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7,984 stories from Los Angeles Times

'Madama Butterfly' like never before: Sung in Japanese and English, with ethnically accurate casting by Catherine Womack

Ah, "Madama Butterfly," Puccini's classic operatic tale about a Japanese geisha and an American Navy lieutenant who meet in Nagasaki and fall in love as they sing to each other "" in Italian…

SOURCE: Los Angeles Times at 8:00am on April 3, 2019

Gillian Anderson on wiping off the makeup and getting real in 'All About Eve' by Emily Zemler

Early on in the London stage production of "All About Eve," Gillian Anderson's Margo Channing removes her stage makeup in a bright dressing room mirror. As she swipes away the layers, Anders…

SOURCE: Los Angeles Times at 1:50pm on April 2, 2019

Age 28, going on 12: How adult actors pull off playing children onstage by Stuart Miller

When does 28 equal 12? Or 41 equal 8? And how is it even possible that 22, 25 and 35 could all equal 11? The answer: When you are casting grown-ups to play kids onstage. Sure, boys will stil…

SOURCE: Los Angeles Times at 9:30am on April 1, 2019

'The Little Mermaid' live at the Hollywood Bowl with Lea Michele and Cheech Marin by Jessica Gelt

Disney's "The Little Mermaid" live concert is set to return to the Hollywood Bowl next month just in time for the film's 30th anniversary, with Lea Michele as golden-voiced mermaid Ariel, Ch…

SOURCE: Los Angeles Times at 9:00am on April 1, 2019

Review: Unconventional 'What the Constitution Means to Me' supremely argues the case for women by Charles McNulty

Actor and playwright Heidi Schreck, former high school oratorical champion, brings her one woman show, "What the Constitution Means to Me," to Broadway at a time when her old championship to…

SOURCE: Los Angeles Times at 6:31pm on March 31, 2019

Review: Unconventional 'What the Constitution Means to Me' supremely argues the case for women by Charles McNulty

When actor and writer Heidi Schreck was a high school student in Wenatchee, Wash., she was racking up college tuition money by giving speeches on the majesty of the Constitution in contests …

SOURCE: Los Angeles Times at 6:30pm on March 31, 2019

Review: The funny, irresistible magic of Latino Theater Company's 'The Mother of Henry' by Margaret Gray

La Virgen de Guadalupe " an apparition of the Virgin Mary " is an icon of the Catholic faith, the patron saint of Mexico and a symbol of Mexican independence venerated throughout the America…

SOURCE: Los Angeles Times at 12:50pm on March 31, 2019

Review: Despite what you may expect, 'Friends With Guns' aims neither left nor right by F. Kathleen Foley

Many are likely to misconstrue Stephanie Alison Walker's new play "Friends With Guns" as a forceful defense of gun ownership. They couldn't be more wrong. Second Amendment issues are periphe…

SOURCE: Los Angeles Times at 3:05pm on March 30, 2019

At the Bombay Beach Biennale, an opera greets the sunrise over a toxic Salton Sea by Carolina A. Miranda

It is dawn on Sunday morning and a sliver of blue light has begun to emerge from behind the Chocolate Mountains, illuminating the steely waters of the Salton Sea. Several dozen people, in an…

SOURCE: Los Angeles Times at 11:15am on March 29, 2019

Review: 'Charlie and the Chocolate Factory' has interesting ingredients but blah taste by Daryl H. Miller

Imagine you're holding a bar of Wonka's Whipple-Scrumptious Fudgemallow Delight. The name alone promises deliciousness inside. A name's a powerful thing, especially if it has delivered satis…

SOURCE: Los Angeles Times at 10:00am on March 29, 2019

Review: Jason sails through worlds of wonder in A Noise Within's 'Argonautika' by Daryl H. Miller

Even the grandest stories, full of epic adventures, are built of everyday experiences. Mary Zimmerman creates theater magic in much the same way, bringing the world's foundational tales aliv…

SOURCE: Los Angeles Times at 9:30am on March 29, 2019

L.A. theaters spotlight the power of community in Boyle Heights, skid row and beyond by Daryl H. Miller

Community is at the heart of several plays on the 99-Seat Beat, our weekly look at Los Angeles' stages. Folks support one another through daily challenges in 1968 Boyle Heights, work shoulde…

SOURCE: Los Angeles Times at 9:00am on March 29, 2019

Rita Moreno is getting a Peabody Award, making her a rare 'PEGOT' winner by Nardine Saad

Rita Moreno is going from EGOT to "PEGOT." The 87-year-old actress, singer and dancer is adding a Peabody Award to her long list of accolades. She's this year's recipient of the storytelling…

