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3,491 stories from The Arts Desk

Macbeth, Almeida Theatre review " vivid, but much too long by Aleks.sierz

Saoirse Ronan makes her UK stage debut in Yaël Farber's testosterone-fest Remembering the months of lockdown, I can't be the only person to thrill to this play's opening lines, "When sha…

SOURCE: The Arts Desk at 9:18pm on October 14, 2021

First Person: Rachel O'Riordan on the enduring power of a sad, funny, and extraordinary play by Rachel O'Riordan

The director on the renewed power of Martin McDonagh's 'The Beauty Queen of Leenane' 25 years on The Beauty Queen of Leenane is a vicious, sad and extraordinary play. On the surface, Marti…

SOURCE: The Arts Desk at 8:03pm on October 12, 2021

'The din is loud these days': playwright Cordelia Lynn on her imminent premiere at the Donmar Warehouse by Cordelia Lynn

The author of 'Love and Other Acts of Violence' sets out her stall As I write this, we've just had our final day in the rehearsal room and are going into tech onstage next week with my new …

SOURCE: The Arts Desk at 9:42pm on October 10, 2021

First Person: Andrea Levy's husband recalls her path toward becoming a novelist by Bill Mayblin

A look back at the road to renown paved by the author of 'The Long Song' The opening sentence of Andrea's 2010 historical novel The Long Song is in the voice of Thomas Kinsman, who is intro…

SOURCE: The Arts Desk at 10:12am on October 7, 2021

The Mirror and the Light, Gielgud Theatre review - nobody expects the Spanish Inquisition by Ismene Brown

**THE MIRROR AND THE LIGHT Mantel self-adapts, and eviscerates, her novel on stage Third time round, Hilary Mantel self-adapts, and eviscerates, her novel on stage The first two stage adapta…

SOURCE: The Arts Desk at 10:12am on October 7, 2021

Metamorphoses, Sam Wanamaker Playhouse review - punchy, cleverly reworked classic by Rachel Halliburton

Any figure in Roman mythology today would be at the pointy end of cancel culture Ovid was exiled " or to put it in twenty-first century terms, 'no-platformed' " by an indignant Emperor Augus…

SOURCE: The Arts Desk at 8:03am on October 7, 2021

What If If Only, Royal Court review - short if not sweet by Gary Naylor

★★★★ WHAT IF IF ONLY Caryl Churchill's short play considers the despair of grief and the optimism of hope A beautifully staged reflection on the pain of confronting l…

SOURCE: The Arts Desk at 8:42am on October 5, 2021

Hamlet, Young Vic review - Cush Jumbo flares in a low-key production by Heather Neill

Youthful Elsinore reflects life in present-day London It is a truism that every Hamlet is different, depending more than any other play on the casting of the lead. Each production moulds it…

SOURCE: The Arts Desk at 10:42pm on October 4, 2021

curious, Soho Theatre review - a young playwright puts herself centre-stage by Helen Hawkins

Can a runaway slave help a black actress love the theatre more? Jasmine Lee-Jones has a hard act to follow - namely, herself. Her award-winning 2019 debut play, seven methods of killing kyli…

SOURCE: The Arts Desk at 11:36pm on October 3, 2021

How to Survive an Apocalypse, Finborough Theatre review - millenarian millennials by Laura De Lisle

Canadian writer Jordan Hall's exploration of modern relationships provokes without fully satisfying Despite its painfully relevant title, How To Survive An Apocalypse was written in 2016. I…

SOURCE: The Arts Desk at 11:36pm on October 3, 2021

The Normal Heart, National Theatre review " Ben Daniels triumphant by Aleks.sierz

Larry Kramer's modern AIDS classic retains all of its passionate glory Hypocrisy. Is this the right word? I don't mean the play, but the audience. Of course, in the middle of the current COV…

SOURCE: The Arts Desk at 3:54pm on October 3, 2021

Witness for the Prosecution, London County Hall review - return of Agatha Christie's gripping courtroom drama by Heather Neill

This serpentine classic is perfectly placed in every sense Lucy Bailey's production of Christie's Witness for the Prosecution, first staged at County Hall in 2017, has a few years to make up…

SOURCE: The Arts Desk at 8:03pm on September 30, 2021

Back to the Future: The Musical, Adelphi Theatre review - a spectacular West End show to delight fans old and new by Gary Naylor

