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35,725 stories from The Guardian

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Frozen II to Anselm Kiefer, here's our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days (Jennifer Lee, Chris Buck, 2019, US) 103 mins Continue r…

SOURCE: The Guardian at 7:06am on November 22, 2019

Hello and Goodbye review " Athol Fugard's dark reunion gets under the skin by Catherine Love

York Theatre Royal Fugard's profound examination of a South African family ripped apart by a workplace accident is devastatingly brilliant Hello. Goodbye. These two small, unassuming words b…

SOURCE: The Guardian at 7:06am on November 22, 2019

The Season review " musical romcom hits a feelgood festive note by Mark Lawson

Royal & Derngate, NorthamptonElectrifying performances light up a glittering New York Christmas story in this warm-hearted, tuneful two-hander On Christmas Eve, puppyish twentysomething…

SOURCE: The Guardian at 1:42pm on November 21, 2019

Canterville Ghost review " spirited haunted-house shenanigans by Miriam Gillinson

Unicorn theatre, LondonThis take on Oscar Wilde's story of a family moving into their spooky new home is a child-friendly blend of gothic horror and quirky comedy There's a little bit for ev…

SOURCE: The Guardian at 1:42pm on November 21, 2019

Land Without Dreams review " the future gets stuck in the mud by Michael Billington

Gate theatre, LondonDespite Temi Wilkey's best efforts, including rolling in slime, Tue Biering's play can't decide whether it is a critique of utopianism or a message of reassurance 'I've s…

SOURCE: The Guardian at 7:12am on November 21, 2019

A Christmas Carol review " Dickens on Broadway is a festive tearjerker by Alexis Soloski

Lyceum Theatre, New York Jack Thorne's Broadway transfer of the Christmas classic is sentimental but moving and boasts a host of surprises Charles Dickens's A Christmas Carol has always been…

SOURCE: The Guardian at 5:42am on November 21, 2019

& Juliet review " pop mogul Max Martin's bizarre jukebox bonanza by Michael Billington

Shaftesbury theatre, LondonSongs of the prolific Swedish tunesmith are shoehorned into a silly Shakespeare-derived story for this misguided West End musical Romeo and Juliet, the starting po…

SOURCE: The Guardian at 7:03pm on November 20, 2019

Fire-ravaged La Mama theatre ready to rebuild after raising $3.1m by Jane Howard

After a catastrophic fire gutted the building, Melbourne's theatre community banded together to resurrect one of its most prized spaces When Betty Burstall, a young Melbourne teacher, put he…

SOURCE: The Guardian at 1:03pm on November 20, 2019

Blackface and Fu Manchu moustaches: does ballet have a race problem? by Lyndsey Winship

From the Chinese scene in Nutcracker to the Moor in Petrushka, are some ballets now offensively outdated? We ask big names in dance if they should be preserved, changed " or binned It's Chri…

SOURCE: The Guardian at 11:48am on November 20, 2019

Timothée Chalamet to make London stage debut by Lanre Bakare

Call Me By Your Name star to appear in Amy Herzog's 4,000 Miles at Old Vic theatre The Old Vic is bringing Timothée Chalamet to the London stage next spring in a production of 4,000 Mile…

SOURCE: The Guardian at 8:42am on November 20, 2019

Acosta Danza review " Cuba moves in a new direction by Lyndsey Winship

Sadler's Wells, LondonCarlos Acosta's Havana-based troupe makes no wrong steps in charming, evocative and sharply technical mixed bill It's only three years since Cuban ballet star Carlos Ac…

SOURCE: The Guardian at 8:42am on November 20, 2019

Congratulations, you played yourself: comics who fictionalise their lives by Rachael Healy

Larry David took the role of "Larry David" onscreen. But how close are such characters to real life? Three comics starring as versions of themselves reveal where they draw the line Fans of t…

SOURCE: The Guardian at 2:18am on November 20, 2019

Dear Evan Hansen review " high-school musical captures agonies of youth by Michael Billington

Noël Coward theatre, LondonSam Tutty shines as the lonely student who fabricates a friendship with a dead boy, but this award-winning musical has plot holes This musical arrives from the …

