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6,591 stories from Stage and Cinema

Theater Preview: MS. BLAKK FOR PRESIDENT (Vineyard Theatre, NYC) by Tony Frankel

POLITICS, IN FULL DRAG: A CAMPAIGN LIKE NO OTHER Wayne Brady leads a wild, urgent, and unexpectedly timely ride through queer history and unfinished business. There have been outsider candid…

SOURCE: Stage and Cinema at 9:29pm on May 7, 2026

Off-Broadway Review: KENREX (Lucille Lortel) by Carol Rocamora

A COMMUNITY PUSHED PAST THE LAW An electrifying solo tour de force that turns a town’s nightmare into gripping theater. The largest Off-Broadway cast this season—over a dozen roles—may…

SOURCE: Stage and Cinema at 9:29pm on May 7, 2026

Theater Review: HAMNET (Royal Shakespeare Company at American Conservatory Theater) by Chuck Louden

TO GRIEVE OR NOT TO GRIEVE American Conservatory Theater presents Hamnet, the stage adaptation of Maggie O’Farrell’s historical novel, adapted by Lolita Chakrabarti (Life of Pi) and dire…

SOURCE: Stage and Cinema at 9:29pm on May 7, 2026

Theater Review: WINDFALL (Steppenwolf Theatre Company / World Premiere / Chicago) by C.j. Fernandes

CASH, GRIEF, AND THE COST OF RESISTANCE A gripping, immersive premiere dissolves the line between audience and action Steppenwolf’s excellent 50th season continues with Windfall, the new p…

SOURCE: Stage and Cinema at 9:27pm on May 7, 2026

Theater Review: CARNIVAL! (J2 Spotlight Musical Theater Company / AMT Theater, NYC) by Rob Lester

UNDER THE BIG TOP, A SMALL GEM ENDURES A tender revival of a vintage musical finds its strength in sincerity, not spectacle Poignancy, Pep, Pizzazz, and Puppets. If the age of 65 equals beco…

SOURCE: Stage and Cinema at 9:27pm on May 7, 2026

Theater Review: MJ THE MUSICAL (National Tour / San Diego) by Dan Zeff

MAN IN THE MIRROR, SHOW ON FIRE A dazzling tour delivers the spectacle and the moves, even if the storytelling stays surface-level The national touring production of MJ the Musical is comple…

SOURCE: Stage and Cinema at 6:08pm on May 7, 2026

Theater Review: FAULT (Chicago Shakespeare) by C.j. Fernandes

FAULT LINES A glossy production sinks under the weight of a script that mistakes talk for wit Unpleasant, unfunny, misogynistic, and worst of all, boring. Let’s play a drinking game: every…

SOURCE: Stage and Cinema at 2:36pm on May 7, 2026

Theater Review: BETTER LATE (rePLAY Series at Plaza Theatre in Palm Springs) by Jason Mannino

WHEN LEGENDS READ, YOU LISTEN A star-studded staged reading proves craft, not spectacle, is the real event Some nights in the theater feel important before they even begin. rePLAY’s closin…

SOURCE: Stage and Cinema at 8:24am on May 7, 2026

Theater Review: MEAN GIRLS THE MUSICAL (Ray of Light Theatre / San Francisco) by Chuck Louden

SO FETCH… AND SURPRISINGLY SHARP Ray of Light launches its new stage with a high-energy crowd-pleaser that actually lands It’s an ambitious way to christen a new home: take on a title ev…

SOURCE: Stage and Cinema at 8:24am on May 7, 2026

Theater Review: MORRIS MICKLEWHITE AND THE TANGERINE DRESS (Mosaic Theatricals at Patio Playhouse in Escondido) by Keelyn McDermott

A DRESS FOR SUCCESS A polished TYA production that treats identity and imagination with care. Mosaic Theatricals’ production of Morris Micklewhite and the Tangerine Dress at Patio Playhous…

SOURCE: Stage and Cinema at 8:24am on May 7, 2026

Theater Review: HAMLET (National Theatre Company at BAM in Brooklyn) by Alex Simmons

THE DANISH PRINCE, DECODED Focused staging and strong performances bring Hamlet’s inner life into view at BAM. The National Theater’s Hamlet at BAM follows in the tradition of other fine…

SOURCE: Stage and Cinema at 8:24am on May 7, 2026

Theater Review: I HATE HAMLET (Saint Sebastian Players / Chicago) by Mitchell Oldham

TO BE OR NOT TO BE… IN SHOWBIZ A lively revival finds humor and heart in the actor’s eternal struggle Anyone who pursues the arts as a career or avocation knows they’re not well unders…

SOURCE: Stage and Cinema at 2:55am on May 7, 2026

Broadway Review: THE ROCKY HORROR SHOW (Roundabout Theatre Company / Studio 54) by Alex Simmons

