Talia is the Co-Executive Director at A.R.T.-NY. Gregory is the Executive Director of The Office of the Arts at Hunter College. Theresa is an artist who is trying to move back to New York. T…
Contributor Sophie Frizzell on "The Wish," a collaborative play by Justice Hehir's, Dena Igusti, Phanésia Pharel, Nia Akilah Robinson, and Julia Specht, about the state of abortion access i…
Contributor Maia Sauer on Sacha Vega's PINCH, performed at 3AM Theatre in Queens this past December.
Hillary Gao and Ann Marie Dorr in conversation with William Burke about Gao's "I Want to Hold On to Something Beautiful and Empty" and Dorr's "I'm Going to Take My Pants Off Now" | The Expon…
Theo Armstrong on new works by A Heather Dutton/Middle Child Dance Theatre, Emily Tarrier + Emory Ferra Campbell, and Ke'ron J. Wilson
Editor Eve Bromberg in conversation with Emily Coates, Ain Gordon, and Derek Lucci about their piece "Tell Me Where It Comes From" performed at Guggenheim's Works & Process in late Novem…
Playwright Charlene Adhiambo on Nazareth Hassan's play Practice at Playwrights Horizon.
Contributor Brendan McCall on Alessia Palanti's "All In Your Head" presented at Arts on Site.
Dramaturg Miranda Jackel in conversation with multidisciplinary theatermaker Rawya El Chab about "Crossing the Water," El Chab's solo piece about the 1982 Israeli invasion of Beirut.
Writer and playwright Elise Wien reviews Hannah Kallenbach's "Mikey Maus in Fantasmich!" performed at The Brick Theater this past November.
Editor Eve Bromberg in conversation with writer Candance Bushnell about her upcoming performance of her one woman show "Candace Bushnell: True Tales of Sex, Success, and Sex and the City".
Leaving the bardo calls for transformation. The body becomes a page, a site for inscription, a blank slate. The silence echoes.
Let social media posts or opinion articles in the paper give us "answers" to challenging subjects. Let dance or theater (or both) instead give us time to look at our contradictory selves.
Strength lies in the explorations of the daunting space between things: rifts in ideology; understanding; or born from avoidance; from denial.
Dramaturg Miranda Jackel in conversation with Ben Kidd and Bush Moukarzel, the founders of Dublin-based Theatre company Dead Centre on their piece "Good Sex" as part of Powerhouse Internatio…
Dancer, dramaturg, and contributor Sophia Parker speaks with Nazareth Hassan on poetry, and performance and their show "Practice" on now at Playwrights Horizons.
Playwrights Hansol Jung and Jeana Scotti on their two site-specific plays: "Last Call," and "Oh, Honey".
Letters From London dispatch #2 | Diving deep into the sensory heart of London's immersive art scene.
Kayla Farrish shared two new works, A Beast and DOCILE, at Kaatsbaan Cultural Park's Black Box Theatre
Editor Eve Bromberg in conversation with Playwright Kanika Asavari Vaish and Director Frankie DiCiaccio on 2nd Murderer at The Flea Theater.
Writer and playwright Elise Wien on Kanika Vaish's "2nd Murderer" at The Flea Theater.
Maia Sauer on Symara Sarai's "The LOVE Piece" at Danspace Project.
Patrick Denney reviews Romina Paula's play The Whole of Time, which played at The Brick Theater this past September
Dramaturg and writer Miranda Jackel discusses Robert Ashley's "experimental opera" CELESTIAL EXCURSIONS performed this past September at Roulette in Brooklyn.
Contributor Sophie Frizzell on the The Gerald Arpino Festival at The Joyce.