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8,108 stories from DC Theatre Scene

Review: Into the Woods. Enchantment and enlightenment await at Ford's Theatre by Roy Maurer

Enchantment awaits those who enter Into the Woods, Stephen Sondheim's wildly inventive, darkly comic thicket of life lessons sprung from children's fairy tales in a new revival at Ford's The…

SOURCE: DC Theatre Scene at 11:44am on March 23, 2019

Kiss Me Kate Review on Broadway by Jonathan Mandell

The most exciting moment in this fourth Broadway production of Cole Porter's backstage musical riffing on Shakespeare's The Taming of the Shrew comes at the top of Act II, when the cast at f…

SOURCE: DC Theatre Scene at 5:02pm on March 22, 2019

Michael J. Bobbitt to leave Adventure Theatre MTC and the DC area by Tim Treanor

Michael Bobbitt, a director, choreographer and playwright who has served as Adventure Theatre MTC's Artistic Director for nearly twelve years, will leave the company in July to become Artist…

SOURCE: DC Theatre Scene at 11:22am on March 22, 2019

Next season, Theater J returns home with a robust roster of plays by Tim Treanor

Theater J, its old stage at the Edlavitch DC Jewish Community Center completely refurbished, will offer a slate of six new(or new-ish) stories about older (or ancient) events for its 2019-20…

SOURCE: DC Theatre Scene at 10:30am on March 22, 2019

Review: Henry IV, Part 2 at Chesapeake Shakespeare by John Geoffrion

Baltimore's Chesapeake Shakespeare Company is presenting Henry IV, parts One and Two in repertory. Part One (not reviewed by DCTC, we regret) opened February 15th, Part Two opened March 15th…

SOURCE: DC Theatre Scene at 1:30pm on March 21, 2019

Review: Topdog/Underdog, entertaining and unsettling. by Debbie Minter Jackson

Topdog/Underdog from WSC Avant Bard is an emotionally charged wonder that leaves no stone unturned or scab safely covered.  The trailblazing story by Suzan-Lori Parks rips off the social …

SOURCE: DC Theatre Scene at 11:54am on March 21, 2019

Review: Beep Beep! from Arts on the Horizon trucking over to Atlas by Christopher Henley

You're never too young to be taken to the theatre. And you're never so young that you shouldn't expect a lot from the theatre that is aimed toward you. That seems to be the proposition behin…

SOURCE: DC Theatre Scene at 11:06am on March 21, 2019

White Noise Review: Daveed Diggs as voluntary slave in Suzan-Lori Parks illuminating new play by Jonathan Mandell

Leo (Daveed Diggs) makes an outrageous request of his best friend Ralph (Thomas Sadoski) in Suzan-Lori Parks' bizarre, disturbing and in some ways brilliant new play, White Noise, at the Pub…

SOURCE: DC Theatre Scene at 9:00pm on March 20, 2019

Review: Dinner with Friends at Everyman Theatre by Jayne Blanchard

If breakups were only confined to the couple in question, life would be easier. Throw friends, children, potential new partners into the mix and it really takes a village to visit Splitsvill…

SOURCE: DC Theatre Scene at 11:16am on March 20, 2019

Fallen Angels review. NextStop rises to the occasion by Missy Frederick

Pre-dinner martinis turn into two bottles of champagne, which turn into nightcaps of Benedictine. The alcohol just keeps flowing during Noël Coward's Fallen Angels, and things get more an…

SOURCE: DC Theatre Scene at 11:09am on March 20, 2019

Review: The Jewish Queen Lear, world premiere of Yiddish theatre classic by Jill Kyle-keith

Yiddish theatre in New York around the turn of the century was vibrant: in the small Bowery theaters, Jews of all nationalities and branches of Judaism came to watch shows full of emotion an…

SOURCE: DC Theatre Scene at 10:47am on March 20, 2019

Review: The Watsons Go to Birmingham " 1963 by Christopher Henley

I had a wonderful time at The Watsons Go to Birmingham " 1963, a Theater for Young Audience's world premiere Kennedy Center commission, on stage at the Center's Eisenhower Theater through Ma…

SOURCE: DC Theatre Scene at 9:39am on March 20, 2019

Review: JQA. Aaron Posner's brilliant take on government, compromise and John Quincy Adams. by Tim Treanor

