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35,723 stories from The Guardian

Charles Wood obituary by Michael Coveney

Writer for stage, film and TV and screen whose experience as a soldier gave a passionate intensity to scripts including The Charge of the Light BrigadeSeveral of the playwrights who transfor…

SOURCE: The Guardian at 5:06pm on February 7, 2020

Return to Heaven review " all aboard for the dystopian merry-go-round by Sanjoy Roy

Tobacco Factory, BristolMark Bruce's latest work is sensationally stimulating but perilously dizzying and hard to stomach Mark Bruce is a fascinating, highly distinctive choreographer, his w…

SOURCE: The Guardian at 5:06pm on February 7, 2020

'I'm up for big crazy ideas!' Carlos Acosta's plans for Birmingham Royal Ballet by Lyndsey Winship

New artistic director aims to attract younger audiences and promises more than 20,000 tickets for £20 or less as company reveals 2020 programme Carlos Acosta has pledged to transform Birm…

SOURCE: The Guardian at 10:54am on February 7, 2020

The Haystack review " brainy GCHQ surveillance thriller by Mark Lawson

Hampstead theatre, LondonAl Blyth's debut play explores how far into the lives of citizens a state can pry, and the effects on the snoopers themselves After the movie Official Secrets, about…

SOURCE: The Guardian at 8:36am on February 7, 2020

Death of England review " Rafe Spall dazzles in punkish state-of-the-nation address by Arifa Akbar

National Theatre, LondonSpall is like a man possessed in Roy Williams' and Clint Dyer's hair-raising dramatic monologue about the grief and grievances of a working-class white male In the se…

SOURCE: The Guardian at 5:18am on February 7, 2020

I Think We Are Alone review " Frantic Assembly's tender sweep of connection by Kate Wyver

Theatre Royal PlymouthSix characters stalk the stage with boxes in the company's anniversary show, co-directed by Kathy Burke and Scott Graham I Think We Are Alone marks the 25th anniversary…

SOURCE: The Guardian at 8:03pm on February 6, 2020

Mám review " spellbinding gathering of music and memories by Lyndsey Winship

Sadler's Wells, LondonMichael Keegan-Dolan's new dance work is steeped in the landscape and culture of the Dingle Peninsula It starts out like a sinister cult: the mask of a black ram, a cur…

SOURCE: The Guardian at 11:18am on February 6, 2020

Asking for It review " sexual assault drama misses the mark by Kate Wyver

Birmingham RepThis adaptation of Louise O'Neill's novel has all the right intentions but offers cliches instead of real insight This sexual assault drama is entirely void of hope. A transfer…

SOURCE: The Guardian at 8:54am on February 6, 2020

Vignettes review " slender slices of life by female playwrights by Catherine Love

Hope Mill theatre, ManchesterThis collection of short plays by women features vivid characters and bears the bruises of the patriarchy Vignettes is an apt title for HER Productions' collecti…

SOURCE: The Guardian at 8:54am on February 6, 2020

Albion review " Mike Bartlett's thorny study of politics and patriotism by Arifa Akbar

Almeida, LondonRevived by Rupert Goold just over two years after its premiere, this subtle drama has grown with new meaning In 2017, Rupert Goold directed a state-of-the-nation play by Mike …

SOURCE: The Guardian at 8:54am on February 6, 2020

Ask Me Anything review " an astute untangling of adolescent angst by Mark Fisher

Live theatre, NewcastleA trio of actors try to provide answers for teenagers' anxieties in Paper Birds' razor-sharp show One teenager wants to know when you're ready to have a baby. Another…

SOURCE: The Guardian at 6:18am on February 6, 2020

Nigel Ng review " primetime culture-clash comedy by Brian Logan

Soho theatre, LondonThe Malaysian standup is strongest when he delivers adroit gags about Asian versus British stereotypes, from dogs to food allergies Asians do this and Brits do that. That…

SOURCE: The Guardian at 10:12am on February 5, 2020

Two review " marriage's endless boxing match pulls no punches in the pub by Mark Fisher

New Vic, Newcastle-under-Lyme Actors swap multiple characters to share stories and trade blows as pints are pulled and relationships dissected in Jim Cartwright's bittersweet comic drama The…

