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2,042 stories from The Theatre Times

"Dream Hou$e""The Costs of Home by Donald Brown

Review of Eliana Pipes' Dream Hou$e, Long Wharf Theatre The question of heritage gets sounded early in Eliana Pipes' play Dream Hou$e. Set in the ancestral home of sisters Julia (Darilyn Cas…

SOURCE: thetheatretimes.com at 2:35pm on March 24, 2022

"Red Pitch", Bush Theatre by Aleks Sierz

Football stories are never just about a game " they are also about life and how to live it. In Tyrell Williams's Red Pitch, his debut play now getting an enthusiastically energetic stagin…

SOURCE: thetheatretimes.com at 5:09pm on March 23, 2022

"The Hunchback of Notre Dame" Brings 15th-Century Paris to Istanbul by Irem Yasar

Adapted from Hugo's popular novel, the musical presents sections from the post-revolutionary dark days of the imperial period in France and depicts the place of fate in people's lives and th…

SOURCE: thetheatretimes.com at 3:26am on March 22, 2022

Performing Arts Conference Sets the Pace for Future Theatrical Discourse by Alexander Nderitu

'Whatever you teach action, it out. If you teach music, sing. If you teach language, write a novel. If you teach drama, act.' The full version of the article Performing Arts Conference Se…

SOURCE: thetheatretimes.com at 3:26am on March 21, 2022

"The Smallest Stage" is an Intricately-Crafted Play for Families about Incarceration " And The Power of Stories by Leah Mercer

Review: The Smallest Stage, by Kim Crotty for Perth Festival A small, white rectangle taped onto the wide, open expanse of the Studio Underground playing space is a literal representation of…

SOURCE: thetheatretimes.com at 12:12pm on March 20, 2022

ProEnglish Theatre in Kyiv: It's Important that Art Doesn't Stop during War by Borisav Matić

On the first day of the Russian invasion, the ProEnglish Theatre in Kyiv, the only English-speaking theatre in Ukraine, transformed its premises into a bomb shelter for artists and locals. B…

SOURCE: thetheatretimes.com at 12:25pm on March 19, 2022

"The Forest," Hampstead Theatre by Aleks Sierz

Let's start with stereotypes: British theater is naturalistic, down-to-earth and explains everything clearly to the audience; Continental drama is absurdist, abstract and suggests rather tha…

SOURCE: thetheatretimes.com at 12:12pm on March 18, 2022

"Shirley Valentine" Review: TOTB by Beverley Brommert

SHIRLEY VALENTINE. Director: Gina Shmukler. Cast: Natasha Sutherland. Theatre on the Bay. Astute direction by Gina Shmukler and a committed performance from Natasha Sutherland bring out all …

SOURCE: thetheatretimes.com at 12:12pm on March 17, 2022

The Plight of DREAMers Moves To A National Stage; Maybe This Will Truly Help by Tony Valdovinos

Sadly, social justice for DREAMers <DREAMers are undocumented individuals who were brought into the United States as children. These individuals, adults and children, are able to remain i…

SOURCE: thetheatretimes.com at 4:08am on March 16, 2022

Fever by Evelin Bizjak

Mladinsko Theatre, premiered on 12th October 2021 At the beginning of the second decade of the 21st century, ecology and the environment remain under-represented and under-theorized both on …

SOURCE: thetheatretimes.com at 4:07am on March 15, 2022

The Pandemic Nearly Killed Theatre " The Creative Way It Fought Back Could Leave It Stronger by Stephen Langston

When the UK went into lockdown in 2020, its multibillion-pound theatre industry could have ceased to exist. However, the vacuum caused by this physical shutdown served in many cases as…

SOURCE: thetheatretimes.com at 4:07am on March 14, 2022

Musical Theatre Actors of Ukraine in War by Tanya Vasylkevych

Kiev National Academic Operetta's Theater actors are speaking from the epicenter of war in Ukraine, telling how they met the war, their first thoughts, and feelings, and commenting on what i…