Most of us are uncompromising in our youth, and, buffeted by the winds of time and experience, grow smooth and mellow in our old age. In that sense, John Quincy Adams lived his life backward…

SOURCE: DC Theatre Scene at 12:28pm on March 18, 2019

Review: For Washington National Opera, Faust is in the house by Susan Galbraith

Only one week ago, Washington National Opera gave us a cool, minimalist modern take on a romantic opera (Eugene Onegin); this week the company took us back to an old world, even hedonistic a…

SOURCE: DC Theatre Scene at 11:39am on March 18, 2019

The Seagull review from The Wheel by John Bavoso

Was Anton Chekhov touched with the gift of prophecy when he wrote the first of his four major plays, The Seagull? Or, even rarer, with self-awareness? The piece, which begins with a disastro…

SOURCE: DC Theatre Scene at 10:34am on March 18, 2019

Rep Stage announces its 2019-2020 season by Tim Treanor

Two shows about music " one an Outer Critics Circle Best Musical awardee; the other a show about the awfulest music ever " will bookend Rep Stage's 2019-2020 Season, which will also include …

SOURCE: DC Theatre Scene at 9:06am on March 18, 2019

Baltimore Center Stage's 2019-2020 season under Stephanie Ybarra's leadership by Tim Treanor

Stephanie Ybarra's first season as Artistic Director of Baltimore Center Stage will be full of new stories from fresh artists but will also include one of the oldest stories in all of theate…

SOURCE: DC Theatre Scene at 10:55am on March 16, 2019

Daddy Long Legs review. Monumental Theatre's polished production outshines the musical by Jeffrey Walker

When two highly engaging performers are saddled with less than dynamic material, you can at least revel in their onstage chemistry and delightful voices. Even the design work attempts to ele…

SOURCE: DC Theatre Scene at 3:25pm on March 15, 2019

Queen of Basel review. Strindberg's Miss Julie gets a fresh update and moves to Miami by John Geoffrion

If every copy of August Strindberg's Miss Julie spontaneously combusted, and from each pile of ashes emerged phoenix-like a copy of Hilary Bettis's Queen of Basel in its place, I could be pe…

SOURCE: DC Theatre Scene at 12:06pm on March 13, 2019

Review: Hands on a Hardbody. Gotta have that truck! by Missy Frederick

My sister asked me what play I was going to see as we wrapped up our phone call. "Oh, it's a musical about one of those contests where people stand around a truck and the last person who tak…

SOURCE: DC Theatre Scene at 12:03pm on March 13, 2019

Review: Confection, a sumptuous, sugary 17th century banquet and its cost by Meaghan Hannan Davant

I'm a sucker for Shakespeare.  And having lived on Capitol Hill for more than a decade and enjoyed many events at the Folger Shakespeare Library, the opportunity to participate in an "imm…

SOURCE: DC Theatre Scene at 11:37am on March 12, 2019

Review: Macbeth. We Happy Few's minimalist staging still manages to spook by Emily Priborkin

It amazes me how much the We Happy Few theatre company is able to accomplish through their signature, minimalist approach, and their production of Macbeth exemplifies this. With a cast of fi…

SOURCE: DC Theatre Scene at 1:39pm on March 11, 2019

Opera review: Eugene Onegin features a Tatiana for our times by Susan Galbraith

The wait of thirty years came to an end Saturday night when Tchaikovsky's opera Eugene Onegin returned to Washington in a spare yet stunningly beautiful production. The minimalist 'box' set …

SOURCE: DC Theatre Scene at 11:55am on March 11, 2019

Review: Silent, spectacular performance from Dublin's Fishamble by Hannah Berk

It's a rare gift for a play to present a despairing character with both lightness and the sincerity he deserves. Silent and its subject, Tino, are by turns funny, bleak, and feverish, but al…

SOURCE: DC Theatre Scene at 10:58am on March 11, 2019

Review: Picasso. Bilingual fun with the artist from GALITA by Debbie Minter Jackson

The magic and artistry of Pablo Picasso shine through in this fun-filled family show at GALA.  Playwright director Cornelia Cody brings his talent to life through stories, music, dance an…

SOURCE: DC Theatre Scene at 10:17am on March 11, 2019
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