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35,725 stories from The Guardian

James Acaster: 'If there was no health consequence, I'd eat ice-cream all the time' by John Hind

The stand-up comedian on his dad's pancakes and the joy of cold lasagne My mum loves baking and would make loads of biscuits and cakes, but the rule was that when a batch was gone, they were…

SOURCE: The Guardian at 5:06pm on November 16, 2019

Touching the Void proves anything is possible in the theatre by Michael Billington

David Greig's survival-story adaptation has clawed its way to the West End " and it is a triumph of resolve and innovation When this adaptation of Joe Simpson's mountaineering memoir, Touchi…

SOURCE: The Guardian at 7:33am on November 15, 2019

Dorrance Dance review " tip-top tap gets into the groove by Lyndsey Winship

Sadler's Wells, LondonMichelle Dorrance's superb pieces range from rubber-legged slapstick to brilliantly musical moves Michelle Dorrance may be a dancer, but musicianship is the bedrock of …

SOURCE: The Guardian at 7:33am on November 15, 2019

Unknown Rivers review " Odimba is a writer to watch by Michael Billington

Hampstead theatre, LondonChinonyerem Odimba's subtle play is a celebration of female friendship, given an intimate production by Daniel Bailey There is much to admire in this play by Chinon…

SOURCE: The Guardian at 4:03pm on November 14, 2019

Fern Brady: Power and Chaos review " a scattergun blast of cynicism by Brian Logan

Soho theatre, LondonThe Scottish comic hits some acerbic highs with an oddly episodic set that hops from politics to porn to parenthood 'Scary. Brutal. Forthright." That's how Fern Brady fi…

SOURCE: The Guardian at 12:12pm on November 14, 2019

Kosovan firebrand Jeton Neziraj: 'Theatre should side with the victims' by Natasha Tripney

His plays have brought threats, vandalism " and international acclaim. Now the fearless dramatist is retooling Ibsen to lay bare corruption in his homeland Jeton Neziraj has clear views abou…

SOURCE: The Guardian at 12:12pm on November 14, 2019

Mary Poppins review " stageful of sugar is a rapturous delight by Michael Billington

Prince Edward theatre, LondonZizi Strallen is excellent as the buoyant nanny in Eyre's chippy and enduring show, which also calls on Julian Fellowes, Matthew Bourne and Petula Clark I was ra…

SOURCE: The Guardian at 9:12pm on November 13, 2019

Leeds united: Northern Ballet plot knees-up for 50th anniversary by Chris Wiegand

Drew McOnie's Merlin and Kenneth Tindall's Geisha will mark the company's remarkable half century, alongside digital archive 'Years ago, when I danced, you did what you were told," says Nort…

SOURCE: The Guardian at 9:12pm on November 13, 2019

My Mother Said I Never Should review " half-spoken truths of women and girls by Catherine Love

Studio theatre, SheffieldSign language adds new dimensions to Charlotte Keatley's popular play about four generations of women So much in My Mother Said I Never Should is unsaid, or half sai…

SOURCE: The Guardian at 8:36am on November 13, 2019

Douglas Hodge: 'I almost had to head-butt Harold Pinter' by Ryan Gilbey

He's the musicals maestro who's now starring in everything from Joker to Gemini Man. He reveals how he went from working men's clubs to Hollywood " via a Pinteresque spell in theatre There's…

SOURCE: The Guardian at 8:36am on November 13, 2019

Zadie Smith's first play to reimagine Chaucer in borough of Brent by Mark Brown Arts Correspondent

The Wife of Willesden to be staged for London borough of culture celebrations next year Zadie Smith is to reimagine Chaucer's The Wife of Bath's Tale for a new production billed as a gift t…

SOURCE: The Guardian at 2:12pm on November 12, 2019

Lucy McCormick: 'I don't stop until I've gone too far' by Kate Wyver

Transgressive, intimidating and smeared with ketchup, the performer loves to give audiences more than they've bargained for " from an X-rated Jesus to a bare Boudicca Lucy McCormick pulls he…

SOURCE: The Guardian at 11:36am on November 12, 2019

Tutu dreams: the Royal Academy of Dance at 100 " in pictures

From tabletop pointe work to getting friendly with a skeleton " the RAD's century of ballet training saw teachers including Adeline Genée and Margot Fonteyn spread dance around the world Co…

