24pm on August 14, 2019

Sara Barron: Enemies Closer review " brassy, sassy standup by Brian Logan

Pleasance Courtyard, EdinburghParading her sex life, friendships and militant subjectivity, the triumphantly profane comedian takes a step into the big league The men have gone sensitive, it…

SOURCE: The Guardian at 4:54pm on August 14, 2019

Ningali Lawford-Wolf, star of The Secret River, dies aged 52 on tour by Stephanie Convery

The highly regarded Indigenous performer of stage and screen died in Scotland while touring with the Sydney Theatre Company The Indigenous actor Ningali Lawford-Wolf and star of Sydney Theat…

SOURCE: The Guardian at 8:36am on August 14, 2019

Tom Parry review " bringer of comfort and joy by Paul Fleckney

Pleasance Courtyard, EdinburghThe best newcomer nominee of the 2015 fringe returns with a smart, satisfying look at the funny side of weddings That title, "Parryoke!": the pun, the exclamati…

SOURCE: The Guardian at 8:36am on August 14, 2019

'Coolest night in town': the club where Phoebe Waller-Bridge created Fleabag by Matt Trueman

Once based in a rundown boozer, DryWrite nights encouraged risk and giddy game-playing " their spirit is felt in Killing Eve and across British theatre today When Phoebe Waller-Bridge perfor…

SOURCE: The Guardian at 8:36am on August 14, 2019

The beat goes on: drummers crash the Edinburgh fringe by Mark Fisher

A trio of performances " Daniel Bellus in Beat, Alexander Fox in Snare and Mick Berry's Keith Moon: The Real Me " put drums centre stage It must be something to do with being at the back al…

SOURCE: The Guardian at 8:36am on August 14, 2019

'My own birth went horrifically wrong " having twins was like a reclamation' by Mark Fisher

Robert Softley Gale's show Purposeless Movements turns the involuntary gestures of cerebral palsy into choreography Becoming a parent for the first time can be nerve-racking for anyone. Know…

SOURCE: The Guardian at 8:36am on August 14, 2019

Jerry Springer the Opera review " chatshow from hell still shocks by Catherine Love

Hope Mill theatre, ManchesterThe TV host who provokes salacious slanging matches becomes newly pertinent in a revival of Stewart Lee and Richard Thomas's show It's interesting how the parame…

SOURCE: The Guardian at 8:36am on August 14, 2019

Tom Rosenthal: Manhood review " dick jokes, demons and diatribes by Brian Logan

Pleasance Courtyard, EdinburghThe standup, who was circumcised as an infant, gets het up in a show where the polemic overshadows the comedy Dick jokes are as old as comedy, but few " Richard…

SOURCE: The Guardian at 8:36am on August 14, 2019

Anna and Helen review " self-care klutzes conjure comedic bliss by Brian Logan

Pleasance Courtyard, EdinburghMining the comedy of motivational seminars with a delectably clownish touch, this double act could make anything funny Self-help and motivational speaking have …

SOURCE: The Guardian at 4:33pm on August 13, 2019

Woke up Broadway: the difficulty of updating stories for the stage by Alexis Soloski

The uptick in hauling older scripts, from Tootsie to Moulin Rouge, to the stage has left playwrights with many hurdles Here is a question from Tootsie, the Broadway musical about an out-of-w…

SOURCE: The Guardian at 11:03am on August 13, 2019

Swiss Selection Edinburgh review " lives of sex workers laid bare by Mark Fisher

Summerhall, EdinburghIn a series of autofictional shows, Traumboy and Traumgirl offer insights of varying quality amid the intimate revelations and erotic dancing 'I'm not the person most pe…

SOURCE: The Guardian at 8:24am on August 13, 2019

Actually review " two sides of the story about a date gone wrong by Michael Billington

Trafalgar Studios, LondonPhotograph 51 playwright Anna Ziegler returns with a problematic two-hander that asks us to decide where the truth lies In Photograph 51, Anna Ziegler attacked the …

SOURCE: The Guardian at 8:24am on August 13, 2019

Did you hear the one about the comedians sharing a flat at Edinburgh festival? by Chris Wiegand

Performing at the fringe can cost a fortune " little wonder so many comics bunk in together. We drop in on Jon Richardson, Rose Matafeo and Josie Long, among others, to see how they live It …

SOURCE: The Guardian at 8:24am on August 13, 2019

'Whenever you have sex, it's on your mind': Tom Rosenthal on turning circumcision into comedy by Ryan Gilbey

The procedure left the comedian with sexual anxiety " and a tell-all show at the Edinburgh festival Journalistic etiquette decrees that any delicate questions are usually saved until near th…

SOURCE: The Guardian at 8:24am on August 13, 2019

Fishbowl review " delightful view from the rooms at the top by Brian Logan

Pleasance Courtyard, EdinburghThree neighbours in a Parisian apartment block squabble, fall in love and steal each other's biscuits in an appealing wordless comedy It won a Molière award in…

SOURCE: The Guardian at 8:24am on August 13, 2019

'Horrifyingly absurd': how did millennial comedy get so surreal? by Rachel Aroesti

From Adult Swim to 'dank memes', modern comedy is confronting the illogicality of life in 2019 There is an episode in the first season of Broad City " the US sitcom about two twentysomething…

SOURCE: The Guardian at 4:54am on August 13, 2019

Sequins, sporrans, lechery and lap-dancing: why The Lady Boys of Bangkok rule the fringe by Alex Needham

Shunned by hipsters, adored by local Scots, they're the fringe's biggest show. How did this retro cocktail of cheesy euphoria become such a phenomenon? Friday night in Edinburgh and a troupe…

SOURCE: The Guardian at 2:42am on August 13, 2019
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