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38,591 stories from The New York Times

Has Theater Become Everybody's Church? by Alissa Wilkinson

New shows by Jen Tullock, Jordan E. Cooper and others have a common theme: You can walk away from the church, but the songs stay with you.

SOURCE: The New York Times Subscription at 5:06am on November 3, 2025

Mthuthuzeli November's 'Pinch Me' Moment at the Paris Opera Ballet by Roslyn Sulcas

Mthuthuzeli November was determined to get out of his impoverished home town. Now has his work alongside George Balanchine at the Paris Opera Ballet.

SOURCE: The New York Times Subscription at 5:02am on November 3, 2025

Maria Riva, Dietrich Daughter Who Demystified the Legend, Dies at 100 by Penelope Green

She was her mother's handmaiden and aide-de-camp. In 1993, her blockbuster biography told of the awful price she paid.

SOURCE: The New York Times Subscription at 1:04pm on November 2, 2025

'S.N.L.' Holds Its Own Debate of New York City Mayoral Hopefuls by Dave Itzkoff

Andrew Cuomo (Miles Teller, the host), duked it out with Zohran Mamdani (Ramy Youssef) and Curtis Sliwa (Shane Gillis). George Santos was back with a confession.

SOURCE: The New York Times Subscription at 9:02am on November 2, 2025

15 Off Broadway Shows to Catch in November by Elisabeth Vincentelli

Tom Hanks returns to New York theater alongside Kelli O'Hara, and Ariana DeBose leads "The Baker's Wife," a cult musical.

SOURCE: The New York Times Subscription at 5:18am on November 1, 2025

'Hedda' Director Nia DaCosta on Her Sumptuous Adaptation of Ibsen by Roslyn Sulcas

The director's sumptuous rethinking of "Hedda Gabler" raises questions about women, freedom and the choices we make about our lives.

SOURCE: The New York Times Subscription at 5:18am on November 1, 2025

Stephen Prina Taught a Class on Keanu Reeves in 1994. What Does He Think of 'Godot'? by Jesse McKinley

Stephen Prina may have been one of the first to see a deeper pattern in Mr. Reeves's work.

SOURCE: The New York Times Subscription at 8:42am on October 31, 2025

'Frankenstein' Has Always Held Up a Mirror. What Does It Show Us Now? by Parul Sehgal

In Guillermo del Toro's new version, the answer lies in how deeply it explores the relationship between creator and created.

SOURCE: The New York Times Subscription at 5:01am on October 31, 2025

Laurie Metcalf Is Riveting in 'Little Bear Ridge Road' by Laura Collins-hughes

The playwright Samuel D. Hunter makes his Broadway debut with an addition to his Idaho oeuvre, set during the Covid-19 pandemic and its aftermath.

SOURCE: The New York Times Subscription at 10:31pm on October 30, 2025

'Bat Boy: The Musical' Review: He's Just Trying to Fit In by Elisabeth Vincentelli

For its gala, New York City Center revives an antic show about a half-man tabloid sensation, with catchy music and lyrics by the versatile Laurence O'Keefe.

SOURCE: The New York Times Subscription at 7:06pm on October 30, 2025

Ted Huffman to Lead Aix-en-Provence Opera Festival by Adam Nagourney

The Aix-en-Provence Festival in France has named Huffman to succeed the visionary Pierre Audi, who died earlier this year.

SOURCE: The New York Times Subscription at 4:48pm on October 30, 2025

Review: To Cure the Sick, 'Le Grand Bal' Prescribes a Rave by Brian Seibert

The French troupe Compagnie Dyptik is making its United States debut with a show seemingly inspired by pandemic isolation and its aftermath.

SOURCE: The New York Times Subscription at 12:19pm on October 30, 2025

'Down Cemetery Road' Review: Warming Up for 'Slow Horses' by Mike Hale

Emma Thompson plays the private-eye heroine of Mick Herron's first series of novels in a new series for Apple TV.

SOURCE: The New York Times Subscription at 5:03am on October 30, 2025

Tim Meadows Just Wants to Keep Showing Up to Be Funny by Esther Zuckerman and Adam Powell

Twenty-five years after he left "S.N.L.," he is still finding new audiences, most recently with a new CBS sitcom and a role in the DC Comics universe.

SOURCE: The New York Times Subscription at 5:02am on October 30, 2025

'Hedda' Review: Sex, Lies and a Country Estate by Natalia Winkelman

​​Tessa Thompson plays mind games with her guests in Nia DaCosta's endlessly surprising adaptation of the Henrik Ibsen production.

SOURCE: The New York Times Subscription at 5:01am on October 30, 2025

Late Night Shades South Korea for Giving Trump a Crown by Trish Bendix

Desi Lydic called the president's reception "a 'yes, king' rally for Trump."

SOURCE: The New York Times Subscription at 1:57am on October 30, 2025

A Spooky Season of Phantoms, a Bat Boy and More by Juan A. Ramírez

From Broadway to the small screen, these unnerving theater productions are not just about horror and frights.

SOURCE: The New York Times Subscription at 1:36pm on October 29, 2025

Daniel Radcliffe Will Return to Broadway in 'Every Brilliant Thing' by Michael Paulson

The "Harry Potter" alumnus, who won a Tony Award last year, will star in a solo play that involves something unexpected: audience participation.

SOURCE: The New York Times Subscription at 8:48am on October 29, 2025

Review: In Samuel Beckett's 'Endgame,' Repetition Is the Thing by Laura Collins-hughes

All four characters in this bleak tragicomedy, staged by the Druid theater company, share the human desire to hear the same tales again and again.

SOURCE: The New York Times Subscription at 5:18am on October 29, 2025

William Fichtner Really Is That Guy by Ashley Spencer

The prolific character actor has spent decades playing memorable supporting roles. He makes it look easy. It wasn't always so.

SOURCE: The New York Times Subscription at 5:02am on October 29, 2025

Ryan Kiera Armstrong, of 'The Lowdown,' Can't Lie to You by Alexis Soloski

The 15-year-old actor has performed professionally since she was 6. Playing Ethan Hawke's daughter feels especially close to home.

SOURCE: The New York Times Subscription at 5:02am on October 29, 2025

Stephen Colbert Spots Something in Trump's 'Perfect' M.R.I. Scan by Trish Bendix

"Wait a second, what's that in his stomach? It's the Epstein files!" the "Late Show" host said.

SOURCE: The New York Times Subscription at 2:12am on October 29, 2025

'Liberation' Review: A Tony-Worthy Ensemble Plotting Revolution by Elisabeth Vincentelli

Bess Wohl's play, about a consciousness-raising group in 1970s Ohio, transfers to Broadway where it remains powerfully moving " and funny.

SOURCE: The New York Times Subscription at 10:36pm on October 28, 2025

Anyone Who's Anyone Got Their Start at Joe's Pub by Reggie Nadelson

Despite its small stage, the cabaret space inside New York's Public Theater building has made an outsize imprint on the city's art scene.

SOURCE: The New York Times Subscription at 5:54pm on October 28, 2025

In Two Solo Plays, a Search for Belonging and Parental Love by Laura Collins-hughes

Ari'el Stachel's "Other" and Zoë Kim's "Did You Eat?" are self-interrogations that deal with family, race and identity.

SOURCE: The New York Times Subscription at 12:31pm on October 28, 2025
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