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35,726 stories from The Guardian

The Monstrous Heart review " blood, fury and a talking dead bear by Miriam Gillinson

Stephen Joseph theatre, ScarboroughA mother and daughter reunite and fight in Oliver Emanuel's high-octane play, but it feels rushed and remote Gareth Nicholls directed Crocodile Fever at th…

SOURCE: The Guardian at 4:54pm on October 10, 2019

Here come the hotsteppers! The duo staging a Dance Dance Revolution by Connie Dimsdale

What can the arcade classic tell us about competition, friendship and failure? Jasmine Price and Nikhil Vyas found out by making a show about it Dance Dance Revolution (DDR) stirs up a nosta…

SOURCE: The Guardian at 4:54pm on October 10, 2019

'A troubling choice': authors criticise Peter Handke's controversial Nobel win by Sian Cain

Writers including Salman Rushdie, Hari Kunzru and Slavoj Žižek say the 2019 Nobel laureate 'combines great insight with shocking ethical blindness' Olga Tokarczuk: the dreadlocked femi…

SOURCE: The Guardian at 4:54pm on October 10, 2019

Peter Handke: an adversarial talent and controversial Nobel laureate by Hugo Hamilton

Since his 1966 debut The Hornets, the Austrian playwright and author has tested, inspired and shocked audiences 'A troubling choice': authors criticise Handke's win Olga Tokarczuk: the drea…

SOURCE: The Guardian at 4:54pm on October 10, 2019

'We are all observed now': Jenni Fagan on The Panopticon by Jenni Fagan

Fagan's debut novel, about a 15-year-old counter-culture outlaw placed in the system, has now been brought to life by the National Theatre of Scotland The actors have become wild things. The…

SOURCE: The Guardian at 4:33pm on October 9, 2019

Kate Berlant review " one of comedy's most electrifying performers by Brian Logan

Soho theatre, LondonIn the hilarious persona of a millennial narcissist blessing the audience with her precious jokes, Berlant's impro-comedy is blazingly in-the-moment 'This was incredible …

SOURCE: The Guardian at 9:48am on October 9, 2019

Fabula Collective review " beautiful yearning bodies inspire belief by Lyndsey Winship

Sadler's Wells, LondonConvincing struggles to find solace, choreographed by ex-Wayne McGregor dancers, are enhanced by spectacular lighting The new British-Japanese Fabula Collective arrive …

SOURCE: The Guardian at 8:18am on October 9, 2019

Muslim drag queen Amrou Al-Kadhi: 'Whenever the drag came off, I'd have a nervous breakdown' by Paula Cocozza

The Eton-educated, non-binary British Iraqi had always struggled with their identity, until they discovered drag. Yet the 29 year old says the performances come at a high price There is nowh…

SOURCE: The Guardian at 7:03am on October 9, 2019

The Man in the White Suit review " Stephen Mangan reinvents Ealing boffin by Michael Billington

Wyndham's theatre, London With fart jokes and skiffle songs, this Sean Foley adaptation ditches the innocence of the 1950s capitalist comedy, but has plenty of drive This is Sean Foley's ver…

SOURCE: The Guardian at 7:03am on October 9, 2019

To BP or not BP … Would Shakespeare have taken oil company money? by Andrew Dickson

The RSC has finally turned its back on BP funding after actor Mark Rylance said it is what the Bard would have wanted. But as Simon Callow points out " the playwright was hardly a model of c…

SOURCE: The Guardian at 4:42am on October 9, 2019

Tinuke Craig on capitalist families, panto and The Color Purple casting row by Bridget Minamore

The fast-rising director talks about staging Maxim Gorky's Vassa with a last-minute lead, her passion for musicals and the joy of brain-digging in rehearsals When I meet the director Tinuke …

SOURCE: The Guardian at 4:42am on October 9, 2019

Shukshin's Stories review " moving tales of Siberian village folk by Michael Billington

Barbican, LondonA gifted cast from Moscow's Theatre of Nations brings Soviet-era stories of folly and obsession to enchanting life I confess to knowing little of Vasily Shukshin (1929-74) wh…

SOURCE: The Guardian at 3:24pm on October 8, 2019

Gaslight: the return of the play that defined toxic masculinity by Natasha Tripney

