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35,723 stories from The Guardian

Josie Lawrence: 'Of course I don't think I'm sexy!' by Zoe Williams

Whose Line Is It Anyway? made her a household name. But, more than 30 years on, does the queen of improv also think it held her back? She talks about ambition, sexism and her lucky escape fr…

SOURCE: The Guardian at 2:54pm on February 25, 2020

Watergate meets His Girl Friday: Irish news caper The Fall of the Second Republic by Helen Meany

A vaudeville thriller set around a Dublin newspaper in 1973 uses knockabout humour to parallel modern-day geopolitics 'General swearing and delight" is playwright Michael West's winning stag…

SOURCE: The Guardian at 2:54pm on February 25, 2020

LA Dance Project review - molten moves from the dynamic dozen by Chris Wiegand

LA Dance Project In Benjamin Millepied's piece I Fall, I Flow, I Melt, mostly performed to Bach, the dancers sparkle like sun on the ocean On the edge of the Los Angeles Arts District, the h…

SOURCE: The Guardian at 3:24pm on February 24, 2020

'This is the new standard for spectacle': fans react to the Back to the Future musical by Lucy Campbell

Audience members give their verdict on the musical version of the 1985 hit movie, which has premiered in Manchester ahead of a West End transfer Fans of 1985 pop culture phenomenon Back to t…

SOURCE: The Guardian at 11:48am on February 23, 2020

'She taught me to love my skin': Viviana Durante unveils gift to Isadora Duncan by Lyndsey Winship

Until her death in a freak accident, the 'radical and shocking' Isadora Duncan transformed dance. Now her feminist free spirit struts the stage again 'You'll have to excuse me, I'm just tryi…

SOURCE: The Guardian at 11:48am on February 23, 2020

The Father review - Alfred Molina is tremendous in Florian Zeller's tragic farce by Chris Wiegand

Pasadena Playhouse, Los AngelesThe actor brings out the dark humour in Zeller's modern classic about a man with dementia, fluctuating from absurdity to despair in a heartbeat It is more tha…

SOURCE: The Guardian at 10:42am on February 23, 2020

The week in theatre: A Number; The Visit; Alone in Berlin " review by Susannah Clapp

Bridge; Olivier, London; Royal & Derngate, NorthamptonCloned siblings cast fleeting shadows in a vivid Caryl Churchill revival, while Lesley Manville dazzles in an unwieldy revenge drama…

SOURCE: The Guardian at 6:54am on February 23, 2020

The week in dance: The Cellist/Dances at a Gathering; Message in a Bottle " review by Sarah Crompton

Royal Opera House; Peacock theatre, LondonJacqueline du Pré's life story is translated into a powerfully affecting ballet by Cathy Marston, while Kate Prince defies the odds with a refugee …

SOURCE: The Guardian at 1:54am on February 23, 2020

The Upstart Crow review " a sitcom ripe for a theatrical remake by Holly Williams

Gielgud, LondonDavid Mitchell makes a rollicking stage debut as the Bard in this bawdy adaptation of Ben Elton's BBC series Of all the sitcoms to be turned into a stage show, Upstart Crow is…

SOURCE: The Guardian at 1:54am on February 23, 2020

Quality Street review " a box of mixed delights by Clare Brennan

Viaduct theatre, HalifaxThis adaptation of JM Barrie's 1901 romcom doesn't always hit the mark, but it roars to the sweetest conclusionTo some readers, the name Quality Street may conjure ga…

SOURCE: The Guardian at 1:54am on February 23, 2020

'We can't stand by this any more': inside the West Side Story premiere protest by Adrian Horton In New York

Broadway opening was met with about 100 demonstrators, frustrated with a perceived mishandling of a #MeToo controversy The opening night of Belgian auteur Ivo van Hove's gritty reimagining o…

SOURCE: The Guardian at 2:42pm on February 21, 2020

Smile review " Dundee United's 'football pervert' brought to hilarious grimacing life by Mark Fisher

Dundee RepTitle-winning coach Jim McLean is played with raging mastery by Barrie Hunter in a two-hander that pulls some punches He was the manager described by one player as a "football perv…

