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2,260 stories from Chicago Theater Beat

Review: Jacob Marley's Christmas Carol (NightBlue Performing Arts, 2013) by Scotty Zacher

An interesting spin on the Christmas classic, it's certainly worth seeing during the holidays. But a good script doesn't always guarantee a good production, and in this presentation NightBl…

SOURCE: Chicago Theater Beat at 2:55pm on November 28, 2013

Review: Dylan (Red Theater Chicago) by Scotty Zacher

Despite the script's imperfections, Red Theatre's production of Sidney Michaels' theatrical biopic brings the wit and passion of the Welsh poet to vibrant life. Dylan is a fascinating if fla…

SOURCE: Chicago Theater Beat at 12:36pm on November 28, 2013

Review: The Dead Prince (Strange Tree Group) by Scotty Zacher

Is it a fairytale, a folktale or a muzical? Yes. Playwright Emily Schwartz has concocted a play-full original - the plot is layered but not overly complicated, the characters whimsical wit…

SOURCE: Chicago Theater Beat at 11:59pm on November 27, 2013

Review: An Iliad (Court Theatre, 2013) by Scotty Zacher

A remount of Court Theatre's universally praised one-man show from two years ago, An Iliad returns to provide an enthralling, contemporary interpretation of Homer's opus. For those who miss…

SOURCE: Chicago Theater Beat at 8:09pm on November 27, 2013

Review: La Traviata (Lyric Opera of Chicago) by Scotty Zacher

La Traviata is beautifully sung and well-executed, jam-packed with some of the most beloved arias ever written. Although this classic is a sure thing, it suffers from living in the mammoth s…

SOURCE: Chicago Theater Beat at 9:10am on November 26, 2013

Review: If Scrooge Was a Brother (eta Creative Arts) by Scotty Zacher

This new adaptation of Christmas Carol has an intriguing premise but loses too much of the original. And with Christmas carols interspersed throughouth (and not enough character development…

SOURCE: Chicago Theater Beat at 5:44pm on November 24, 2013

Review: The Nutcracker (The House Theatre, 2013) by Scotty Zacher

With their re-imagined, hyper-creative Nutcracker, The House Theatre has found its perfect annual gift to the theatre-going public. As a new uncle myself, I can't wait to bring my own niece …

SOURCE: Chicago Theater Beat at 12:04pm on November 24, 2013

Review: The Mikado (The Hypocrites) by Scotty Zacher

A cunningly raucous holiday romp, Mikado's circus backdrop nicely enlivens the pell-mell proceedings, with the supposedly restless audience moving about like gawkers under the imaginary canv…

SOURCE: Chicago Theater Beat at 6:37pm on November 23, 2013

Review: Paulus (Silk Road Rising) by Scotty Zacher

Strongly acted and visually intersting, Paulus' main weakness lies in its script, which never quite hits the mark, running nearly two hours, when 90 minutes could clearly tell the story. Sti…

SOURCE: Chicago Theater Beat at 9:08am on November 22, 2013

Review: Detroit '67 (Northlight Theatre) by Scotty Zacher

Though one might expect a sweeping saga that serves as a history lesson, what we find instead is a Motown drama with solid-gold performances - a very specific yet illuminating story about a …

SOURCE: Chicago Theater Beat at 9:04am on November 21, 2013

Review: Appropriate (Victory Gardens Theater) by Scotty Zacher

Even with the considerable talents of a creative team and cast that are among Chicago's finest artists, this script is not worth the time and money of these companies or their audiences. The…

SOURCE: Chicago Theater Beat at 9:12am on November 19, 2013

Review: The Snow Queen, or When Christmas Freezes Over! (Piccolo Theatre) by Scotty Zacher

It is rare, particularly in the world of theater, to find shows that are quite genuinely *fun for the whole family*. A mix of over-the-top humor, physical comedy and meta-jokes, ensures that…

SOURCE: Chicago Theater Beat at 9:08am on November 18, 2013

Review: Old Jews Telling Jokes (Royal George Theatre) by Scotty Zacher

The title definitlely sums it up - a cast of five throws out rapid fire Jewish-flavored jokes at the audience, on such topics as sex, marriage, money, doctor's visits, old age, retirement, a…