Patrick Hamilton could never have imagined his 1938 drama would give today's world such a powerful term. A wave of revivals suggests we still have a lot to learn from its insights The term "…

SOURCE: The Guardian at 3:24pm on October 8, 2019

Rob Beckett: 'Comedy is just a hobby that got out of hand' by Hannah J Davies

TV's most relatable comic " with TV's most distinctive teeth " talks about sleeping in toilets, being 'chavvy' and how Twitter trolls drove him to therapy 'Have you ever been to Disneyland?"…

SOURCE: The Guardian at 3:24pm on October 8, 2019

State of the arts: 'Theatre is usually in tune with our volatile times' by Michael Billington

The Guardian's theatre critic reflects on why the stage remains such a vital means of distilling society We live, to put it mildly, in volatile times. No one knows for sure where this countr…

SOURCE: The Guardian at 6:24am on October 8, 2019

'We need to normalise sexual desire': can a rope bondage show empower women? by Lyndsey Winship

Everything I See I Swallow raises challenging questions about how we bring up girls. The women behind a new shibari show speak out A young woman is strung up above the stage, a delicate latt…

SOURCE: The Guardian at 12:54pm on October 7, 2019

Shobana Jeyasingh: 'Instead of a camera frame I have the stage' by Interview By Ka Bradley

The choreographer on her new work inspired by Egon Schiele, the changing world of dance, and the allure of film-making The choreographer Shobana Jeyasingh was born in Chennai, India, in 1957…

SOURCE: The Guardian at 10:36am on October 7, 2019

Shuck 'n' Jive review " racism still has a lead role in the audition room by Arifa Akbar

Soho theatre, LondonThis fearless production uses intelligent humour to expose racial typecasting in the entertainment industry How diverse is theatre? Are there more roles for BAME actors …

SOURCE: The Guardian at 10:36am on October 7, 2019

Dublin theatre festival review " gay clubs, glass houses and Greek tragedy by Helen Meany

Marina Carr's Hecuba probes a mother's grief, family secrets unravel in The Beacon and audiences are immersed in 80s LGBT+ Dublin in Faultline Questions of interpretation drive Nancy Harris'…

SOURCE: The Guardian at 10:36am on October 7, 2019

Frankenstein review " monster-maker overeggs the horror by Arifa Akbar

Belgrade theatre, CoventryPlacing Mary Shelley alongside the characters she created undermines the extraordinary power of her classic story The real-life tale behind the creation of Frankens…

SOURCE: The Guardian at 5:06am on October 7, 2019

Variant 31 review " immersive zombie caper is more theme park than theatre by Kate Wyver

New Oxford Street, LondonIn an elaborate game of hide and seek, you have to avoid the marauding undead " but the fear and the fun soon fizzle out A hand grabs my ankle and a veiny arm slips …

SOURCE: The Guardian at 5:36pm on October 6, 2019

Marcelino Sambé: 'Ballet should not be just for elite kids' by Kate Kellaway

It's a fairytale: the young dancer in a poor Lisbon suburb who makes it to principal at a world class company. But more underprivileged children should get a chance, says the Royal Ballet's …

SOURCE: The Guardian at 3:18pm on October 6, 2019

Islander: A New Musical review " two voices bring a bustling world to life by Miriam Gillinson

Southwark Playhouse, LondonBethany Tennick and Kirsty Findlay weave theatrical magic in this entrancing tale of the last child left on a remote island What an exceptionally thoughtful new mu…

SOURCE: The Guardian at 12:18pm on October 6, 2019

The week in theatre: "Mr Harold"… and the boys; Blood Wedding; Macbeth " review by Susannah Clapp

Lyttelton; Young Vic, London; Chichester Festival theatreAthol Fugard's masterly apartheid drama still shocks, while compatriot Yaël Farber is transfixed by Marina Carr's lyrical Irish Lo…

SOURCE: The Guardian at 6:06am on October 6, 2019

Manon; Boy Blue: REDD review " five-star performances rise above the fray by Sarah Crompton

Royal Opera House; Barbican, LondonThe Royal Ballet's Vadim Muntagirov and Sarah Lamb, and Boy Blue's Kenrick 'H20' Sandy, excel in otherwise laboured productions One reason critics hate awa…

SOURCE: The Guardian at 1:33am on October 6, 2019
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