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8,108 stories from DC Theatre Scene

Washington National Opera announces six full productions for season 2019-2020 by Susan Galbraith

Good news to opera lovers, opera is very much alive and growing in its John F. Kennedy Center for the Performing Arts (KC) home on the Potomac. While many big and small opera companies in Ne…

SOURCE: DC Theatre Scene at 10:32am on February 6, 2019

When women first took to the English stage: Alison Luff on playing Nell Gwynn at Folger by Keith Loria

In 2013, Olivier-winning playwright Jessica Swale wrote a play about the life of actress Nell Gwynn, one of the first women to trod the English stage, and who became a celebrated actress dur…

SOURCE: DC Theatre Scene at 10:32am on February 6, 2019

Review: Everything Is Wonderful, a hardspun joy of a play at Everyman by Jayne Blanchard

We quickly learn that Everything Is Wonderful is Amish shorthand for "Shut your pie hole, I beg you." But you wouldn't want to miss a single plainspoken word of this magnificent, wholehearte…

SOURCE: DC Theatre Scene at 11:48am on February 5, 2019

Review: The Brothers Size at 1st Stage, captivating performances by Steven McKnight

The Brothers Size is a deceptively simple three-character play that tackles themes of brotherhood, devotion, and freedom.  It is receiving an outstanding production at 1st Stage. The stor…

SOURCE: DC Theatre Scene at 11:48am on February 5, 2019

The Wiz (Ford's Theatre) and Fly By Night (1st Stage) are most nominated 2018 Helen Hayes productions by Lorraine Treanor

Last night, theatre artists, administrators, patrons, and special guests gathered in the National Theatre's Helen Hayes Gallery for theatreWashington's announcement of the nominees for the 3…

SOURCE: DC Theatre Scene at 9:42am on February 5, 2019

Ouroboros: Dawn of the Cabaret review, choose-your-own IBD adventure in a DC mansion by John Bavoso

Few words strike fear into the hearts of wide swaths of the theatre-going population than 'Audience Participation.' But when said participation involves sipping champagne, swanning around a …

SOURCE: DC Theatre Scene at 12:48pm on February 4, 2019

Review: Gypsy at Toby's Dinner Theatre by Kelly McCorkendale

Gypsy is a grand, brilliant affair. Then and now and forever. And Toby's Dinner Theatre is giving it a first class production. This is the story of Rose (Cathy Mundy). The precursor to th…

SOURCE: DC Theatre Scene at 12:48pm on February 4, 2019

Ain't Misbehavin' review, a high-wattage Fats Waller power surge at Signature Theatre by Alexander C. Kafka

If you've got a case of the polar-vortex blues, Signature Theatre has the prescription for you: a two-hour extended-release burst of high-wattage, endorphin-pumping rhythm, courtesy of one F…

SOURCE: DC Theatre Scene at 12:54pm on February 1, 2019

True West Review: Ethan Hawke and Paul Dano fight and switch in Sam Shepard Broadway revival. by Jonathan Mandell

In the first Broadway revival of Sam Shepard's 1980 play, Ethan Hawke portrays Lee, a drifter, a drinker, and a thief who disrupts the life of his younger brother, Paul Dano's Austin, an Ivy…

SOURCE: DC Theatre Scene at 11:36pm on January 31, 2019

Review: The Screwtape Letters. a handsome harangue by Alexander C. Kafka

The Screwtape Letters, in a touring revival at the Lansburgh Theatre, is a polished, imaginative rendering of a tedious, self-righteous play. The acting and production values in this polishe…

SOURCE: DC Theatre Scene at 2:32pm on January 30, 2019

American Ballet Theatre's Harlequinade; a comedic ballet in grand style by Maria Di Mento

American Ballet Theatre's production of Harlequinade, at the Kennedy Center through Sunday, transforms old-fashioned commedia dell'arte stock characters and situations into something elegant…

SOURCE: DC Theatre Scene at 10:04am on January 30, 2019

Lin-Manual Miranda in Puerto Rico. The Hamilton cast pulls off a surprise by Guest Writer

María Celeste Arrarás interviewed Lin-Manuel Miranda in El Dorado, Puerto Rico for "Al Rojo Vivo" the day after the closing night of Hamilton in Puerto Rico, in which Miranda reprised …

SOURCE: DC Theatre Scene at 10:04am on January 30, 2019

Review: Fun Home, well worth the trip to Baltimore Center Stage by Jill Kyle-keith