★★★★ BACK TO THE FUTURE: THE MUSICAL, ADELPHI THEATRE A spectacular West End show to delight fans old and new Whether you've seen the movie ten times or never, thi…

SOURCE: The Arts Desk at 8:48am on September 28, 2021

Shining City, Theatre Royal Stratford East review - occasional sluggishness alongside a true star turn by Tom Teodorczuk

Conor McPherson play from 2004 fumbles at the finish line When Brendan Coyle, playing a modestly magnetic widower and sales rep called John in this revival of Conor McPherson's 2004 playÂ�…

SOURCE: The Arts Desk at 8:36am on September 27, 2021

The Last Five Years, Garrick Theatre review - bittersweet musical treat gets West End upgrade by Gary Naylor

★★★★ THE LAST FIVE YEARS, GARRICK THEATRE Jason Robert Brown's semi-autobiographical show gets a West End upgrade  Flaws remain, but audiences will lap up the g…

SOURCE: The Arts Desk at 7:06am on September 25, 2021

Black British Musical Theatre 1900-1950, Wigmore Hall review " a disappointing missed opportunity by Bernard Hughes

Lecture-recital leaves more questions than answers about an interesting subject The Wigmore Hall is a bastion of white musicians playing the music of white composers to a largely white audie…

SOURCE: The Arts Desk at 9:03am on September 22, 2021

Blithe Spirit, Harold Pinter Theatre review - an amusing, if dated, revival of the Coward classic by Gary Naylor

★★★ BLITHE SPIRIT, HAROLD PINTER THEATRE Jennifer Saunders delights her fans in classic comedy Jennifer Saunders delivers a fine turn as the celebrated Madame Arcati in …

SOURCE: The Arts Desk at 9:03am on September 22, 2021

Camp Siegfried, Old Vic review - the banality of evil, brilliantly served up by Matt Wolf

Bess Wohl two-hander gets a superlative production A stealthily powerful play gets the production of its dreams in Camp Siegfried, which marks a high-profile UK presence for the American wr…

SOURCE: The Arts Desk at 8:48am on September 21, 2021

The Lodger, Coronet Theatre review - underdeveloped family drama by Laura De Lisle

Strong performances and a gorgeous set just about save a lacklustre script The Coronet Theatre is a beautiful space " it's a listed Victorian building, and the bar's like something out of a …

SOURCE: The Arts Desk at 3:18am on September 21, 2021

Is God Is, Royal Court review " blister, flare and burn, baby, burn by Aleks.sierz

Aleshea Harris's award-winning play is a thrillingly satirical mash up God is a tricky one. Or should that be One? And definitely not a He. So when she says take revenge, then vengeance is …

SOURCE: The Arts Desk at 7:12pm on September 16, 2021

Indecent, Menier Chocolate Factory review - cabaret-style depiction of a rapidly changing world by Rachel Halliburton

An intriguing if flawed evening, boosted by ebullient ensemble work Indecent is a play wrapped inside a news story about stigma. Playwright Paula Vogel was at Cornell University when she…

SOURCE: The Arts Desk at 6:54am on September 15, 2021

First Person: theatre director Christopher Haydon on how the Rose Theatre, Kingston, can bloom anew by Christopher Haydon

The former artistic director of the Gate Theatre moves his theatrical vision further west Programming a theatre during a pandemic has been like trying to nail jelly to a set of constantly mo…

SOURCE: The Arts Desk at 6:36am on September 13, 2021

The Memory of Water, Hampstead Theatre review " uneasy tragi-comedy by Aleks.sierz

Sombre revival of Shelagh Stephenson's 1996 classic about three sisters Memories are notoriously treacherous " this we know. I remember seeing Shelagh Stephenson's contemporary classic at th…

SOURCE: The Arts Desk at 4:18pm on September 12, 2021

Leopards, Rose Theatre, Kingston review - a no-thrill thriller about sex and power by Ismene Brown

** LEOPARDS, KINGSTON When the trousers come off and the handcuffs go on, the climax is the sexual politics lecture   When the trousers come off and the handcuffs go on, the climax is the…

SOURCE: The Arts Desk at 8:18pm on September 8, 2021

Frozen, Theatre Royal Drury Lane review - twinkling spectacle with a sincere drama at its heart by Marianka Swain

The stage version of the beloved animation looks set to become a West End staple Let it snow! The Broadway musical adaptation of the Disney film behemoth Frozen premiered back in 2018 and no…

SOURCE: The Arts Desk at 8:18pm on September 8, 2021
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