SOURCE: Los Angeles Times at 2:30pm on March 28, 2019

Sutton Foster to return to Broadway in 'The Music Man' revival with Hugh Jackman by Ashley Lee

Get ready to meet the new Marian the Librarian. Sutton Foster is joining the Broadway revival of "The Music Man," producer Scott Rudin announced on Monday. After a six-year absence from the …

SOURCE: Los Angeles Times at 1:40pm on March 25, 2019

Hooked on Shakespeare by age 6: The drama club where kids nerd out on the Bard by Dorany Pineda

It's a Shakespeare production with an occasional interlude, a jingle performed to the tune of "Mary Had a Little Lamb." The nursery rhyme is what the Los Angeles Drama Club's young theater s…

SOURCE: Los Angeles Times at 11:50am on March 25, 2019

How Jackie Sibblies Drury brings conceptual brilliance to a play about black caregivers by Charles McNulty

The bottled-up fury of female caregivers grows to seismic proportions in "Marys Seacole," Jackie Sibblies Drury's new play that combines strands of theatrical DNA from Adrienne Kennedy and C…

SOURCE: Los Angeles Times at 8:00am on March 25, 2019

How Jackie Sibblies Drury brings conceptual brilliance to a play about black caregivers by Charles McNulty

At a time when the politics of identity has become a central subject of theatrical inquiry, it's only fitting that African American dramatists have been leading the charge. With their diverg…

SOURCE: Los Angeles Times at 8:00am on March 25, 2019

Review: L.A. Opera's 'Moses' finds its sonic power with the voice of the community by Richard S. Ginell

In 2007, Los Angeles Opera launched an outreach project that has turned into an annual tradition: The company took over the Cathedral of Our Lady of the Angels and staged Britten's "Noah's F…

SOURCE: Los Angeles Times at 3:40pm on March 24, 2019

Review: Latina choreographers lead the way at Ballet Hispánico in Santa Monica by Laura Bleiberg

Some day, female choreographers will get their due. And eventually a program of dances made exclusively by women will cease to be an anomaly. Until then, here's a warm nod to Ballet Hispá…

SOURCE: Los Angeles Times at 7:55pm on March 23, 2019

SoCal dance listings, March 24-31: Malpaso Dance Company and more by Matt Cooper

The Sleeping Beauty Festival Ballet Theatre offers a full-length, family-friendly staging of the Tchaikovsky classic. Irvine Barclay Theatre, 4242 Campus Drive, Irvine. Sun., 2 p.m. $42-$55.…

SOURCE: Los Angeles Times at 8:00pm on March 22, 2019

SoCal theater listings, March 24-31: 'Charlie and the Chocolate Factory' and more by Matt Cooper

Capsule reviews are by Charles McNulty (C.M.), Philip Brandes (P.B.), F. Kathleen Foley (F.K.F.), Margaret Gray (M.G.) and Daryl H. Miller (D.H.M.). Openings Carney Magic Magic and comedy wi…

SOURCE: Los Angeles Times at 8:00pm on March 22, 2019

Review: In David Lindsay-Abaire's 'Fuddy Meers,' a wacky web of secrets and lies by Philip Brandes

If you've ever had the dizzying feeling you're watching the world through the twisted reflection of a fun-house mirror, you're already familiar with the central metaphor of "Fuddy Meers," no…

SOURCE: Los Angeles Times at 6:20pm on March 22, 2019

Review: Part black, part white. It's a hip-hop group divided after a police shooting in 'Hype Man' by F. Kathleen Foley

"Hype Man," the third in Idris Goodwin's series of hip-hop "break beat" plays, is an audacious choice for the Fountain Theatre. Let's face it, most stage audiences do not appear to be of the…

SOURCE: Los Angeles Times at 4:35pm on March 22, 2019

'Steel Magnolias,' 'Argonautika,' 'Elephant Man' and more at L.A. theaters by Philip Brandes

Perseverance in the face of adversity is a common theme this week on "The 99-Seat Beat," our selections from L.A.'s theater scene. The human spirit endures, whether in the mythic quests of a…

SOURCE: Los Angeles Times at 8:00am on March 22, 2019

Spring theater picks: Dianne Wiest, Lucas Hnath, Nia Vardalos, 'Niceties' and 'Falsettos' by Charles McNulty

Times critic Charles McNulty lays out the most promising theater for spring, including Wiest in Samuel Beckett's "Happy Days," Hnath's "Dana H.," Vardalos in "Tiny Beautiful Things" and the …

SOURCE: Los Angeles Times at 6:00am on March 21, 2019
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