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8,108 stories from DC Theatre Scene

Be More Chill on Broadway review. by Jonathan Mandell

Somebody wrote "NYC Loves BMC" in chalk on the sidewalk outside Broadway's Lyceum Theater, the new home of Be More Chill, the high energy, high decibel pop-rock musical that stars Will Rolan…

SOURCE: DC Theatre Scene at 7:58pm on March 10, 2019

Review: Masterpieces of the Oral and Intangible Heritage of Humanity asks when the earth becomes chaos, what is worth saving by Kate Colwell

You have one shoe box and twenty minutes until your house burns to the ground. What do you save? In Masterpieces of the Oral and Intangible Heritage of Humanity, Signature Theatre asks not o…

SOURCE: DC Theatre Scene at 12:22pm on March 9, 2019

Review: Indecent. Paula Vogel's play is incandescent at Baltimore Center Stage by Jayne Blanchard

"This play changed my life," proclaims shtetl tailor-turned-stage-manager Lemml (Ben Cherry) in Paula Vogel's incandescent Indecent, and as you look up in wonder at the candle and stage-lit …

SOURCE: DC Theatre Scene at 5:33pm on March 8, 2019

Arena Stage announces its 10 play season for 2019-2020 by Tim Treanor

In the 2019-2020 theater season, Arena Stage may well be the place to go to meet interesting people: the acid-tongued Texas Governor Ann Richards; Fidel Castro; Ken Ludwig's mom and dad, som…

SOURCE: DC Theatre Scene at 1:05pm on March 8, 2019

Crying Hands. Treatment of the deaf and disabled under Hitler and Mussolini by Keith Loria

"The growth of Nazism during the past few years frightens me. Today's populist politicians use rhetoric that is identical to Mussolini's and Hitler's propaganda. New generations need to be t…

SOURCE: DC Theatre Scene at 1:00pm on March 8, 2019

Review: Cirkus Cirkör's Limits. Swedish acrobatic troupe knows no limits. by Meaghan Hannan Davant

We here in Washington, DC are no strangers to a "political circuses," but it was hard to know what to expect from Swedish acrobatic troupe Cirkus Cirkör, whose past performances have been d…

SOURCE: DC Theatre Scene at 12:09pm on March 8, 2019

Review: Vanity Fair. Thackeray's novel gets a giddy, superficial stage adaptation by Alexander C. Kafka

"Vanity Fair is a very vain, wicked, foolish place," writes the Victorian novelist William Makepeace Thackeray, "full of all sorts of humbugs and falsenesses and pretensions." The title of T…

SOURCE: DC Theatre Scene at 12:02pm on March 6, 2019

Olney Theatre Center announces its 2019-2020 season by Tim Treanor

The 2019-2020 season  will be a busy one at Olney Theatre Center with 16 plays, concerts, and presentations as part of the company's 82nd season.  Musicals will frame the opening of th…

SOURCE: DC Theatre Scene at 2:51pm on March 5, 2019

Review: Blood at the Root by Dominique Morisseau at Theater Alliance by Debbie Minter Jackson

At the top of Dominique Morisseau's Blood at the Root, teens burst onto the stage in a blast of energy and music, reciting lines filled with wild rhythms and formations coming every which wa…

SOURCE: DC Theatre Scene at 2:30pm on March 5, 2019

Review: Twilight: Los Angeles, 1992. Rodney King witnessed by Jayne Blanchard

How can one play make you low in spirit but high on life? In less than two hours, Twilight: Los Angeles, 1992 takes you on a whip-smart ride between sadness that race and class issues remain…

SOURCE: DC Theatre Scene at 11:57am on March 5, 2019

Joy Zinoman's Studio Acting Conservatory finds a home, and Broadway producer pitches new idea for theatres seeking spaces by Lorraine Treanor

Joy Zinoman's Studio Acting Conservatory, which must vacate Studio Theatre this summer, will be safe to continue on, Zinoman announced on Kojo Nnamdi's show today. The City of Washington has…

SOURCE: DC Theatre Scene at 5:54pm on March 4, 2019

Review: Oil, a sprawling and ambitious drama, makes its American debut at Olney by Susan Galbraith

British playwright Ella Hickson gets an American premiere of her sprawlingly ambitious and provocative play at Olney Theatre Center. Oil is a play written up as a "nexus of oil, economics, a…

SOURCE: DC Theatre Scene at 11:29am on March 4, 2019

Review: Next Stop: North Korea. John Feffer's latest looks inside the world's most secretive society by Hannah Berk

