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35,725 stories from The Guardian

The week in theatre: Ghost Quartet; High Fidelity; When the Crows Visit " review by Susannah Clapp

Boulevard; Turbine; Kiln, LondonTwo recently opened London theatres make their mark, with love and loss round the camp fire, and a sparky reworking of High Fidelity that just needs a few goo…

SOURCE: The Guardian at 12:24pm on November 9, 2019

What does the Piccadilly ceiling collapse mean for London theatre? by Michael Billington

After two incidents in six years, visitors may need reassurance before they return to the West End "Don't clap too hard: it's a very old building," says Archie Rice in John Osborne's The Ent…

SOURCE: The Guardian at 1:54pm on November 8, 2019

Cyrano review " Peter Dinklage sings through patchy musical update by Alexis Soloski

Daryl Roth Theatre, New York A new take on the romantic comedy boasts music from the National and a stellar turn from Glee's Blake Jenner but there are stumbles throughout Before Peter Dinkl…

SOURCE: The Guardian at 11:06am on November 8, 2019

Arifa Akbar appointed as the Guardian's chief theatre critic by Chris Wiegand Stage Editor

Katharine Viner congratulates 'wonderful' arts writer who is already a vital contributor to the paper Arifa Akbar has been appointed as the Guardian's chief theatre critic. Akbar, who will t…

SOURCE: The Guardian at 11:06am on November 8, 2019

The Sleeping Beauty review " the Royal Ballet take your breath away by Lyndsey Winship

Royal Opera House, LondonYasmine Naghdi conquers physics in a fairytale production with intricate and intense performances What is the appeal to adults of an old-fashioned fairytale? This on…

SOURCE: The Guardian at 11:06am on November 8, 2019

Jonny Donahoe: 'I have very boring dreams " I once dreamed I was making toast' by Harriet Gibsone

The actor, comedian, playwright and one half of Jonny and the Baptists on the things that make him laugh the most I must have watched Dylan Moran's DVD of Monster, recorded at Vicar Street i…

SOURCE: The Guardian at 11:06am on November 8, 2019

Easy review " an unfiltered snap of teenage agonies by Miriam Gillinson

Blue Elephant theatre, LondonRobyn Wilson is superb as a 16-year-old facing a daunting rite of passage in Amy Blakelock's poignant one-woman play I know Alice. I think I pretty much was Alic…

SOURCE: The Guardian at 11:06am on November 8, 2019

Shook review " young offenders take forlorn lessons in fatherhood by Arifa Akbar

Southwark Playhouse, LondonSamuel Bailey's moving play is carried along by its characters' wisecracking " and reveals the anguish hidden underneath The bored young men in Shook yearn to be e…

SOURCE: The Guardian at 11:06am on November 8, 2019

Reputation review " one woman's words against a Hollywood bully by Michael Billington

The Other Palace, London This new musical by Alick Glass carries its fight against 30s movie plagiarism with pleasant songs, but lacks the showbiz sparkle to land a killer punch This theatre…

SOURCE: The Guardian at 5:36pm on November 7, 2019

Pale Sister review " Colm Tóibín and Lisa Dwan's twist on Antigone by Helen Meany

Gate, DublinThe acclaimed writer's version of the Greek tragedy focuses on her sister Ismene, with plenty of modern relevances Colm Tóibín's new version of the Greek tragedy Antigone d…

SOURCE: The Guardian at 3:18pm on November 7, 2019

Stewart Lee: Tornado / Snowflake review " joyously funny by Brian Logan

Leicester Square theatre, LondonWith typical deftness, the standup has made his scintillating two-part show a hymn to political correctness and a giddy attack on lefty sensibilities What is …

SOURCE: The Guardian at 12:18pm on November 7, 2019

Piccadilly theatre evacuated after ceiling collapses during show by Press Association

Four theatregoers taken to hospital after incident during Death of a Salesman stage show A theatre in the West End of London has been evacuated after part of its ceiling collapsed during a s…

SOURCE: The Guardian at 7:54am on November 7, 2019

Northern Ballet review " dancing with dreams and facing fear by Lyndsey Winship

Linbury theatre, LondonWorks by Kenneth Tindall, Mlindi Kulashe and Morgann Runacre-Temple give these dancers a chance to get their bodies around abstraction Trends for favoured composers i…