SOURCE: The Guardian at 9:06am on February 5, 2020

Jessica Hynes: 'Love isn't wishy washy " it's strength and power' by Kate Wyver

Taking a break from goofy sitcoms, the actor is sounding the climate-crisis alarm in Caryl Churchill's Far Away. She talks about finding hope in a violent dystopia 'You're in a world in whic…

SOURCE: The Guardian at 9:06am on February 5, 2020

Bob & Carol & Ted & Alice review " swinging 60s musical avoids revolution by Alexis Soloski

The Pershing Square Signature Center, New York Despite the presence of a sublime Suzanne Vega, a cheery musical adaptation of the 1969 movie about two couples is too unsure of itself Ten tho…

SOURCE: The Guardian at 4:06am on February 5, 2020

Robert Shaw's son revisits Jaws' stormy shoot in The Shark Is Broken by Chris Wiegand

Ian Shaw plays his actor father in West End play about the troubled production of Spielberg's first blockbuster When Robert Shaw was filming the blockbuster Jaws, the actor's young son came…

SOURCE: The Guardian at 4:06am on February 5, 2020

Black Waters: the dance exposing Britain's colonial horror by Lyndsey Winship

Phoenix Dance Theatre's show looks back to the Zong slave ship massacre and the Kālā PānÄ« prison torture. Three choreographers explain how they created it together How many peopl…

SOURCE: The Guardian at 4:06am on February 5, 2020

Endgame review " Daniel Radcliffe and Alan Cumming await a riveting apocalypse by Mark Lawson

Old Vic, LondonDeftly bringing out the humour in Samuel Beckett's lines, the two actors bring fresh life to a tale of imminent doom As a blind man and his valet swap evidence of personal and…

SOURCE: The Guardian at 7:54pm on February 4, 2020

I don't care who wrote Shakespeare, says RSC artistic director by Mark Brown Arts Correspondent

Theatre to stage adaptation of Henry VI series, the subject of disputes over authorship William Shakespeare almost certainly did not write Henry VI Part 1 " but it doesn't matter, the Royal …

SOURCE: The Guardian at 10:36am on February 4, 2020

Terry Hands left our theatre infinitely richer than he found it by Michael Billington

The former RSC director had a stellar career, seeing the depth in derided plays and restoring the Histories to their rightful stage I was saddened to hear of the death of Terry Hands at the …

SOURCE: The Guardian at 10:36am on February 4, 2020

Howay the laughs! Is there a Geordie sense of humour? by Rachael Healy

We're brutal, awkward, daft and surreal, say the rising stars of Tyneside's booming comedy scene. Our writer braces herself for a gag-heavy night on the toon Anyone who's had a night out in …

SOURCE: The Guardian at 10:36am on February 4, 2020

Bruno Latour: 'Trump and Thunberg inhabit different planets' by Andrew Todd

The French philosopher is making a drama out of a social, cosmic and climate crisis in his new show, Moving Earths The philosopher Bruno Latour is a showman of difficult truths. In his stran…

SOURCE: The Guardian at 1:36am on February 4, 2020

Disney to bring hit musical Hamilton to the big screen by Guardian Staff

In what's allegedly a record-breaking $75m deal, the Pulitzer prize-winning stage musical, with the original cast, will land at cinemas worldwide in 2021 The hit Pulitzer prize-winning music…

SOURCE: The Guardian at 7:03pm on February 3, 2020

Mark Gatiss to star in own stage adaptation of A Christmas Carol by Chris Wiegand

Gatiss to play ghost of Ebenezer Scrooge's business partner, Jacob Marley, in his version of Charles Dickens novella He has long written Christmas ghost stories for television and now Mark G…

SOURCE: The Guardian at 2:48pm on February 3, 2020

Manipulate festival review " dazzlingly inventive and extravagantly bizarre by Mark Fisher

Summerhall, Edinburgh Annual festival of visual theatre delivers a busy mix of puppetry, silent comedy, modern dance and the hard to define When you're used to performing to four people, an …

SOURCE: The Guardian at 8:48am on February 3, 2020
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