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35,726 stories from The Guardian

A Museum in Baghdad review " two views of Iraq, 80 years apart by Miriam Gillinson

Swan theatre, Stratford-upon-AvonHannah Khalil's play frames Iraq's history through the eyes of real characters, but feels like a missed opportunity A black-and-white photograph on display i…

SOURCE: The Guardian at 9:36pm on October 22, 2019

David Baddiel on God, gags and being trolled " 'It hurts and then I think: material!' by Brian Logan

The comedian has written his first play " on whether science can prove that the Almighty exists. But first, there are some hecklers to deal with ... Schrödinger's cat can be both alive and…

SOURCE: The Guardian at 7:36am on October 22, 2019

Not The Nutcracker! Spellbinding dance straight from the playground by Chris Wiegand

Caroline Cornélis draws on everyday life to make elegant shows for young audiences. In 10:10, three dancers and a drummer recreate break time Shows for young audiences are frequently set in…

SOURCE: The Guardian at 4:42am on October 22, 2019

Julie Taymor: how we made The Lion King musical by Interviews By Chris Wiegand

'The sheer idea of having a stampede on stage was exciting " the bigger the risk, the bigger the payoff' It was a surprise to get the call from Disney. Their world wasn't my aesthetic, but T…

SOURCE: The Guardian at 4:42am on October 22, 2019

Vassa review " revolutionary attack on moribund politics by Michael Billington

Almeida, LondonSiobhan Redmond is impressive as a tyrannical mother trying to rescue her debt-ridden family in Tinuke Craig's strangely rootless production This production of Maxim Gorky's p…

SOURCE: The Guardian at 9:48pm on October 21, 2019

Silent Lines review " cosmic ninjas in Maliphant's Milky Way by Lyndsey Winship

Sadler's Wells, LondonLighting patterns sweep across Russell Maliphant's dancers, who move with seamless fluidity You won't find steps in Russell Maliphant's choreography, so much as one sea…

SOURCE: The Guardian at 12:36pm on October 21, 2019

Lenny Henry: 'I wish somebody had taught me how to defend myself' by Lanre Bakare

The comedian's childhood was defined by racist abuse and his mother's violence. As he publishes his autobiography, he talks about how it shaped him as a performer and activist "I'm fascinate…

SOURCE: The Guardian at 7:42am on October 21, 2019

Fierce festival review " a daring whirl of theatrical thrills by Gareth LlÅ·r Evans

Various venues, BirminghamAided by hula hoops, raw chicken and animatronic dogs, the performers in this six-day series of shows embarked on a quest for emotional connections Communion, empat…

SOURCE: The Guardian at 7:42am on October 21, 2019

Peter Brook: the time Truman Capote and I flopped on Broadway by Peter Brook

Inspired by a magical ballet, I gathered a peerless writer, a top composer and Broadway's most vibrant star. But even renowned directors can get it badly wrong… 'Broadway" and "Hollywood" …

SOURCE: The Guardian at 4:06am on October 21, 2019

American Utopia review: David Byrne starts making sense by Alexis Soloski

Hudson Theatre, New York The country is far from perfect, a Broadway audience will not chant the names of black Americans killed by police. The singer presses on More than a concert and less…

SOURCE: The Guardian at 2:36am on October 21, 2019

Staging Schiele review " art, obsession and orgasmic yelps by Anna Winter

DanceEast, IpswichThe expressionist aesthetics of Egon Schiele's nudes should make for riveting dance, but Shobana Jeyasingh's production is a bit too beige It's easy to see why the work of …

SOURCE: The Guardian at 3:18pm on October 20, 2019

Billy Elliot the Musical review " the sweetest spots are still the strongest by Cassie Tongue

Sydney Lyric theatreDance is the rightful soul of a show that reminds us we're stronger, and better, when we look out for each other There might not be a musical easier to love than Billy El…

SOURCE: The Guardian at 2:12pm on October 20, 2019

Amrou Al-Kadhi: 'Being a drag queen healed me' by Amrou Al-kadhi

Growing up in a strict Muslim family, Amrou Al-Kadhi felt worthless, but found a new freedom and community in the world of drag I am a therapist couch hopper (sorry to any of my cuckolded sh…

