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1,908 stories from The New Yorker

Classical Notes: "Lungpowered," by Loadbang by Russell Platt

The urban kingdom of Washington Heights is an unlikely Eden where the stately European echoes of Beaux-Arts architecture clash with the extroverted expressions of the Latin-American diaspora…

SOURCE: The New Yorker Subscription at 7:00am on February 14, 2017

Oscar Spotlight: The Screenplays by Michael Schulman

"We didn't need dialogue," Norma Desmond tells a young screenwriter in "Sunset Boulevard," recalling her silent-film-era glory days. "We had faces!" Screenwriters famously suffer all sorts o…

SOURCE: The New Yorker Subscription at 12:00am on February 14, 2017

Oscar Spotlight: The Actors by Michael Schulman

"Actors aren't animals! They're human beings!" the wise producer Leo Bloom once said, to which his partner, Max Bialystock, replied, "They are? Have you ever eaten with one?" Most of the Osc…

SOURCE: The New Yorker Subscription at 6:00pm on February 8, 2017

Oscar Spotlight: The Actresses by Michael Schulman

For a certain stripe of Oscar obsessive"c'est moi"it's all about actresses. A healthy variety of tough, sly, vulnerable, funny, chilling female performances signals that the state of the cin…

SOURCE: The New Yorker Subscription at 8:00am on February 7, 2017

Lady Gaga's All-American Super Bowl Halftime Show by Amanda Petrusich

In the days leading up to her performance at the Super Bowl halftime show, pundits speculated about whether or not the pop star Lady Gaga"who has long advocated for misfits, throwing her con…

SOURCE: The New Yorker Subscription at 12:02am on February 6, 2017

A Springsteen Cover Band Is a Fitting Choice for Trump's Inauguration by Amanda Petrusich

Earlier this week, it was announced that the B Street Band""the original Springsteen tribute band""would be performing at the Garden State Presidential Inaugural Gala, one of several semifor…

SOURCE: The New Yorker Subscription at 2:01pm on January 13, 2017

"Hair" Turns Fifty by Hilton Als

When "Hair: The American Tribal Love-Rock Musical" opened on Broadway, in 1968, it featured one of the best young casts ever to appear in an American musical. Diane Keaton, Melba Moore, and …

SOURCE: The New Yorker Subscription at 11:00pm on January 12, 2017

Meryl Streep at the Golden Globes by Michael Schulman

What a strange and contradictory"and not unentertaining"thing the Golden Globes were to watch last night. On the one hand, "La La Land," a Hollywood movie musical about the magic of Hollywoo…

SOURCE: The New Yorker Subscription at 1:12pm on January 9, 2017

Unearthing Rare Second World War Musicals by Michael Schulman

A few years before writing "Guys and Dolls," which premièred in 1950, Frank Loesser put his sizable talents to work for Uncle Sam, when the U.S. Army hired him to collaborate on a series of…

SOURCE: The New Yorker Subscription at 11:00pm on December 29, 2016

Postscript: Carrie Fisher, 1956-2016 by Michael Schulman

"If my life wasn't funny it would just be true, and that is unacceptable," Carrie Fisher, who died yesterday, at the age of sixty, wrote in her memoir "Wishful Drinking," from 2008. Fisher's…

SOURCE: The New Yorker Subscription at 12:42pm on December 28, 2016

An Asian-American Reimagining of Gilbert and Sullivan's "The Mikado" by E. Tammy Kim

On a recent weeknight in midtown Manhattan, the Broadway actor Kelvin Moon Loh led a rehearsal of "The Mikado," one of the most popular works by the nineteenth-century duo W. S. Gilber…

SOURCE: The New Yorker Subscription at 3:00pm on December 27, 2016

The Enduring Monologues of Ruth Draper by David Owen

Ruth Draper was born in New York in 1884. When she was very young, she entertained her siblings by sitting on a window seat in the nursery of her family's brownstone, on East Forty-seventh S…

