1,623 stories from exeuntmagazine.com
Shy, or just smug? Lauren Vevers reviews a coming-of-age solo show starring Harry Potter and the Cursed Child's Theo Ancient.
The post Review: The Shy Manifesto at Live Theatre, Newcastle ap…
"This is a social justice issue": Maddy Costa talks to Naomi Alexander about community and participation as she relaunches Brighton People's Theatre.
The post A People’s Theatre for B…
Protest theatre: Alice Saville writes on an immersive show sparked by the 2014 Kiev Uprising.
The post Review: Counting Sheep at Vault Festival appeared first on Exeunt Magazine.
'The carefully papered-over cracks in their identities are ripped open': Sally Hales reviews Matt Jones and Kele Okereke's timely play about an international gay couple, with music from Bloc…
'The beauty and grace comes from performers making performance work (play) on their own terms': Emily Davis writes on Ellie Dubois' feminist deconstruction of circus.
The post Review: No Sh…
'Queer politic as positive philosophy': James Varney on how Gareth Cutter's solo show fits in a wider culture of Queerness and performance.
The post Review: Come Closer at PUSH Festival, Man…
"I want it too much": Kitty Drake writes on Channing Tatum's West End stripshow/phenomenon, and what it says about female sexual hunger.
The post Magic Mike Live appeared first on Exeunt Mag…
'That little jump in the stomach at seeing your body onstage, accompanied by a desire for something more': Ava Wong Davies responds to Jennifer Tang's exploration of British-Chinese identity…
'Theatre that refuses to form an orderly queue': Frey Kwa Hawking reviews Borderline's playful satire of the UK's labyrinthine immigration system.
The post Review: Welcome to the UK at The …
As Marie Kondo fever sets in, Paula Varjack explains how her new show The Cult of K*nzo explores the performativeness of shopping.
The post Paula Varjack’s Retail Theatre appeared fi…
The woods for the trees: James Varney writes on scale and perspective in James Monaghan's solo piece, from his viewpoint as an embedded critic.
The post Review: Forest at PUSH Festival, Manc…
'Dear Jade and Jonjo': JN Benjamin writes a letter to the performers of Ellen McDougall and Sarah Ruhl's experimental exploration of Elizabeth Bishop and Robert Lowell's epistolary friendshi…
Penetrating analysis: Hannah Greenstreet writes on Martin Crimp and Katie Mitchell's phallocentric new exploration of gender roles.
The post When we have sufficiently tortured each other, a…
The author of 'Everywoman' at Vault Festival writes on her decision to remain anonymous, and on how gender influences ideas of what counts as a 'universal' story.
The post Why I chose anonym…
A rich tapestry: Lilith Wozniak reviews Nick Makoha's autobiographical play about stories of exile and displacement.
The post Review: The Dark at the Ustinov, Bath appeared first on Exeunt M…
'Its polemic is potent': James Varney writes on a science fiction performance about structural Islamophobia by Outside the Frame Arts.
The post Review: Cuts of the Cloth at Push Festival, Ma…
'Brutally sincere': Ava Wong Davies writes on the Yard's double bill of work by Brian Lobel and FK Alexander, which explore failure and Princess Diana.
The post NOW 19: 24 Italian Songs and…
'Like watching Trip Advisor glitching': Lorna Irvine reviews German dance-theatre company Tatraum Projekte Schmidt's piece on sharing space in contemporary Europe.
The post Review: no + poli…
'Beautifully considered visual language': Rosemary Waugh writes on Anna Jordan's new play, which follows three soldiers returning from different wars.
The post Review: The Unreturning at Th…
A canny comedy crime caper: Ben Kulvichit reviews New Old Friend's latest addition to their popular touring murder mystery series.
The post Review: Crimes on the Nile at The Ustinov, Bath ap…
The performers are 'like cultured magpies, drawing together a soundtrack of found media and famous scenes': Ka Bradley writes on dance duo Thick & Tight's triple bill.
The post Review: …
Tarik Elmoutawakil, creative producer at Brighton's Marlborough Theatre, talks about creating a 'space church' for disabled, queer, trans and non-binary people of colour.
The post Brownton A…
Malaprop Theatre's approach mixes big ideas with bags of quirky warmth. They talk politics, Irish theatre, and collaborative working ahead of their stint at Vault.
The post Malaprop Theatre:…
'Moments of compassion and trust": Frey Kwa Hawking writes on Gabriel Gbadamosi's wide-ranging, but opaque new play.
The post Review: Stop and Search at Arcola Theatre appeared first on Exeu…
Buried problems: Ishy Din's new play finds ideological conflicts in a Middlesborough minicab office.
The post Review: Approaching Empty at Kiln Theatre appeared first on Exeunt Magazine.