SOURCE: The Guardian at 8:48am on October 20, 2019

Lungs review " Claire Foy and Matt Smith shine in climate crisis drama by Arifa Akbar

Old Vic, LondonDuncan Macmillan's two-hander is a frenetic portrait of flawed love in a flawed world, exposing the neuroses of a modern couple who struggle to put their principles aside 'The…

SOURCE: The Guardian at 8:48am on October 20, 2019

Cross Currents/ Monotones II/ Everyone Keeps Me; Danse Élargie " review by Sarah Crompton

Linbury theatre, Royal Opera House; Sadler's Wells, LondonPam Tanowitz's dazzling new piece for the Royal Ballet worked perfectly alongside Ashton and Cunningham. Elsewhere, the best of youn…

SOURCE: The Guardian at 8:48am on October 20, 2019

I Have Met the Enemy (And the Enemy Is Us) review " not quite on target by Clare Brennan

Byker Community Centre, Newcastle upon TyneThe audience is invited to attend a mock UK arms fair in this laudable but underdeveloped production Travelling to Common Wealth and Northern Stage…

SOURCE: The Guardian at 5:48pm on October 19, 2019

Hannah Gadsby: 'Quit comedy? I can't " I've got no other skillset!' by Brian Logan

The comic was due to retire, until her show Nanette made her an overnight star. So how does she plan to top it? Over her 10-year standup career, Hannah Gadsby had played to more than a few t…

SOURCE: The Guardian at 4:42am on October 19, 2019

The week in theatre: There Are No Beginnings; Solaris; A History of Water in the Middle East " review by Susannah Clapp

Leeds Playhouse; Lyric Hammersmith; Royal Court, LondonA powerful verbatim portrayal of women's lives during the Yorkshire Ripper years; a sci-fi classic reborn; and a musical imperialism pr…

SOURCE: The Guardian at 4:42am on October 19, 2019

Abomination: the riotously high-camp opera about DUP homophobia by Stephen Moss

Inspired by remarks made by a unionist MP, an incendiary opera is about to unleash gay cake and drag on Belfast. Will Arlene Foster be in the front row? We meet its creator The Newtownards R…

SOURCE: The Guardian at 4:42pm on October 18, 2019

I Have Met the Enemy (and the Enemy Is Us) review " ticking bomb of Britain's arms trade by Mark Fisher

Byker Community Centre, NewcastleThis explosive, techno-soundtracked assault on the military machine cuts between war-zone combatants and anxious families in the weapons industry Two men loo…

SOURCE: The Guardian at 4:42pm on October 18, 2019

For All the Women Who Thought They Were Mad review " a great unravelling by Arifa Akbar

Hackney Showroom, LondonZawe Ashton aims high with an intricate dissection of race and gender but a smart ending can't save this muddled show Zawe Ashton has described her play as both an "i…

SOURCE: The Guardian at 9:12am on October 18, 2019

[Blank] review " Alice Birch's build-your-own-play experiment by Michael Billington

Donmar Warehouse, LondonThe playwright throws down the gauntlet to directors, and the result is a show full of ideas but lacking unity Alice Birch's new play, whose title comes with built-in…

SOURCE: The Guardian at 7:18am on October 18, 2019

Little Shop of Horrors review " gory musical blooms again off-Broadway by Alexis Soloski

Westside Theatre, New York Killer performances from Jonathan Groff and Tammy Blanchard bring a revival of the 1982 tale of a bloodthirsty plant to vibrant life The musical comedy our climate…

SOURCE: The Guardian at 5:54am on October 18, 2019

Roaring success: backstage at The Lion King " in pictures by David Levene

Celebrating 20 years at the Lyceum theatre in London this weekend, the Lion King stage show has been seen by 16 million people. Guardian photographer David Levene was given exclusive behind-…

SOURCE: The Guardian at 2:33am on October 18, 2019

Alicia Alonso obituary by Judith Mackrell

Star ballerina and choreographer passionately committed to dance in CubaWhen Alicia Alonso was 20, and launched on a dancing career in New York, her future seemed assured. She had just been …

SOURCE: The Guardian at 3:03pm on October 17, 2019
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