LET’S DO THE TIME WARP AGAIN AND AGAIN A high-energy revival proves this cult classic still knows how to party Unless you grew up in a monastery, had a severely conservative upbringing, or…

SOURCE: Stage and Cinema at 10:45pm on May 6, 2026

Theater Review: EELPOUT! (Shattered Globe at Theater Wit) by Tony Frankel

ICE FISHING, MALE BONDING, AND ONE VERY TALKATIVE FISH An uproarious and unexpectedly poignant Midwest comedy that finds connection in the unlikeliest of places. “There are only two or thr…

SOURCE: Stage and Cinema at 6:53pm on May 6, 2026

Theater Review: FOR WANT OF A HORSE (Echo Theater Company, Atwater Village Theatre) by Tony Frankel

HOLD YOUR HORSES A provocative subject that proves hard to recommend—and harder to ignore Olivia Dufault’s For Want of a Horse tackles a subject most plays wouldn’t dare touch—and to…

SOURCE: Stage and Cinema at 6:53pm on May 6, 2026

Theatre Review: HYMN (Odyssey Theatre Ensemble) by Ernest Kearney

A HYMN WITHOUT THE HALLELUJAH A polished, well-acted drama that never quite ignites Hymn by playwright Lolita Chakrabarti is a well-crafted piece, with detailed characters and dialogue that …

SOURCE: Stage and Cinema at 6:53pm on May 6, 2026

Theater Review: MILLENNIALS ARE KILLING MUSICALS (World Premiere at The Colony Theatre) by Michael M. Landman-karny

DON’T BLAME MILLENNIALS: MILLENNIALS ARE KILLING MUSICALS IS KILLING MUSICALS (OR, WHEN SATIRE EATS ITSELF) An exhausting, vulgar, and unfocused musical that mistakes noise for insight and…

SOURCE: Stage and Cinema at 6:53pm on May 6, 2026

6 PROBLEMS THAT CAN AFFECT A PRODUCTION by Jim Allen

Audiences usually experience productions only in their finished form. Films, television projects, live events, and commercial productions appear polished and seamless once released, which ma…

SOURCE: Stage and Cinema at 2:50am on May 5, 2026

Theater Review: OUT HERE (Court Theatre) by C.j. Fernandes

OUT OF THE CLOSET, INTO THE FIRE A messy, ambitious new musical about divorce lands more as play than score— but still entertains Court Theatre closes out its 2025/2026 season with Out Her…

SOURCE: Stage and Cinema at 2:59am on May 3, 2026

HOOP DREAMS: THE BIGGEST OSCARS SNUB IN MODERN HISTORY? by Tony Frankel

Ask anyone to talk about the greatest Oscars snubs in history, and you’ll likely get a long litany of grievances. There’s Alfred Hitchcock, five times nominated but never picking up a Be…

SOURCE: Stage and Cinema at 3:00am on May 1, 2026

Dance Review: MERE MORTALS (SF Ballet) by Chuck Louden

PANDORA GOES DIGITAL A visually striking ballet where myth, machines, and modern anxiety collide San Francisco Ballet closes out its 2025–2026 season with Mere Mortals, a contemporary ball…

SOURCE: Stage and Cinema at 2:50am on May 1, 2026

Theater Review: BLUE KISS (Ruskin Group Theatre) by Ernest Kearney

THE KISS OF DEATH A drama overloaded with “dots” that just don’t connect The Ruskin Group Theatre’s production of Stephen Fife’s Blue Kiss starts off with promise. Todd (Casey Morr…

SOURCE: Stage and Cinema at 4:21am on April 30, 2026

Theater Review: BEAU JEST (North Coast Rep) by Dan Zeff

A NICE JEWISH BOY— OR IS HE? Plenty of laughs and genuine feeling power this crowd-pleasing production Sarah Goldman is a young Jewish Chicago teacher in the late 1900s. Her boyfriend is a…

SOURCE: Stage and Cinema at 3:57am on April 28, 2026

Theater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center) by Lynne Weiss

TOO MANY HANDS ON DECK An inventive but overstuffed adaptation floods the narrative The world premiere of DNAWorks‘ adaptation of Joseph Conrad’s “The Secret Sharer,” directed by Dan…

SOURCE: Stage and Cinema at 10:58pm on April 27, 2026

Broadway Review: THE BALUSTERS (Manhattan Theatre Club at the Samuel J. Friedman Theatre) by Gregory Fletcher

STOP SIGNS AND SOCIAL SIGNALS Sharp, humane, and richly acted, this new comedy lands with both wit and weight In The Balusters, playwright David Lindsay-Abaire once again proves himself a ma…

SOURCE: Stage and Cinema at 4:42am on April 26, 2026
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