SOURCE: The Guardian at 12:18pm on February 21, 2020

Frances Cuka obituary by Michael Coveney

Prolific character actor on stage and screen, from Shakespearean classics to Friday Night Dinner and CasualtyAlthough she became one of the most loved and reliable of character actors on sta…

SOURCE: The Guardian at 7:36am on February 21, 2020

West Side Story review " gritty Broadway revival is a bold blockbuster by Adrian Horton

Broadway Theatre, New York Ivo van Hove's striking new take on the much-loved romantic musical brings sharpness and show-stopping choreography to the table It is nearly impossible to take on…

SOURCE: The Guardian at 7:36am on February 21, 2020

A playwright wants only critics of color to review her. Here's what our own critics think by Poppy Noor

The Indigenous artist Yolanda Bonnell says criticism should 'come from a place of knowledge'. We asked Guardian critics for their views When Yolanda Bonnell's play Bug opened in Toronto last…

SOURCE: The Guardian at 7:36am on February 21, 2020

Alina Cojocaru review " goosebumpy delight and gems amid disjointed evening by Lyndsey Winship

Sadler's Wells, LondonThe English National Ballet's luminous lead principal here creates her own show, ranging from Frederick Ashton to Arvo Pärt and two superb short films It's impossible …

SOURCE: The Guardian at 7:36am on February 21, 2020

Pass Over review " fiercely relevant and compelling by Arifa Akbar

Kiln, LondonAntoinette Nwandu's powerful absurdist urban tragedy sees two black homeless men " cowed by the ever-present threat of police brutality " pursue their own American dream Antoinet…

SOURCE: The Guardian at 11:24am on February 20, 2020

Message in a Bottle review " Sting soundtracks a blistering hip-hop tale of refugees by Lyndsey Winship

Peacock theatre, London A compelling cast pour their hearts into Kate Prince's jukebox tale of civil war, trafficking and three siblings separated as refugees A hip-hop dance show set to the…

SOURCE: The Guardian at 11:24am on February 20, 2020

Quality Street review " JM Barrie's bittersweet romcom is a treat by Mark Fisher

Viaduct theatre, HalifaxShakespeare meets Richard Curtis in the play that gave its name to the chocolates, carried by boisterous performances and sweet-wrapper chic As the new artistic direc…

SOURCE: The Guardian at 11:24am on February 20, 2020

David Mitchell: 'I see myself as a coward' by Tim Jonze

The former Peep Show star felt right at home playing a lily-livered journalist in Michael Winterbottom's film Greed. He talks about marriage, capitalism " and Armageddon 'I find nuclear war…

SOURCE: The Guardian at 7:54am on February 20, 2020

'It's about German guilt': Why The Tin Drum still divides audiences by Philip Oltermann In Berlin

The stage version of Günter Grass's 1959 novel is set to open in London " with its 'unbearable' protagonist and tales of Nazi collaboration, it's as controversial as ever Every audience lov…

SOURCE: The Guardian at 7:54am on February 20, 2020

'It's really special': the ballet company shaking up the world of dance by Alexandra Villarreal

By hiring a diverse range of dancers, the directors of Complexions Contemporary Ballet are working to change tired stereotypes When Jillian Davis is on stage, it's hard to watch anyone else.…

SOURCE: The Guardian at 6:06pm on February 19, 2020

National Theatre boss denies being part of 'left-of-centre elite' by Mark Brown Arts Correspondent

Rufus Norris rebuffs Downton creator Julian Fellowes' claim that NT is in a cultural bubble Rufus Norris, the director of the National Theatre, has taken aim at a suggestion he is in a "left…

SOURCE: The Guardian at 6:06pm on February 19, 2020

A Number review " Caryl Churchill's clone fable counts cost of progress by Arifa Akbar

Bridge theatre, London Roger Allam plays a father with multiple versions of the same son in a drama that feels like an early noughties Black Mirror Caryl Churchill wrote A Number in 2002, wh…

SOURCE: The Guardian at 6:06pm on February 19, 2020

Be More Chill review " glorious misfit musical for the age of oddballs by Arifa Akbar

The Other Palace, LondonThe soaring joys and plunging agonies of adolescence are treated with humour and heart in this refreshing arrival from Broadway 'There's never been a better time in h…

SOURCE: The Guardian at 6:18pm on February 18, 2020
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