SOURCE: The Guardian at 7:54am on November 7, 2019

'I needed a new home': how Debris Stevenson left Mormonism for grime by Arifa Akbar

Her musical Poet in da Corner brought raving to the Royal Court. Now the writer and performer is exploring first love. She talks Mormonism, trauma and teen dreams Debris Stevenson's first pu…

SOURCE: The Guardian at 1:48pm on November 6, 2019

Jeremy O Harris: 'People say I wrote Slave Play for white people and not for a black audience' by André Wheeler

The rising playwright talks self-censorship, fascism, and the unique struggles of being a black artist This fall, Jeremy O Harris wrestled with a problem unique to artists of color. He knew …

SOURCE: The Guardian at 10:06am on November 6, 2019

Sydney and the Old Girl review " Miriam Margolyes excels as a mother at war by Michael Billington

Park theatre, LondonDark comedy peeks through the relationship between a malevolent mum and her paranoid middle-aged son in Eugene O'Hare's Pinteresque play This is the second play by Eugene…

SOURCE: The Guardian at 10:06am on November 6, 2019

'Bring a sleeping bag!' Manchester prepares for 24-hour peace epic by Helen Pidd

On Remembrance Sunday, a theatrical marathon will share the hopes and insights of 100 peace-workers around the UK. It's an ode to optimism, says playwright Neil Bartlett There cannot be many…

SOURCE: The Guardian at 10:06am on November 6, 2019

Murder in the Cathedral review " Eliot staged in a sacred space by Michael Billington

Southwark Cathedral, LondonJasper Britton is outstanding as Thomas Becket in Scena Mundi's revival, but the church acoustics make the rest of the cast hard to hear How do you stage TS Eliot'…

SOURCE: The Guardian at 8:18pm on November 5, 2019

'We finished every bottle!' Berlin's cultural legends on the night the Wall came down by Interviews By Simon Usborne

It divided families, trapped half a city and symbolised the cold war. Then, 30 years ago this Saturday, the Berlin wall fell. Wim Wenders, Ute Lemper, Daniel Barenboim and more share their m…

SOURCE: The Guardian at 2:48pm on November 5, 2019

Guardian theatre critic Michael Billington to step down by Chris Wiegand Stage Editor

Editor-in-chief Katharine Viner hails the 'extraordinary' career of the celebrated critic who started at the newspaper in 1971 After almost 50 years and some 10,000 reviews, Michael Billingt…

SOURCE: The Guardian at 2:48pm on November 5, 2019

The Green Fairy review " absinthe musical lacks spirit by Kate Wyver

Union theatre, LondonCliche-drenched lyrics and a lightweight storyline put a cork in the emotional reckoning at this unremarkable story's heart Empty bottles dangle from the ceiling in this…

SOURCE: The Guardian at 2:48pm on November 5, 2019

Rambert2 review " exciting and fearless fresh-faced dancing by Lyndsey Winship

Sadler's Wells, LondonA group of young prestige dancers from all over the world throw themselves utterly into a uneven triple bill The deal with Rambert's sister company, Rambert2, is that y…

SOURCE: The Guardian at 8:33am on November 5, 2019

Frankenstein review " Shelley's story malfunctions under weight of new ideas by Arifa Akbar

Southwark Playhouse, LondonVR headsets and a gender switch give National Youth Theatre's exuberant production a modern twist, but the storytelling feels gimmicky 'The human era is coming to …

SOURCE: The Guardian at 8:33am on November 5, 2019

Phoebe Eclair-Powell's Shed: Exploded View wins Bruntwood playwriting prize by Chris Wiegand

Judges praise her experimental, starkly violent play based on a Cornelia Parker installation as 'astonishingly emotional' Phoebe Eclair-Powell has won the 2019 Bruntwood prize for playwritin…

SOURCE: The Guardian at 2:18pm on November 4, 2019

High Fidelity review " Nick Hornby's vinyl nerd back in the groove by Michael Billington

Turbine theatre, LondonA delightfully tuneful adaptation of the Broadway musical returns the unlucky-in-love record-shop owner to his London roots Nick Hornby's bestselling 1995 novel about …

SOURCE: The Guardian at 12:48pm on November 4, 2019
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