SOURCE: The Guardian at 10:12pm on November 19, 2019

No Bra: 'In Britain, I was seen as page-three humour' by Alex Needham

Susanne Oberbeck sings sexually charged songs in a German accent while standing topless and sporting a moustache " and at last she's found an audience that understands her In 2003, Susanne O…

SOURCE: The Guardian at 5:03pm on November 19, 2019

Yael Stone on a year of growth: 'I don't want to be anybody's plaything again' by Brigid Delaney

In the past 18 months the actor has become a student, a mother and a more mindful public voice: 'I'm actively trying to be more like me' Sitting at a picnic table in the sun, Yael Stone, 34,…

SOURCE: The Guardian at 5:03pm on November 19, 2019

'The most disturbing thing I've ever seen' " will the new Cats trailer claw back its appeal? by Stuart Heritage

The movie adaptation of the Lloyd Webber musical appalled viewers when its first trailer launched four months ago. Now a new one is here, has it improved things? Four months. It's been four …

SOURCE: The Guardian at 5:03pm on November 19, 2019

The Mystery of the Raddlesham Mumps review " fiendish verses and curses by Chris Wiegand

The Egg, BathMurray Lachlan Young and Joe Allen deliver a sinister epic about a seven-year-old who inherits his ancestral home Murray Lachlan Young is a born storyteller " even his name has …

SOURCE: The Guardian at 12:36pm on November 18, 2019

Alohomora! Harry Potter and the Cursed Child: behind the scenes - in pictures

The secrets of the spellbinding West End production are unlocked in a new book that contains previously unseen sketches and designs Continue reading...

SOURCE: The Guardian at 12:36pm on November 18, 2019

Stray Dogs review " Russian poet's struggle against Stalin by Arifa Akbar

Park theatre, LondonAnna Akhmatova is forced to choose between artistic integrity and saving her son in Olivia Olsen's play In 1935, Anna Akhmatova began writing Requiem in Soviet Russia. He…

SOURCE: The Guardian at 10:48am on November 18, 2019

Thursford Christmas Spectacular review " a sugar rush of festive cheer by Kate Wyver

Thursford Collection, NorfolkA fever-dream of outrageous talent and suffocating joy, this extravaganza must be seen to be believed, albeit just the once I close my eyes and can see only sequ…

SOURCE: The Guardian at 5:12am on November 18, 2019

Vir Das: 'I do not like goulash. Screw goulash' by Harriet Gibsone

The actor and standup on the things that make him laugh the most It would have to be when I saw Richard Pryor: Live on the Sunset Strip. I also love anything by Eddie Izzard. Continue readin…

SOURCE: The Guardian at 12:33pm on November 17, 2019

The week in theatre: Mary Poppins; Murder in the Cathedral; Much Ado About Nothing " review by Kate Kellaway

Prince Edward theatre; Southwark Cathedral; Wilton's Music Hall, LondonRichard Eyre's Mary Poppins revival soars, TS Eliot's verse drama struggles under the weight of its gravitas, and Much …

SOURCE: The Guardian at 9:54am on November 17, 2019

Rob Beckett review " class-based laughs from a cheeky chappie by Brian Logan

Fairfield Halls, LondonThe perky comic provides plenty of material and eye-rolling at how the other half live but some of the jokes flatline Some marry for love, some for money, and some " y…

SOURCE: The Guardian at 9:54am on November 17, 2019

The Sleeping Beauty; Rambert Event review " total ballerina focus and stale fruitcake by Bidisha

Royal Opera House; Sadler's Wells, LondonA spectacular Princess Aurora graces a Royal Ballet favourite in dire need of an update, while Merce Cunningham isn't best served by Rambert's latest…

SOURCE: The Guardian at 2:18am on November 17, 2019

My Mother Said I Never Should review " signs of the times by Clare Brennan

Crucible, SheffieldSilence is both golden and frustrating in Charlotte Keatley's play about four generations of women featuring deaf actors Fingersmiths theatre company specialises in "ways …

SOURCE: The Guardian at 2:18am on November 17, 2019
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