1,898 stories from The New Yorker
The new series about the romance between John F. Kennedy, Jr., and Carolyn Bessette is little more than a look-book"but its popularity is proof of the Kennedys' enduring allure.
Clare Barron's "You Got Older" is a rare play about a good dad. Wallace Shawn's "What We Did Before Our Moth Days" is defiantly tender about an amoral one.
The prolific novelist"whose most famous character, the forensic pathologist Kay Scarpetta, is played by Nicole Kidman in a TV adaptation premièring in March"discusses a few of her perennial…
Mark Rosenblatt's début play brings light, shadow, and humor to its portrait of a troubled writer.
The region has long attracted idealists, from the radical performers of Bread & Puppet in the seventies to the striving artisan farmers of the early two-thousands.
Also: Jonathan Richman's soft touch, Sean Hayes's liquid charm in the play "The Unknown," "The Bride!"-related culture picks, and more.
The Oscar nominee, who plays a hoodoo healer in "Sinners," stops at a Brooklyn apothecary and reflects on pregnancy, learning Yoruba, and blessing Michael B. Jordan's bag.
The opera director"whose Met début, "Tristan und Isolde," premières next week"discusses a few of his influences.
In a new standup set, the comedian uses oddball physicality to locate the weird in the everyday.
"Godlike," by the seminal punk musician Richard Hell, transposes a notorious affair between nineteenth-century French poets to nineteen-seventies New York"and testifies to punk's paradoxical…
In "When the Museum Is Closed," Emi Yagi takes her study of female objectification to a new, literal extreme.
This year marks the two-hundred-and-fiftieth anniversary of the nation's founding. The two hundredth wasn't exactly smooth sailing.
Justin Peck takes on Beethoven's "Eroica" symphony, while Alexei Ratmansky turns the tale of the Emperor's new clothes into an anti-Trump satire.
The activist and Oscar-nominated co-writer of "It Was Just an Accident" speaks about the abuses he's witnessed and endured, war between the U.S. and Iran, and the true stories behind the fil…
The BBC spent resources politically castrating its awards-show broadcast that would have been better spent protecting vulnerable guests.
Mickey Down and Konrad Kay, the creators of the financial drama, explain what "finance bros" misunderstand about capitalism's allure.
On "Nothing's About to Happen to Me," a reclusive woman confronts the inhospitality of the world beyond her door.
What's new in theatre, movies, television, art, dance, classical, and contemporary music.
A great fuss surrounds Emerald Fennell's anachronistic adaptation, but Emily Brontë's ruthless text will always have the last word.
Emerald Fennell's brazen take on the classic has both exhilarated and infuriated viewers. What does an adaptation owe to its source material?
A jolting play about the Rwandan genocide takes liberties in order to capture dark truths.
The Most Interesting Man in the World judges ideas for The Talk of the Town.
On a visit to New York, the actor reflected on mortality and coming out, and unleashed an Elizabethan anti-ICE monologue on "Colbert" that went viral.
If you're on your phone: Clara and Desmond are spies, and they are meeting at a church in Paris. Their names, again, are Clara and Desmond, and they are spies.
The event's theme: Fugitives.
