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35,726 stories from The Guardian

Sex tapes and acid attacks: Anupama Chandrasekhar, the playwright shocking India by Arifa Akbar

Her dramas confront the growing horrors facing women in India today. Now she's reworked Ibsen's Ghosts, taking out the syphilis and putting in the Delhi bus gang rape of 2012 Anupama Chandra…

SOURCE: The Guardian at 2:24pm on October 28, 2019

Much Ado About Nothing review " the Beatrice and Benedick show by Kate Wyver

Tobacco Factory, BristolA party feel in the first half of Elizabeth Freestone's production slumps like a hangover when Dorothea Myer-Bennett and Geoffrey Lumb are off-stage Dorothea Myer-Ben…

SOURCE: The Guardian at 9:33am on October 28, 2019

Teneisha Bonner obituary by Lyndsey Winship

Athletic star dancer who dazzled as Spinderella in the hit West End show Into the Hoods In the sometimes macho world of hip-hop dance, a form that demands explosive power and immense strengt…

SOURCE: The Guardian at 9:33am on October 28, 2019

Lenny Henry review " clips, gossip and a night of self-congratulation by Brian Logan

Watford ColosseumThe comedian has his buddy Jon Canter tee up one big-name anecdote after another in a cosy night that pays tribute … to himself At one point in his touring show, Lenny Hen…

SOURCE: The Guardian at 6:12am on October 28, 2019

Joan Plowright at 90: the star who spoke truth to British theatre by Michael Billington

On the actor's birthday, our critic picks three key performances that illuminate her gift for earthy honesty Joan Plowright, who celebrates her 90th birthday today, is the senior figure in a…

SOURCE: The Guardian at 3:06am on October 28, 2019

Botticelli in the Fire review " audacious Renaissance romp by Arifa Akbar

Hampstead theatre, LondonThe painter resembles a drunken YBA in a flawed but timely show that veers from camp humour to political intrigue 'This is not just a play, it's an extravaganza," sa…

SOURCE: The Guardian at 10:36am on October 27, 2019

Tristan Fynn-Aiduenu: 'Give black people the keys to the building' by Holly Williams

The writer-director on staging Arinzé Kene's Little Baby Jesus, winning the JMK award and working with regional black British writers Tristan Fynn-Aiduenu, 25, is a playwright, director and…

SOURCE: The Guardian at 7:33am on October 27, 2019

Concerto/ Enigma Variations/ Raymonda Act III; Russell Maliphant: Silent Lines " review by Sarah Crompton

Royal Opera House; Sadler's Wells, LondonThe Royal Ballet is at the top of its game in a new triple bill of MacMillan, Ashton and a pinch of Petipa, while Russell Maliphant creates a mesmeri…

SOURCE: The Guardian at 7:33am on October 27, 2019

For All the Women Who Thought They Were Mad review " stimulating study of corporate discrimination by Gregory Robinson

Stoke Newington Town Hall, London N16A hard-hitting and sometimes humorous look at the prejudices black women experience in a cut-throat workplace Hackney-born actor-turned-playwright Zawe A…

SOURCE: The Guardian at 1:48am on October 27, 2019

Fibres review " searing account of a deadly occupational hazard by Clare Brennan

Paisley Arts CentreWinning performances deliver a heartbreaking and unsentimental tale about asbestos poisoning in the workplaceFrances Poet's latest play is a condemnation of an atrocious w…

SOURCE: The Guardian at 1:48am on October 27, 2019

The week in theatre: [Blank]; Lungs; Vassa " review by Susannah Clapp

Donmar Warehouse; Old Vic; Almeida, LondonAlice Birch searches for hope in the criminal justice system, Claire Foy and Matt Smith bring wit to eco angst, and Siobhan Redmond makes a fine Gor…

SOURCE: The Guardian at 11:06am on October 26, 2019

Georgia Vardarou: a dance-maker creating room for thought by Lyndsey Winship

The vision of this Greek choreographer " tipped as a major talent of the future at London's Dance Umbrella festival " is 'beautifully different' To write about contemporary dance is to somet…

SOURCE: The Guardian at 1:36pm on October 25, 2019

Hannah Gadsby review " Nanette follow-up doesn't surprise, but delights by Brian Logan