SOURCE: thetheatretimes.com at 11:02pm on March 12, 2022

"Clouds Like Waves" Review by Karen Rutter

CLOUDS LIKE WAVES. Written by Megan Choritz. Directed by Megan Choritz and Rudy Nadler-Nir. With Coleen van Staden, Micharn Pollock, Nic Leonidas, Peggy Tunyiswa, Roy Hunter, Royston Stoffel…

SOURCE: thetheatretimes.com at 2:47am on March 12, 2022

Editorial for International Online Theatre Festival (IOTF) by Xunnan Li

Having been trained as a theater actor and director, I have been engaged with many kinds of theatre festivals in the past years. Also, having written for the China spotlight section of The T…

SOURCE: thetheatretimes.com at 3:33pm on March 11, 2022

Medical Science and the Irony of Sex Education by Sindhu Nagaraj

The Amazing Flabby-Breasted Virgin shows the poor light in which women's bodies are seen in the medical community. The Amazing Flabby-Breasted Virgin & Other Sordid Tales: read the title…

SOURCE: thetheatretimes.com at 12:19pm on March 10, 2022

"One Arm" Review: Artscape by Beverley Brommert

ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer and Matthew Baldwin. Artscape Arena. BEVEREY BROMMERT reviews One Arm, the stage adaptation…

SOURCE: thetheatretimes.com at 12:18pm on March 9, 2022

Still a Bitter Pill: An Involving Play of Love and Loss by Donald Brown

This Bitter Earth is another good choice of an intimate, well-scripted play for TheaterWorks by Artistic Director Rob Ruggiero, letting audiences experience a meaningful take on the issues o…

SOURCE: thetheatretimes.com at 12:18pm on March 8, 2022

Mariana Bodnar from Ukrainian Musical Theatre: We Woke Up in the New Reality by Tanya Vasylkevych

This conversation with Mariana Bodnar "‌ Ukrainian singer (soprano), musical theater actor-vocalist, soloist of the National Operetta Theatre of Ukraine" is divided into two parts in a…

SOURCE: thetheatretimes.com at 3:31pm on March 7, 2022

Nicoleta Esinencu: On Making Enemies and Creating Communities by Tom Mustroph

Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK YOU, Eu.ro.Pa. Tom Mustroph talks to her about Symphony of Progress, her new production for Ber…

SOURCE: thetheatretimes.com at 5:42am on March 6, 2022

"The Double Life" by Natasha Tripney

Teatri Oda, Prishtina (part of the Kosovo Theatre Showcase) There are more people in the world who are either functionally bilingual or multilingual than those who are monolingual. While man…

SOURCE: thetheatretimes.com at 5:42am on March 5, 2022

Free Performance: A Response to metaLAB's futureStage Manifesto by Ilinca Todoruţ

On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by futureStage Research Group at metaLAB at Harvard, a group of 40 leading thinkers in performing arts.Â…

SOURCE: thetheatretimes.com at 12:12am on March 4, 2022

A Celebration of Wondering: "The Hang" is a party you won't want to miss by Marcina Zaccaria

I was instantly transported into the world of the play as soon as I walked into the theater. A mismatch assortment of upholstered chairs made up the small audience, butting right up against …

SOURCE: thetheatretimes.com at 12:59pm on February 10, 2022

"I Thought I Could Read God's Mind": Katrin Arefy's "The Portrait of An Angel, A Lion, A Monster" by Emily Cordes

When reflecting on the experiences, and people, that have shaped us, certain individuals may emerge as recurring figures in our personal stories. More pointedly, when someone disappears and …

SOURCE: thetheatretimes.com at 12:58pm on February 10, 2022

Samuel Beckett and Tadeusz Różewicz: Shared Themes and Motifs by Tomasz Wiśniewski

INTRODUCTION This article is comparative in approach and introduces the work of two classic post-war dramatists, Samuel Beckett and Tadeusz Różewicz. Both artists are usually perceived…

SOURCE: thetheatretimes.com at 12:55pm on February 9, 2022

"Peggy For You," Hampstead Theatre by Aleks Sierz

Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent was honored with a meticulous biography by Colin Chambers and a personal memoir by Simon Cal…

SOURCE: thetheatretimes.com at 12:19pm on February 2, 2022
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