A nonlinear remembrance of family and self, Fun Home was lauded as a groundbreaking piece when it opened on Broadway in 2015, winning the Tony for Best Musical that year. Based on Alison Bec…

SOURCE: DC Theatre Scene at 8:54am on January 30, 2019

Playing Putin. Actor Christopher Geary's insight into the most dangerous man in the world by Tim Treanor

Want to know what the most powerful man in the world is really like? Why not ask the man who plays him on stage? We may judge and condemn others with abandon, but there is one character with…

SOURCE: DC Theatre Scene at 12:48pm on January 29, 2019

Review: The Mystery of Love & Sex at Iron Crow by Kelly McCorkendale

Assuming love and sex are an intertwined riddle to be solved and you want an answer to the mystery "you're not going to get it here. If you want to walk away deep in thought, contemplating t…

SOURCE: DC Theatre Scene at 9:42am on January 29, 2019

Three Sistahs review at MetroStage by Susan Galbraith

Sunday night’s opening at MetroStage was a fanfare affair. Not only did the press come out in full force (not always easy to get in the crowded local theater market,) being in the audi…

SOURCE: DC Theatre Scene at 9:42am on January 29, 2019

Rent remembered: The young stars who created the roles, and Allen Ginsberg's reaction to Rent's bohemia by Jonathan Mandell

In the month before Rent opened Off-Broadway in January, 1996, Idina Menzel was singing "The Wind Beneath My Wings" at a bar mitzvah at Leonard's of Great Neck for the thousandth time; Daphn…

SOURCE: DC Theatre Scene at 12:48pm on January 28, 2019

Review: Rent, Fox's TV version, turns Larson's grit into Disney squeaky clean by Jayne Blanchard

La Vie Boheme is not mort. On the contrary, it is shiny and perky as all get out. That could be a problem for those who consider Rent, the late Jonathan Larson's groundbreaking 1996 rock mus…

SOURCE: DC Theatre Scene at 12:48pm on January 28, 2019

Review: Heidi Schreck's Grand Concourse marks the promising debut of Prologue Theatre by Kate Colwell

A line delivered by Frog, a homeless man, encapsulates the dilemma of Heidi Shreck's play, Grand Concourse. Speaking in a soup kitchen filled with raw vegetables for chopping, he tells the s…

SOURCE: DC Theatre Scene at 11:48am on January 28, 2019

Ford's Theatre's Twelve Angry Men fails to follow through on its promises by Meaghan Hannan Davant

Sheldon Epp's Twelve Angry Men, his directorial debut at the historic Ford's Theatre, promised a present-day take on the 1954 legal drama that follows jury deliberations in the murder trial …

SOURCE: DC Theatre Scene at 11:32am on January 26, 2019

RENT Live this Sunday on NBC by Lorraine Treanor

The Fox Network will broadcast a live production of Jonathan Larson’s musical Rent this Sunday, January 27, from 8 to 11 PM EST (8 to 11 on tape delay for those in the Pacific Time Zon…

SOURCE: DC Theatre Scene at 11:32am on January 26, 2019

Kleptocracy review. A Russian oligarch becomes Putin's enemy by Tim Treanor

Kenneth Lin wrote for “House of Cards” back when “House of Cards” was cool. But what denizens of our town know is that, for the terrifying and the bizarre, there ain&…

SOURCE: DC Theatre Scene at 3:48pm on January 25, 2019

Gulf View Drive review at Washington Stage Guild. Masterful. by Jeffrey Walker

For Washington Stage Guild patrons, the downtown theatre company's current production offers a bit of closure. After introducing DC audiences to a complicated young couple in Last Train to N…

SOURCE: DC Theatre Scene at 9:48am on January 25, 2019

Review: Paula Vogel's comedy The Baltimore Waltz by Tim Treanor

Writers excavate the marrow of life in order to create their fictional universes, and thus are sometimes required to mine their own marrow for their art. So it was with Paula Vogel, who lost…

SOURCE: DC Theatre Scene at 7:12am on January 24, 2019

Admissions review. White liberals defend their privileges in Joshua Harmon's scathing comedy by John Bavoso

A couple of weeks ago, the satire site McSweeney's published an article entitled, "How Can I Help to Promote Diversity Without Relinquishing Any of My Power?" This title alone could serve as…

SOURCE: DC Theatre Scene at 3:18pm on January 21, 2019
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