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6,908 stories from Stage and Cinema

Theater Review: JEKYLL & HYDE (Kokandy Productions / Broadway Playhouse / Chicago) by Emma S. Rund

KOKANDY UNLEASHES ITS HYDE A problematic musical gets a thrilling jolt of theatrical electricity from Kokandy’s powerhouse performers and audacious design Kokandy Productions’ remount of…

SOURCE: Stage and Cinema at 9:37pm on September 19, 2026☆⚑

Theater Review: MARISOL (Open Fist Theatre Company / Los Angeles) by Lawrence Lucero

WHEN THE APOCALYPSE LOSES ITS MAGIC José Rivera’s surreal vision of a world coming apart demands theatrical daring that this earthbound revival rarely delivers What would you do if you li…

SOURCE: Stage and Cinema at 4:59am on September 18, 2026☆⚑

Theater Review: THE VISIT (Pasadena Playhouse) by Michael M. Landman-karny

A TOWN LEARNS WHAT IT’S WORTH Darko Tresnjak’s blistering production watches Güllen purchase its way toward murder When the Burgomaster (mayor) of the Güllen rises in his most solemn c…

SOURCE: Stage and Cinema at 2:58am on September 18, 2026☆⚑

Theater Review: THE BIRTH OF THE PILL (TimeLine Theatre / Chicago) by C.j. Fernandes

AN EASY PILL TO SWALLOW The opening production of TimeLine’s first full season in its gorgeous new home in Uptown, the world premiere of Jessica Huang’s The Birth of the Pill, gets off t…

SOURCE: Stage and Cinema at 2:55am on September 18, 2026☆⚑

Cabaret Review: JEFF HARNAR – THE 1959 BROADWAY SONGBOOK (Birdland / New York) by Rob Lester

A VERY GOOD YEAR Someone should carve a statue to this delightful performer If the world of cabaret ever got around to having someone carve its own equivalent of Mount Rushmore, the smiling …

SOURCE: Stage and Cinema at 8:08pm on September 17, 2026☆⚑

Theater Review: DEAR EVAN HANSEN (Cygnet / San Diego) by Milo Shapiro

YOU WILL BE WON OVER Cygnet delivers a moving, beautifully acted production with terrific voices Hooray for misunderstandings! Where would theatre be without them? And in Cygnet Theatre’s …

SOURCE: Stage and Cinema at 7:46am on September 17, 2026☆⚑

Theater Review: WILD CHILD (Laguna Playhouse) by Michael M. Landman-karny

ROUGHING IT This new musical still has considerable work to do Carl Jung called the work individuation: integrating the selves we invent with the self that has to live in the world. Wild Chi…

SOURCE: Stage and Cinema at 5:33am on September 17, 2026☆⚑

Theater Review: THE MAN WHO FELL WITH THE RAIN (Trap Door / Chicago) by C.j. Fernandes

NO MIRACLE HERE Moments of brilliance cannot make this uneven García Márquez adaptation cohere It has been raining for several days, and in a small house, a husband (Dan Cobbler) and wife …

SOURCE: Stage and Cinema at 3:24pm on September 16, 2026☆⚑

Theater Review: WITCH (Idle Muse / Chicago) by C.j. Fernandes

SCRATCH IT Silverman’s Jacobean reworking is hilarious, dark, and exhilarating How does one determine if an adaptation is a success? Does it require rigorous fidelity to the source materia…

SOURCE: Stage and Cinema at 10:48pm on September 15, 2026☆⚑

Theater Review: WATER FOR ELEPHANTS (National Tour / Los Angeles) by Christopher Lloyd Bratten

THE ELEPHANT IN THE MUSICAL Circus artistry and inventive puppetry soar where the musical itself falls short Water for Elephants, based on Sara Gruen’s bestselling novel, with a book by Ri…

SOURCE: Stage and Cinema at 4:16am on September 15, 2026☆⚑

Music Review: BAY STATE HOT JAZZ FESTIVAL (Medford, MA) by Lynne Weiss

HOT JAZZ, COOL COMMUNITY Eight bands, two days, and a lively crowd keep traditional jazz swinging in Medford Now in its fourth year, the Bay State Hot Jazz Festival brought eight traditional…

SOURCE: Stage and Cinema at 3:26am on September 14, 2026☆⚑

Album Review: WHISKY SCENTED KISSES (Daphne Roubini and Black Gardenia / Cellar Live) by Michael M. Landman-karny

A LITTLE WHISKY, A LOT OF SPACE Daphne Roubini makes restraint the defining virtue of a quietly distinctive jazz album Start with the credits. Voice, two guitars, bass, tenor, trumpet. Nobod…

SOURCE: Stage and Cinema at 2:43am on September 14, 2026☆⚑

LIVE CONCERT VIDEOS: WHERE TO FIND FULL PERFORMANCES IN GOOD QUALITY by Connor McCormick

A studio recording and a live concert are two completely different experiences. In the studio, every part can be re-recorded and mixed to technical perfection. But something important often …

