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2,221 stories from stagebuddy.com

Review: Tiny Beautiful Things by Ariana Rudes

If you leave Tiny Beautiful Things, which opened last night at The Public's Newman Theater, without having wept along with the rest of the audience for at least a few moments, you make up th…

SOURCE: stagebuddy.com at 4:41pm on October 3, 2017

Fall 2017 Theatre Preview: Don't Miss These Off-Broadway Shows by Erin Kahn

Summer is over. And while that may mean an end of Shakespeare in the Park and several other Off-Broadway productions, there’s still plenty of theater to enjoy in the fall. Trying to li…

SOURCE: stagebuddy.com at 4:38pm on October 3, 2017

Review: Blood Boundary by Saima Huq

Blood Boundary, a play set in 1920s Oklahoma right before the 1921 Tulsa Race Riot, depicts a family with Cherokee roots but different skin tones, and what that means to themselves and each …

SOURCE: stagebuddy.com at 5:20pm on October 2, 2017

Review: A Clockwork Orange by K Krombie

"What's it gonna be then, eh?" Well well well, one scenario could be a Hi-NRG music video featuring the dancing droogs. Another, the once seen never forgotten Pacino movie Cruising. Such ass…

SOURCE: stagebuddy.com at 4:04pm on October 2, 2017

Review: Desperate Measures by Erin Kahn

In this day and age, writing a musical in rhyming iambic pentameter is a little gutsy. To pull it off, you’re going to need a good playwright and a darn good cast. Happily, The York Th…

SOURCE: stagebuddy.com at 1:49pm on October 2, 2017

Review: Wicked Clone or how to deal with the evil by Erin Kahn

Wicked Clone or how to deal with the evil, the cinema musical at St. Luke’s Theatre penned and performed by the Indiggo Twins, has a lot going for it. For one thing, the twins themselv…

SOURCE: stagebuddy.com at 1:36pm on October 2, 2017

Review: Mary Jane by Kathryn Kelly

I shouldn't be surprised that an offering at New York Theatre Workshop would be an exceptional piece of theater, but Amy Herzog's Mary Jane directed by Anne Kauffman, transcends even the hig…

SOURCE: stagebuddy.com at 11:59am on October 2, 2017

Interview: Max Posner on Turning Family Secrets into "The Treasurer" by Emily Gawlak

It's tempting to want to distance yourself from the main character of Max Posner's new play, The Treasurer. Referred to only as the Son, he's a hardworking geologist, a loving husband, and a…

SOURCE: stagebuddy.com at 1:30pm on September 30, 2017

Review: Brilliant Traces by Aron Canter

Brilliant Traces, written by Cindy Lou Johnson and directed by David Newer, is a love story set in a remote cabin in Alaska during a whiteout between a woman who is running away because she …

SOURCE: stagebuddy.com at 1:06pm on September 30, 2017

Review: Peccadillo Theater Company's 'The Show-Off' by Bill Crouch

The sets are gorgeous, the costumes are gorgeous and frankly, Annette O'Toole is really, really gorgeous, too. Oh, sure, they've tried to tone her down, as the acidulous and earthy Mrs. Fish…

SOURCE: stagebuddy.com at 9:00pm on September 28, 2017

Review: Classic Stage Company's 'As You Like It' by Navida Stein

In John Doyle's pared down As You Like It, opening Classic Stage Company's 50th season, the forest of Arden is not filled with trees but rather a grove of globe-shaped lights hanging f…

SOURCE: stagebuddy.com at 7:15pm on September 28, 2017

Review: Pomengenade by Aron Canter

The Arctic Group’s Pomegrenade, written and directed by Ran Xia and performed at IRT, a cozy little space a stone’s throw from the Hudson River, is a Chuck Mee-style reimagining …

SOURCE: stagebuddy.com at 2:29pm on September 28, 2017

Review: Monica Bill Barnes and Company's "One Night Only (running as long as we can)" by Aron Canter

Monica Bill Barnes and Anna Bass are the most fun choreographers ever. They may also be the most fun people ever, but I haven’t met everyone so who can say. What you may miss at their …

