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35,725 stories from The Guardian

Darbar festival review " blazing celebration of Indian dance by Sanjoy Roy

Sadler's Wells, LondonThe Temple of Fine Arts explode with energy and Nahid Siddiqui captivates with her lightness and gravity Initially a showcase for Indian classical music, since 2017 the…

SOURCE: The Guardian at 1:03pm on November 27, 2019

Joanna Lumley on Jonathan Miller: 'completely brilliant, extraordinarily funny' by Interview By Chris Wiegand

Actor pays tribute to the 'genius' writer and director, who has died aged 85 He was one of my greatest heroes. Years ago, when I was being photographed for Vogue, I saw him walking past with…

SOURCE: The Guardian at 10:24am on November 27, 2019

Candida review " Shaw's comedy of fizzing words and extreme passion by Michael Billington

Orange Tree, Richmond upon ThamesThis production of George Bernard Shaw's remarkable play about a poet and a priest in love with the same woman induces giddy delight Paul Miller is almost si…

SOURCE: The Guardian at 8:18am on November 27, 2019

Jonathan Miller, writer and director, dies aged 85 by Matthew Weaver

Polymath also had career in medicine and was member of Beyond the Fringe comedy team Jonathan Miller, the writer, theatre and opera director, and member of the Beyond the Fringe comedy team,…

SOURCE: The Guardian at 8:18am on November 27, 2019

My Brilliant Friend review " Elena Ferrante's twisting tale of heroines for our age by Claire Armitstead

National Theatre, LondonNiamh Cusack and Catherine McCormack perform the central roles with magnetic force in this frenetically comic adaptation of Ferrante's Neapolitan quartet At the start…

SOURCE: The Guardian at 8:18am on November 27, 2019

The Arrival review " fraternal reunion pits nature against nurture by Michael Billington

Bush theatre, LondonBijan Sheibani's writing debut about two half-Iranian brothers relies on a puzzling backstory, yet vivid staging and beautiful performances fill it with vitality You can …

SOURCE: The Guardian at 9:36pm on November 26, 2019

Balletboyz's Romeo and Juliet film takes star-cross'd lovers to the street by Lyndsey Winship

Shot on location with lashings of fighting and flirting, Romeo and Juliet: Beyond Words is a vibrant, up-close take on one of the Royal Ballet's best-loved gems It's been an ongoing quandary…

SOURCE: The Guardian at 1:33pm on November 26, 2019

White Christmas review " love and music amid the glitz and glamour by Kate Wyver

Dominion theatre, LondonWith firecracker performance and singalong sounds, this version of the Bing Crosby classic glistens with sexy razzmatazz, but tenderness lies beneath the shiny surfac…

SOURCE: The Guardian at 11:03am on November 26, 2019

Hunger review " hope and heartbreak on the breadline by Miriam Gillinson

Arcola, LondonAdapted from Knut Hamsun's first-person novel, Fay Lomas's production is an empathetic and frightening look at a writer whose senses begin to turn on him as he falls into pover…

SOURCE: The Guardian at 9:48am on November 26, 2019

The Lion, the Witch and the Wardrobe review " magical escape from the perils of war by Michael Billington

Bridge theatre, LondonAslan is more substitute Churchill than surrogate Christ in Sally Cookson's brilliantly inventive production of CS Lewis's wartime fable The popularity of CS Lewis's 19…

SOURCE: The Guardian at 9:12pm on November 25, 2019

Cinderella review " woke meets trad at pop panto by Brian Logan

Lyric Hammersmith, LondonPrince Charming? You must be joking " but this show will still leave families and festive fun-seekers satisfied You might think assignations with princes have lost t…

SOURCE: The Guardian at 11:33am on November 25, 2019

'There's always a spot for the next weirdo': inside Second City's comedy HQ by Matt Charlton

Chicago's pioneering club " where comics from John Belushi to Tina Fey learned their craft " is 60 years old. We crash an improv class in search of its secrets In the fashionable Old Town di…

SOURCE: The Guardian at 11:33am on November 25, 2019

The Prince and the Pauper review " trading-places twins double the fun by Mark Fisher

New Vic theatre, Newcastle-under-LymeSisters Danielle and Nichole Bird create a dreamlike mirror image in a superbly staged production, alive with music, wit and spectacle It was written as …