SOURCE: Stage and Cinema at 8:38am on September 12, 2026☆⚑

ORCHESTRAS ARE NOW PLAYING VIDEO GAME MUSIC: HOW GAME SOUNDTRACKS ENTERED THE CONCERT HALL by Connor McCormick

Walk into a symphony hall on the right evening, and you might find a full orchestra and choir performing not Beethoven or Mahler, but the score to a video game. The audience, many of them dr…

SOURCE: Stage and Cinema at 7:46am on September 12, 2026☆⚑

Theater Review: THE BLOOD OF THE LAMB (Promethean Theatre Ensemble / Chicago) by C.j. Fernandes

THE CASE AGAINST AN EASY OUT A darkly funny, anxiety-inducing thriller loses its footing in the final stretch In the skies over Texas, a pregnant young woman called Nessa faints on a plane e…

SOURCE: Stage and Cinema at 2:53am on September 12, 2026☆⚑

Off-Broadway Preview: IMITATION OF LIFE (The Shed / New York) by Gregory Bernard

AN AMERICAN STORY GETS A NEW LIFE Lynn Nottage, John Legend, Whitney White, and Adrienne Warren take on a story that has been provoking America for nearly a century Some source material arri…

SOURCE: Stage and Cinema at 1:56am on September 12, 2026☆⚑

Theater Preview: A SLOW FIRE (Steep Theatre / Chicago) by Gregory Bernard

HOME IS WHERE THE FIRE STARTS Steep Theatre opens its new home with the U.S. premiere of Simon Stephens’ post-apocalyptic drama What use is hope after the world has ended? That question si…

SOURCE: Stage and Cinema at 12:46am on September 12, 2026☆⚑

Theater Review: WINTER’S BENCH (24th Street Theatre / Los Angeles) by Ernest Kearney

A TREE GROWS ON 24TH STREET Mike Kenny’s lyrical world premiere makes magic Simplicity fused with memory is one of the foundations of poetry, and truth finds its most eloquent expression i…

SOURCE: Stage and Cinema at 10:34pm on September 11, 2026☆⚑

Theater Review: SISTERS (Writers Theatre / Chicago) by C.j. Fernandes

A GLITCH IN THE FAMILY Brenda Barrie shines, but this AI drama does not compute A spare stage greets you as you walk into the Gillian Theatre for Matthew Libby’s Sisters, the opening play …

SOURCE: Stage and Cinema at 8:39pm on September 11, 2026☆⚑

Theater Preview: BOSTON MARRIAGE (Creative Coven / Los Angeles) by Gregory Bernard

MAMET MAKES A PASS AT THE LADIES Three women turn Victorian propriety into a wicked game of lust, jealousy, and verbal warfare David Mamet is best known for plays populated by men who lie, b…

SOURCE: Stage and Cinema at 7:22pm on September 11, 2026☆⚑

Opera Review: IL FORTUNATO INGANNO (Pacific Opera Project / Los Angeles) by Michael M. Landman-karny

DONIZETTI’S BURIED TREASURE AND RUBBLE POP finds music worth hearing in a comedy better left buried Pacific Opera Project did not pull Il fortunato inganno (The Fortunate Deception) from a…

SOURCE: Stage and Cinema at 6:14am on September 11, 2026☆⚑

Theater Review: THE WHITE CHIP (Marin Theatre / SF Bay Area) by Chuck Louden

SOBERING THOUGHTS A funny, affecting recovery comedy that lingers too long on relapse Kicking off its 60th season, Marin Theatre presents the Bay Area premiere of The White Chip: A Sobering …

SOURCE: Stage and Cinema at 3:49am on September 11, 2026☆⚑

Theater Review: THE PRODUCERS (Ogunquit Playhouse / Maine) by Lynne Weiss

A HITLER HIT HITS OGUNQUIT Mel Brooks’s gloriously audacious musical remains impossible to kill Just as novelists love to write about writers and filmmakers love to make films about Hollyw…

SOURCE: Stage and Cinema at 3:02am on September 10, 2026☆⚑

Music Preview: KUKIEL–LAMCELLARI–GLICKLICH PIANO TRIO (The Music Guild / Los Angeles) by Gregory Bernard

A SEASON BEGINS IN THREES Three young musicians open the Music Guild season with Rachmaninov, Shostakovich, and Brahms The Music Guild opens its 82nd season on Monday, Sept. 14, with the Kuk…

SOURCE: Stage and Cinema at 1:12am on September 10, 2026☆⚑

Theater Review: THE ARSONISTS (Skylight Theatre / Los Angeles) by Michael M. Landman-karny

A MOST ACCOMMODATING DISASTER Frisch’s comedy leaves no one comfortably outside the joke Gottlieb Biedermann tells his wife and his maid that even if he had three spare beds standing empty…

SOURCE: Stage and Cinema at 10:27pm on September 9, 2026☆⚑
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