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1,906 stories from The New Yorker

An Elegy for the Kennedy Center by Alex Ross

A Washington, D.C., native says goodbye to the arts complex before Trump's wrecking crew goes to work on it.

SOURCE: The New Yorker Subscription at 4:40pm on March 19, 2026

Lisa Kudrow Is Back"Again by Michael Schulman

Twenty two years after the end of "Friends," the actress returns with a new installment of "The Comeback."

SOURCE: The New Yorker Subscription at 6:00am on March 16, 2026

Junior LaBeija, Master of Ceremonies by Michael Schulman

As the ballroom legend makes their Broadway début in "Cats: The Jellicle Ball," they reflect on accessorizing with raw chicken and dressing like Al Capone.

SOURCE: The New Yorker Subscription at 6:00am on March 16, 2026

Han Ong Reads "My Balenciaga"

The author reads his story from the March 23, 2026, issue of the magazine.

SOURCE: The New Yorker Subscription at 6:00am on March 15, 2026

"My Balenciaga," by Han Ong by Han Ong

It could have been an experiment by the master. An early draft. A failed caprice.

SOURCE: The New Yorker Subscription at 6:00am on March 15, 2026

Han Ong on Nora Aunor and Authentication by Deborah Treisman

The author discusses his story "My Balenciaga."

SOURCE: The New Yorker Subscription at 6:00am on March 15, 2026

Chloé Zhao on "Hamnet," Which Is Nominated for Eight Academy Awards

Zhao, a previous Oscar winner, for Best Director, discusses her acclaimed film with Michael Schulman.

SOURCE: The New Yorker Subscription at 2:00pm on March 13, 2026

"The Wild Party" Returns by Dan Stahl, Brian Seibert, Sheldon Pearce, Rhoda Feng, Hilton Als, Jane Bua, Rachel Syme

Also: FKA twigs, "Mother Russia," Caravaggio, and more.

SOURCE: The New Yorker Subscription at 6:00am on March 13, 2026

"Love Story" and Why We Cling to the Kennedy Myth

The new series about the romance between John F. Kennedy, Jr., and Carolyn Bessette is little more than a look-book"but its popularity is proof of the Kennedys' enduring allure.

SOURCE: The New Yorker Subscription at 6:00am on March 12, 2026

Two Playwrights Tackle Father Figures by Emily Nussbaum

Clare Barron's "You Got Older" is a rare play about a good dad. Wallace Shawn's "What We Did Before Our Moth Days" is defiantly tender about an amoral one.

SOURCE: The New Yorker Subscription at 6:00am on March 12, 2026

Patricia Cornwell on Crime and Creativity

The prolific novelist"whose most famous character, the forensic pathologist Kay Scarpetta, is played by Nicole Kidman in a TV adaptation premièring in March"discusses a few of her perennial…

SOURCE: The New Yorker Subscription at 4:00pm on March 11, 2026

"Giant" Takes on Roald Dahl and His Antisemitism by John Lahr

Mark Rosenblatt's début play brings light, shadow, and humor to its portrait of a troubled writer.

SOURCE: The New Yorker Subscription at 6:00am on March 9, 2026

A Wintry Utopia in Vermont's Northeast Kingdom by Hannah Goldfield

The region has long attracted idealists, from the radical performers of Bread & Puppet in the seventies to the striving artisan farmers of the early two-thousands.

SOURCE: The New Yorker Subscription at 6:00am on March 9, 2026

Stephen Shore, Ryan McGinley's Xeroxes in "Hard Copy New York" by Vince Aletti, Marina Harss, Sheldon Pearce, Brian Seibert, Hilton Als, Emily Nussbaum, Richard Brody, Rachel Syme

Also: Jonathan Richman's soft touch, Sean Hayes's liquid charm in the play "The Unknown," "The Bride!"-related culture picks, and more.

SOURCE: The New Yorker Subscription at 6:00am on March 6, 2026

The Sacred Vibes of Wunmi Mosaku by Michael Schulman

The Oscar nominee, who plays a hoodoo healer in "Sinners," stops at a Brooklyn apothecary and reflects on pregnancy, learning Yoruba, and blessing Michael B. Jordan's bag.

SOURCE: The New Yorker Subscription at 6:00am on March 5, 2026

Yuval Sharon Reimagines the Canon

The opera director"whose Met début, "Tristan und Isolde," premières next week"discusses a few of his influences.

SOURCE: The New Yorker Subscription at 4:00pm on March 4, 2026

Chris Fleming Prances, Scuttles, and Undulates Onto HBO by Rachel Syme

In a new standup set, the comedian uses oddball physicality to locate the weird in the everyday.

SOURCE: The New Yorker Subscription at 6:00am on March 4, 2026

Rimbaud and Verlaine in Washington Square Park by Taran Dugal

"Godlike," by the seminal punk musician Richard Hell, transposes a notorious affair between nineteenth-century French poets to nineteen-seventies New York"and testifies to punk's paradoxical…

SOURCE: The New Yorker Subscription at 6:00am on March 4, 2026

Why a Woman Would Rather Love a Statue Than a Man by Sarah Chihaya

In "When the Museum Is Closed," Emi Yagi takes her study of female objectification to a new, literal extreme.

SOURCE: The New Yorker Subscription at 6:00am on March 3, 2026

Scandal, Protest, Goofiness, and Grandeur at the U.S. Bicentennial by Jill Lepore

This year marks the two-hundred-and-fiftieth anniversary of the nation's founding. The two hundredth wasn't exactly smooth sailing.

SOURCE: The New Yorker Subscription at 6:00am on March 2, 2026

New York City Ballet Premières for the "No Kings" Era by Jennifer Homans

Justin Peck takes on Beethoven's "Eroica" symphony, while Alexei Ratmansky turns the tale of the Emperor's new clothes into an anti-Trump satire.

SOURCE: The New Yorker Subscription at 6:00am on March 2, 2026

What Mehdi Mahmoudian Saw Inside the Iranian Prison System by Cora Engelbrecht

The activist and Oscar-nominated co-writer of "It Was Just an Accident" speaks about the abuses he's witnessed and endured, war between the U.S. and Iran, and the true stories behind the fil…

SOURCE: The New Yorker Subscription at 6:00am on March 1, 2026

The BAFTAs, and the Sloppy Pieties of Liberal Entertainment by Doreen St. Félix

The BBC spent resources politically castrating its awards-show broadcast that would have been better spent protecting vulnerable guests.

SOURCE: The New Yorker Subscription at 6:00am on February 28, 2026

Failed "Finance Bros" Find Success with HBO's "Industry"

Mickey Down and Konrad Kay, the creators of the financial drama, explain what "finance bros" misunderstand about capitalism's allure.

SOURCE: The New Yorker Subscription at 2:00pm on February 27, 2026

Mitski's New Album Is a Dark Ode to Isolation by Hanif Abdurraqib

On "Nothing's About to Happen to Me," a reclusive woman confronts the inhospitality of the world beyond her door.

SOURCE: The New Yorker Subscription at 1:34pm on February 27, 2026
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