SOURCE: The Guardian at 6:12am on November 25, 2019

Ardal O'Hanlon review " shrugging off the ghost of Father Dougal by Brian Logan

Brighton DomeIn an endearing but gentle show, the comedian tries to leave his Father Ted alter ego behind Father Dougal casts a long shadow, Ardal O'Hanlon laments at the start of his tourin…

SOURCE: The Guardian at 2:48am on November 25, 2019

Jack and the Beanstalk review " bright and cheery but lacking heart by Mark Fisher

Coliseum, OldhamWhat used to be one boy's coming-of-age struggle with a tyrannous ogre is now a free-for-all Boisterous, full-throttled and cheery it may be, but it's hard to locate the hear…

SOURCE: The Guardian at 7:33pm on November 24, 2019

Lady Macbeth hand sanitiser? It's the culture Christmas gift guide 2019!

Putin flip-flops, a Darth Vader plant pot, Fleabag's hot priest meltdown, No Man Is an Island oven gloves … get your Christmas in gear with our guide to the hottest, artsiest presents arou…

SOURCE: The Guardian at 7:33pm on November 24, 2019

Maggie Smith wins best actress award for role as Goebbels' secretary by Mark Brown Arts Correspondent

Andrew Scott is best actor and Sweat wins play of the year at Evening Standard awards Dame Maggie Smith's return to the stage after a 12-year absence has won her a record fifth best actress …

SOURCE: The Guardian at 7:33pm on November 24, 2019

The week in theatre: Dear Evan Hansen; Touching the Void; #WeAreArrested " review by Susannah Clapp

Noël Coward; Duke of York's; Arcola, LondonA dazzling West End debut lights up a newly arrived Broadway hit, while Joe Simpson's Andes ordeal is all too real on stage, and a jailed report…

SOURCE: The Guardian at 9:06am on November 24, 2019

Jack Whitehall review " puerile, inauthentic and by-numbers jokes by Brian Logan

O2 Arena, LondonThe comic, who doesn't seem to have any interest in people or the world, puts on a weak show with anecdotes that ring untrue It's not an auspicious start to Jack Whitehall's …

SOURCE: The Guardian at 9:06am on November 24, 2019

& Juliet review " the bard goes bubblegum by Gregory Robinson

Shaftesbury theatre, LondonA fun, feminist makeover of Romeo and Juliet chooses life " with a great pop soundtrack What if Juliet's end was a new beginning? That's the question & Juliet …

SOURCE: The Guardian at 2:18am on November 24, 2019

Acosta Danza: Evolution; Dorrance Dance: Myelination and other works " review by Sarah Crompton

Sadler's Wells, LondonThe Cuban star returns with a buoyant showcase of his Havana-based company, while Michelle Dorrance takes tap to another level Both Acosta Danza and Dorrance Dance are …

SOURCE: The Guardian at 2:18am on November 24, 2019

Hello and Goodbye review " Athol Fugard's powerful sibling drama by Clare Brennan

York Theatre RoyalJo Mousley and Emilio Iannucci excel in this engrossing production of Fugard's tale of a brother and sister's ambiguous reunion "I am a regional writer," claimed South Afri…

SOURCE: The Guardian at 2:18am on November 24, 2019

Jamie Lloyd: 'The reason Cyrano has endured is that we all have an insecurity' by Interview By Holly Williams

The acclaimed theatre director on his latest West End production, his Pinter obsession, and why offering free tickets to first-time theatregoers is so important Theatre director Jamie Lloyd …

SOURCE: The Guardian at 10:36am on November 23, 2019

Enter Ms Scrooge … as sexist Dickens turns in his grave by Rob Walker

New staging takes aim at the author's misogyny by casting a female leadHe's remembered as a champion of the poor and downtrodden in Victorian society. Yet behind closed doors Charles Dickens…

SOURCE: The Guardian at 10:36am on November 23, 2019

Henry VI and Richard III review " floundering leaders fight for miserable England by Kate Wyver

Sam Wanamaker Playhouse, LondonThe winter of our discontent gets an ungrounded production that even scene-stealing performances by the Globe ensemble can't make glorious Fickle, brittle head…

SOURCE: The Guardian at 11:42am on November 22, 2019
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