SOURCE: Chicago Theater Beat at 9:16pm on November 16, 2013

Review: Port Authority (Writers Theatre) by Scotty Zacher

In Conor McPherson's deeply moving 3-person play, the seemingly unassociated men are joined by a common yearning. McPherson renders that yearning gorgeously, capturing all the sadness and jo…

SOURCE: Chicago Theater Beat at 7:23pm on November 16, 2013

Review: Hellcab (Profiles Theatre, 2013) by Scotty Zacher

Even 20 years after it first debuted, Hellcab still offers audiences a very different kind of holiday show. Rather than being overly sentimental, it's realistic and relatable. Its familiarit…

SOURCE: Chicago Theater Beat at 4:14pm on November 16, 2013

Review: Elegy (The Elegy Project @ Victory Gardens) by Scotty Zacher

File this one in the Underwhelming drawer. With his 70-minute Elegy, playwright Ron Hirsen explores the tragic legacy of the Holocaust from the distance of the 1970s. Unfortunately, the wor…

SOURCE: Chicago Theater Beat at 5:06pm on November 15, 2013

Review: Parsifal (Lyric Opera of Chicago) by Scotty Zacher

Parsifal is a huge commitment that comes with a huge reward. As much as audience members may murmur their discomfort at the marathon, we all jumped to our feet in unison at the spectacular …

SOURCE: Chicago Theater Beat at 2:58pm on November 15, 2013

Review: I Wish to Apologize to the People of Illinois (The Agency Theater Collective) by Scotty Zacher

With all its intriguing moral questions for our city, this is an admirable effort and one that ought to be of interest to those interested in the rough and tumble scene of Chicago politics. …

SOURCE: Chicago Theater Beat at 2:42pm on November 15, 2013

Review: Street Justice: Condition Red (Factory Theater) by Scotty Zacher

Street Justice: Condition Red doesn't try to present itself as anything more than an action comedy romp poking fun at both Hollywood movie conventions and itself. Because the production does…

SOURCE: Chicago Theater Beat at 9:08am on November 14, 2013

Review: Wicked (Broadway in Chicago 2013) by Scotty Zacher

While touring companies are frequently known for going stale, Wicked remains surprisingly fresh, injecting new energy by allowing the performers to make the roles their own. Kudos to directo…

SOURCE: Chicago Theater Beat at 9:08am on November 12, 2013

Review: The Peacock (Jackalope Theatre) by Scotty Zacher

Archly coy to a fault, Playwright Calamity West's work depicts a gratuitously hostile fiction-writing workshop at an American university in 1946 where it symbolically snows a lot. Festering…

SOURCE: Chicago Theater Beat at 9:18pm on November 11, 2013

Review: Kate and Sam Are Not Breaking Up (The New Colony) by Scotty Zacher

Though not as raucous as it could be, Joel Kim Booster's black comedy holds an interesting dramatic undercurrent, a desire for truth under artifices that are not the sole domain of celebrity…

SOURCE: Chicago Theater Beat at 9:14am on November 11, 2013

Review: The Normal Heart (TimeLine Theatre) by Scotty Zacher

The Normal Heart is set in the early 1980's, but it's far from dated. On the contrary, this play is essential. As the lights came up and I wiped away the tears, I reflected on the play's cor…

SOURCE: Chicago Theater Beat at 6:12pm on November 10, 2013

Review: Mary Poppins (Marriott Theatre) by Scotty Zacher

Marriott's overall take on the crowd-pleasing Disney musical definitely does not add up to a jolly holiday. Directed by Gary Griffin, the show is all but thoroughly derailed by a barrage of …

SOURCE: Chicago Theater Beat at 11:51am on November 10, 2013

Review: Chicago's Weird, Grandma (Barrel of Monkeys) by Scotty Zacher

No question, however nonsensical the kids' tales may seem, the Barrel of Monkeys and their guest artists treat them as faithfully as gospel and make them merry where they might otherwise see…

SOURCE: Chicago Theater Beat at 6:15pm on November 9, 2013
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