SOURCE: The New Yorker Subscription at 11:00pm on December 25, 2016

Completing August Wilson's Life Work

August Wilson's life work was his "Century Cycle," a ten-play portrait of black life in Pittsburgh's Hill District, each set in a different decade. ("Fences," the nineteen-fifties entry, is …

SOURCE: The New Yorker Subscription at 11:00pm on December 22, 2016

The Thorny Ethics of the Oscars by Michael Schulman

The Academy Awards officially need a rabbi. How else to navigate the thorny ethics that seem to sprout up each year around the question of separating the artist from the art? Of course, this…

SOURCE: The New Yorker Subscription at 7:00am on December 21, 2016

Simon McBurney Attempts to Grasp Time by Cynthia Zarin

Simon McBurney has two phones. In his dressing room at the Golden Theatre, on Broadway, they're both ringing. He cuts off one call, answers the other, then apologizes, scans his messages, an…

SOURCE: The New Yorker Subscription at 9:57am on December 16, 2016

Pop Psychology Onstage in "Dear Evan Hansen"  by Hilton Als

When Kurt Weill, Ira Gershwin, and Moss Hart put together the musical "Lady in the Dark," in 1940, Freud was big. The great man's thinking had yet to come under wide attack, and psychoanalys…

SOURCE: The New Yorker Subscription at 11:00pm on December 11, 2016

The Empty Exertions of "La La Land" by Richard Brody

The director Damien Chazelle's notion of artistic power isn't merely inseparable from his notion of will power; it's the very embodiment of it"louder, faster, and alone are his standards of …

SOURCE: The New Yorker Subscription at 6:30pm on December 8, 2016

A Lost "Glass Menagerie," Rediscovered by Michael Schulman

Jane Klain, the indefatigable research manager at the Paley Center for Media, which houses a vast collection of old television and radio programs, goes on archival treasure hunts that someti…

SOURCE: The New Yorker Subscription at 8:04am on December 7, 2016

Culture Desk: MARYANN PLUNKETT is the Radiant Everywoman! by Cynthia Zarin

Onstage & off Plunkett's ability to inhabit & portray experience has an almost tactile, corporeal quality. Her performances have the kind of intelligence & emotional range that prods an audi…

SOURCE: The New Yorker Subscription at 3:50pm on December 6, 2016

Cheryl Strayed's Advice Becomes Theatre by Michael Schulman

Early in 2010, Cheryl Strayed got an e-mail from an acquaintance, Steve Almond, who wrote an advice column"Dear Sugar"for the literary Web site The Rumpus. Strayed was living in Portland wit…

SOURCE: The New Yorker Subscription at 11:00pm on December 4, 2016

Fun in "La La Land" by Anthony Lane

Boy meets girl, stuck in a traffic jam, and honks at her. Girl gives boy the finger. Boy drives on. Boy meets girl again, in a bar, and brushes past. Girl thinks boy is a jerk. Boy meets gir…

SOURCE: The New Yorker Subscription at 11:00pm on December 4, 2016

The Oscars and the Election by Michael Schulman

Oscar winners aren't the best barometers by which to gauge the national mood. Movies and politics work at different speeds, reshaping themselves"and absorbing each other"in unpredictable bur…

SOURCE: The New Yorker Subscription at 2:41pm on December 2, 2016

Jason Sudeikis's Quotable Wisdom by Michael Schulman

Jason Sudeikis sat at the back of the Bowery Poetry Club, waiting for open-mike night to begin. He had parked his black Vespa outside, having motored in from Clinton Hill, where he lives wit…

SOURCE: The New Yorker Subscription at 11:00pm on November 27, 2016

James Baldwin, Onstage by Hilton Als

Throughout his career, James Baldwin had a hankering to work in show business. Like Henry James, one of his early heroes, Baldwin loved the footlights; early on, with his friend and editor S…

SOURCE: The New Yorker Subscription at 11:00pm on November 24, 2016

The Renewed Relevance of "Hamilton" by Rebecca Mead

In the immediate aftermath of the Presidential election, as it became necessary to process an appalling new reality"What does this mean for the undocumented? What does this mean for women? W…

SOURCE: The New Yorker Subscription at 5:54pm on November 21, 2016
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