Few foreign lands loom larger in the American imagination than North Korea, despite and because the average outsider knows almost nothing about the country. We're in the dark by design: the …

SOURCE: DC Theatre Scene at 10:50am on March 4, 2019

Quotidian announces 2 plays for 2019. by Tim Treanor

For its 2019 season, Quotidian will offer audiences the opportunity to see two plays which they may have missed during their runs earlier in the area. The season will open with Michael Holli…

SOURCE: DC Theatre Scene at 10:27am on March 4, 2019

We Three Queens of Richard the Third: Robynn Rodriguez, Lizan Mitchell and Sandra Shipley give insights into history's lesson by Christopher Henley

  I asked three actors, all playing female royalty in Richard the Third at Shakespeare Theatre Company, to talk about what might convince wavering potential audiences to see this producti…

SOURCE: DC Theatre Scene at 10:58am on March 1, 2019

The Washington Ballet's new Sleeping Beauty is both grand and intimate, a glittering success by Maria Di Mento

The Washington Ballet's new production of The Sleeping Beauty, running through Sunday at the Kennedy Center's Eisenhower Theater, is a breakthrough for D.C.'s hometown ballet company. It is …

SOURCE: DC Theatre Scene at 3:10pm on February 28, 2019

Amazon issue resolved, Synetic is safe in its Crystal City theatre through 2022 by Tim Treanor

Synetic Theater, Washington's acclaimed movement-based company, will remain in its Arlington, VA facility at least through late 2022, its landlord announced. Speculation about the fate of th…

SOURCE: DC Theatre Scene at 10:04am on February 28, 2019

Finding Neverland review. J.M. Barrie discovers his Peter Pan in this charming musical by Kelly McCorkendale

Seems poetic that The Boy Who Wouldn't Grow Up is well over 100 now and still as impish as ever in Finding Neverland. Peter Pan, the eternal boy, sprung from the mind of Scottish novelist…

SOURCE: DC Theatre Scene at 9:28am on February 28, 2019

Ford's Theatre announces its 4 show 2019-2020 season by Tim Treanor

Ford's Theatre will present two of the best-known theater stories in the English-speaking canon and two plays about outsiders in America in its 2019-2020 season, the company announced yester…

SOURCE: DC Theatre Scene at 9:14am on February 27, 2019

Review: The Head That Wears The Crown workshop shows promise for teen drama by Kate Gorman

Ally Theatre Company's production of The Head That Wears The Crown takes on intense subject matter, folding together high school relationships, sexual assault, eating disorders, and self-har…

SOURCE: DC Theatre Scene at 1:30pm on February 25, 2019

Review: Joe Calarco's Separate Rooms. From a young man's death come the two biggest questions of life by John Bavoso

Morrie Schwartz, the sociology professor and subject of Mitch Albom's bestselling book, Tuesdays with Morrie, once said, "Death ends a life, not a relationship. All the love you created is s…

SOURCE: DC Theatre Scene at 11:17am on February 25, 2019

Testosterone-fueled Dein Perry's Tap Dogs Bring Steel-tipped Beats from Down Under by Alexander C. Kafka

The 1990s were a percussive decade. New York brought in 'da Noise and 'da Funk and Stomped even as the Blue Men thrumbed their melodic PVC tubes. Meanwhile, in Australia, steel fitter turned…

SOURCE: DC Theatre Scene at 5:48pm on February 23, 2019

Separate Rooms is Joe Calarco's Big Chill. Why he entrusted its debut to a young company by Christopher Henley

"I hope it is funny and sexy " and moving, too." I had asked playwright Joe Calarco about Separate Rooms, his newest work; in particular, what about it would pique the interest o…

SOURCE: DC Theatre Scene at 10:56am on February 22, 2019

Review: Dickens's Davy Copperfield at Imagination Stage by Debbie Minter Jackson

Dickens's Davy Copperfield is the musical retelling of the classic tale that covers and crystalizes the first ten years in the hardscrabbe life of young "Davy". When Charles Dickens wrote it…

SOURCE: DC Theatre Scene at 10:53am on February 21, 2019

Reykjavík review. Steve Yockey's play gets Rorschach's signature treatment by Alan Katz

Truth be told, I've never been to Iceland. But I somehow doubt that Steve Yockey and Rorschach Theatre's horror-strewn and homo-centric vignettes in the rolling world premiere Reykjavík a…

SOURCE: DC Theatre Scene at 11:43am on February 20, 2019
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