SOURCE: The Guardian at 10:06am on November 12, 2019

Emanuel Gat: Works review " moving, mysterious dance is a delight by Lyndsey Winship

Sadler's Wells, LondonRelationships between the Israeli choreographer's idiosyncratic dancers play out on stage in a surreal and touching show There's a man in a dress, another wearing a kil…

SOURCE: The Guardian at 8:33am on November 12, 2019

Hip-hop to haute couture: dance's love affair with fashion by Sarah Crompton

From the ballet performances like 17th century catwalk shows to Sex and the City's Carrie Bradshaw in a tutu, two exhibitions explore a stylish symbiotic relationship The shy bookseller play…

SOURCE: The Guardian at 7:36am on November 12, 2019

Spiderfly review " a tantalising tale of tangled relationships by Michael Billington

Theatre 503, LondonWriter John Webber shows edgy promise with this story of a woman's contrasting encounters with two men Like many emerging dramatists, John Webber is an actor. He doesn't,…

SOURCE: The Guardian at 7:36am on November 12, 2019

Phoebe Waller-Bridge: 'There was an alternative ending to Fleabag ... but I'll never tell' by Guardian Staff

How did a one-woman show at Edinburgh become a worldwide hit? As a book of the series is published, performers and writers ask her about inspiration, sex and guinea pigs Continue reading...

SOURCE: The Guardian at 3:42am on November 12, 2019

'It makes it real': hundreds march to re-enact 1811 Louisiana slave rebellion by Oliver Laughland In Laplace, Louisiana

Over two days, men and women marched 26 miles to New Orleans to mark an overlooked uprising against slavery's brutality " and pay tribute to those who fought for freedom Ten years after poli…

SOURCE: The Guardian at 3:42am on November 12, 2019

Ballet Cymru review " fuelled by sheer positivity by Lyndsey Winship

Lilian Baylis Studio, LondonIt's hard not to warm to this bright Welsh company, but some of the more experimental works were confused in design and execution It takes a lot of grit and pluck…

SOURCE: The Guardian at 9:42am on November 11, 2019

Little Wimmin review " off-kilter cocktail of am-dram and anarchy by Kate Wyver

Pleasance, LondonTheir tongues firmly in their cheeks, Figs in Wigs' boisterous parody ranges from pun-filled comedy skits to cocktail-making in hazmat suits You probably won't remember the…

SOURCE: The Guardian at 8:12am on November 11, 2019

One Under review " heartrendingly tender and enigmatic portrait of grief by Catherine Love

Leeds PlayhouseWinsome Pinnock's 2005 play that has been reimagined to focus on mental health asks urgent questions but yields few answers When a man steps in front of a London Underground t…

SOURCE: The Guardian at 3:12am on November 11, 2019

Stella review " a moonlight marvel for children by Chris Wiegand

Stratford Circus Arts Centre, LondonFilskit's theatre show for young audiences features clowning, aerial tricks and an engaging tale of friendship Here's a set that little hands would love t…

SOURCE: The Guardian at 2:03pm on November 10, 2019

Tim Minchin review " a triumphant comeback that is short on laughs by Brian Logan

Eventim Apollo, LondonIn his first tour for eight years, the Australian polymath offers up a three-hour spectacular tracing the story of his life Tim Minchin was "misdiagnosed" as a comedian…

SOURCE: The Guardian at 2:03pm on November 10, 2019

Rambert2; Northern Ballet review " muscle, lust and raw edge by Sara Veale

Sadler's Wells; Linbury theatre, LondonRambert's young dancers pulse with pure horsepower while Northern Ballet celebrates Mozart's overlooked sister Last year, Rambert's new junior troupe…

SOURCE: The Guardian at 1:03am on November 10, 2019

The Season review " chutzpah and charm in New York romcom by Clare Brennan

New Wolsey theatre, IpswichNewcomers Jim Barne and Kit Buchan have written a classic Christmas romance enhanced by confident production "Even impossible dreams come true," sings the wonderst…

SOURCE: The Guardian at 1:03am on November 10, 2019
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