SOURCE: stagebuddy.com at 1:37pm on September 28, 2017

Review: KPOP by Jose Solis

Pop music is often judged and misunderstood for its lack of substance and depth, as if catchiness and joy were any less important than the depictions of pain and loss explored in other music…

SOURCE: stagebuddy.com at 9:47am on September 28, 2017

Interview: Rinde Eckert on The Mask of Performance and Starring in 'My Lai' by Jose Solis

Rinde Eckert defies the conventions of form and structure with his boundary-pushing works which combine opera, musical theatre, film and dance. As a librettist he's reinvented works of liter…

SOURCE: stagebuddy.com at 9:41pm on September 27, 2017

Review: The Treasurer by Mark Dundas Wood

We seem to experience bursts of elation whenever some whiz-bang gerontologist suggests that human life can be extended in ways previously considered impossible. It's as if we've all been off…

SOURCE: stagebuddy.com at 9:00pm on September 26, 2017

Review: Up the Rabbit Hole by Bill Crouch

Andy Halliday's new play at Theatre for the New City, Up the Rabbit Hole, is a tale sweetly told, autobiographical in nature and well cast (kudos to David McDermott). Evenly directed by G…

SOURCE: stagebuddy.com at 8:00pm on September 26, 2017

Review: Street Theater by Bill Crouch

TOSOS (The Other Side of Silence) was an Off-Broadway theater company run by the inimitable Doric Wilson, whose passing was felt deeply by the Off- and Off-Off Broadway theatre community he …

SOURCE: stagebuddy.com at 1:31pm on September 26, 2017

Review: Petie by Aron Canter

In Petie, a new play written by and starring Lori Fischer and directed by Martha Banta, the dark mistakes that haunt us never leave the downstage corner of our minds. This well-performed, th…

SOURCE: stagebuddy.com at 12:12pm on September 26, 2017

Interview: Puppeteer James Godwin on 'The Flatiron Hex' by Jose Solis

Puppeteer James Godwin is bringing back his critically acclaimed show The Flatiron Hex to New York, where it’s running at HERE Arts Center through the end of September. We caught up wi…

SOURCE: stagebuddy.com at 12:12pm on September 26, 2017

Interview: Joshua Holden on Spreading Kindness Through 'The Joshua Show' by Jose Solis

After the success of the first installment of The Joshua Show, puppeteer Joshua Holden wanted to spread more kindness and good vibes to audience members of all ages, which is why he’s …

SOURCE: stagebuddy.com at 12:08pm on September 26, 2017

Interview: Rachel Tucker on Playing Elphaba and Singing at Feinstein's/54 Below by Jose Solis

Rachel Tucker is making her Feinstein’s/54 Below solo debut this week. We caught up with her via e-mail to learn what she has in store for the shows, playing beloved characters, and ho…

SOURCE: stagebuddy.com at 10:00am on September 26, 2017

Interview: Kenneth Mattice and Anastasia Malliaras on the World Premiere of 'TESLA' by Erin Kahn

TESLA, a multidisciplinary opera about inventor Nikola Tesla, who lived around the turn of the 19th century, premieres this week at SoBe Arts in Miami Beach, Florida. Written by Carson Kievm…

SOURCE: stagebuddy.com at 3:16pm on September 25, 2017

Review: Edgar Allan by Erin Kahn

  When his two guardians ship eleven-year-old Edgar Allan off to boarding school, he couldn’t be happier. It’s a chance to sharpen his skills and gain an unparalleled educat…

SOURCE: stagebuddy.com at 1:28pm on September 25, 2017

Review: Sur Les Traces De Dinozard (In Search of Dinozord) by Tami Shaloum

The tortured history of the Democratic Republic of Congo (DRC) is transmitted through Congolese choreographer Faustin Linyekula's Sur Les Traces De Dinozard (In Search of Dinozord) at NYU Sk…

SOURCE: stagebuddy.com at 12:20pm on September 25, 2017
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