New Theatre, OxfordFollowing the success of her 2017 smash hit, the Australian comedian returns triumphant with a confident routine about her dog, her body and her out-and-proud neurodiversi…

SOURCE: The Guardian at 11:06am on October 25, 2019

Mold Riots review " town takes to the streets to reclaim history by Gareth LlÅ·r Evans

Various locations, MoldA brass band, choir and cast of more than 100 gathered for a heartfelt re-enactment of a dark day that left four people dead Performed in the town's streets and square…

SOURCE: The Guardian at 11:06am on October 25, 2019

Hedda Gabler review " Ibsen's stormy heroine checks her privilege by Gareth LlÅ·r Evans

Sherman theatre, CardiffComplex women are imprisoned in a world of male buffoons in this rich and remarkably modern staging of the seminal drama " but only Hedda can escape Having recently r…

SOURCE: The Guardian at 8:12pm on October 24, 2019

Cyrano review " sorely lacking in panache by Kate Wyver

Bristol Old VicA strong poetic lead and fine support can't make this meandering new adaptation anything more than a slog 'That was mercifully short," one actor jokingly sneers, after the aud…

SOURCE: The Guardian at 12:24pm on October 24, 2019

Without youth theatre, I would never have won the Booker prize | Bernardine Evaristo by Bernardine Evaristo

Acting onstage was how I discovered my creativity, away from class and racial division At the age of 12 I discovered Stage Centre, a former church in Plumstead, south-east London where a co-…

SOURCE: The Guardian at 10:12am on October 24, 2019

Annie Baker: 'I like theatre because it's so unprofitable!' by Mark Lawson

In a rare interview, Baker explains why she hates commercial theatre (except Hello, Dolly!) and how she anticipated Trump and #MeToo in her new work at the National, The Antipodes It is not …

SOURCE: The Guardian at 10:12am on October 24, 2019

Ages of the Moon review " Sam Shepard bromance laughs in the face of death by Arifa Akbar

Vaults, LondonShepard picks apart the frailties of two men tormented by unspoken emotions, from marital meltdown and armchair priapism to the existential crisis of mortality The men in Sam S…

SOURCE: The Guardian at 10:12am on October 24, 2019

Fibres review " rail against asbestos entwines personal and political by Mark Fisher

Paisley Arts CentreA shipyard electrician and his wife suffer the debilitating effects of a preventable, man-made disease in Frances Poet's play In 1898, factory inspector Lucy Deane Streatf…

SOURCE: The Guardian at 6:42pm on October 23, 2019

The best family theatre for Christmas 2019 by Chris Wiegand

An exciting new adventure for Tiny Tim, a penguin chick with two daddies and a furry green grouch's plot to steal Christmas are among the jolliest shows to unwrap this festive season Scrunch…

SOURCE: The Guardian at 2:54pm on October 23, 2019

Little Baby Jesus review " Arinzé Kene's thrilling teens triumph by Miriam Gillinson

Orange Tree theatre, LondonStandup, storytelling and poetry combine in this brilliant show about an inner-city trio on the verge of adulthood Here is a play that will be racing through you, …

SOURCE: The Guardian at 8:12am on October 23, 2019

Royal Ballet mixed bill review " a trio of 60s flashbacks by Lyndsey Winship

Royal Opera House, LondonLauren Cuthbertson and Reece Clarke's masterclass in clarity is the highlight in a night of Macmillan, Ashton and Petipa It's a seemingly random selection that makes…

SOURCE: The Guardian at 8:12am on October 23, 2019

Electra, Oresteia and an execution: the daring designs of Hildegard Bechtler " in pictures by David Jays

The theatre designer on creating a family dinner at Agamemnon's, an election night Oedipus and the night Fiona Shaw got stuck 'You never know anything, you can only do your best." Hildegard …

SOURCE: The Guardian at 5:48am on October 23, 2019

London theatre to ban visitors from bringing single-use plastic bottles by Mark Brown Arts Correspondent

Royal Court crackdown forms part of mission to become net-zero-carbon venue in 2020 Audience members at the Royal Court theatre will be banned from taking in single-use plastic bottles as pa…

SOURCE: The Guardian at 5:48am on October 23, 2019
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