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2,260 stories from Chicago Theater Beat

Review: Mr. Shaw Goes to Hollywood (MadKap Productions) by Scotty Zacher

Playwright Mark Saltzman has uncovered a fascinating, untold Hollywood story, that of George Bernard Shaw's trip to Hollywood. Though engagin in its delightful style of storytelling, the pl…

SOURCE: Chicago Theater Beat at 7:52pm on January 25, 2014

Review: El año en que nací / The year I was born (Lola Arias @ Museum of Contemporary Art) by Scotty Zacher

There's a very honest and intense quality to this historical piece, no doubt because of the intensely personal material. I wish, however, that I could have felt more of a connection. While I…

SOURCE: Chicago Theater Beat at 5:20pm on January 25, 2014

Review: Luck of the Irish (Next Theatre) by Scotty Zacher

Sensitive to every subtlety in a script whose plot is not, Director Damon Kiely's grand cast fully inhabit each character, persuasively presenting the behavioral differences between the Eise…

SOURCE: Chicago Theater Beat at 9:30pm on January 24, 2014

Review: Rasheeda Speaking (Rivendell Theatre) by Scotty Zacher

Wish dynamite direction and ensemble work, Rasheeda Speaking is a powerful promotion for a zero tolerance policy in the workplace. It picks apart prejudice indiscriminately. (read more...)

SOURCE: Chicago Theater Beat at 7:05pm on January 24, 2014

Review: Seven Guitars (Court Theatre) by Scotty Zacher

More literary than dramatic (especially in the first act), Seven Guitars is still a thought-provoking piece, and - as it's less produced than others in the August Wilson cycle - a definite m…

SOURCE: Chicago Theater Beat at 5:38pm on January 24, 2014

Review: Out Loud (eta Creative Arts) by Scotty Zacher

eta Creative Art's Out Loud is what the vision and potential of Chicago theater looks like when fulfilled. Highly Recommended.

SOURCE: Chicago Theater Beat at 8:01pm on January 23, 2014

Review: Hedda Gabler (Writers Theatre) by Scotty Zacher

Director Kimberly Senior masterfully paces the show with a deliberate cadence for dark intrigue and comedy. It may sound cliche, but you haven't seen Hedda Gabler until you see *this* Hedda …

SOURCE: Chicago Theater Beat at 9:24pm on January 22, 2014

Review: Ephebophilia (The Phebe Project) by Scotty Zacher

Dusty Wilson's premiere Ephebophilia (definition - a sexual attraction to minors), is a well-cast work of social commentary that not only invites us to sympathize with certain untouchables, …

SOURCE: Chicago Theater Beat at 9:03am on January 22, 2014

Review: The Snow Queen (Filament Theatre) by Scotty Zacher

The Snow Queen is a fun, heartfelt show for the whole family. Winter this year has been pretty brutal, what with the constant snow and negative temperatures, but Filament's Snow Queen is a d…

SOURCE: Chicago Theater Beat at 6:20pm on January 21, 2014

Review: The True Story of the 3 Little Pigs (Lifeline Theatre) by Scotty Zacher

Lifeline does an excellent job of bringing children's stories to the stage. and I highly recommend this show for kids and adults as well. You'll have a squealing good time! (read more...)

SOURCE: Chicago Theater Beat at 2:25pm on January 21, 2014

Review: A Day in the Death of Joe Egg (Stage Left Theatre) by Scotty Zacher

Simple and devastating, this thought-provoking production may drag in a few places, but is well worth the trip to Theater Wit. This darkly humorous story takes the audience to the depths of …

SOURCE: Chicago Theater Beat at 2:07pm on January 21, 2014

Review: My Chicago Valentine (Public House Theatre) by Scotty Zacher

If you need to find an alternative to embracing Valentines and celebrating it ironically just to show you care that you don't care, then the Public House's goofily endearing tribute to love …

SOURCE: Chicago Theater Beat at 6:11pm on January 20, 2014

Review: The Phantom of the Opera (Broadway in Chicago) by Scotty Zacher

The major pyrotechnics of this Phantom are powerhouse performances by the Phantom's Cooper Grodin along with Julia Udine as his happily harassed protégée. Chicago native Ben Jacoby as Raou…

SOURCE: Chicago Theater Beat at 1:58pm on January 20, 2014

Review: Solstice (A Red Orchid Theatre) by Scotty Zacher

Solstice is a perfect example of the blur of globalization - similar to a Middle Eastern family's modern day struggles, but placed smack dab in Small Town, USA. Solstice is a disturbing peek…

SOURCE: Chicago Theater Beat at 11:22am on January 19, 2014

Review: The Mandrake (Commedia Beauregard) by Scotty Zacher

This adaptation of The Mandrake is filled with many such fun moments, and the smart production design and original music add to the festivities. Not all of the moments work so well, though,…

SOURCE: Chicago Theater Beat at 9:33pm on January 18, 2014

Review: Our Country's Good (Shattered Globe Theatre) by Scotty Zacher

Timberlake Wertenbaker's richly textured drama works on many levels. Blessed with wizard casting, Director Roger Smart's intelligent revival for Shattered Globe Theatre keeps the plates spi…

SOURCE: Chicago Theater Beat at 3:15pm on January 18, 2014

Review: Sweet Smell of Success (Kokandy Productions) by Scotty Zacher

Kokandy Productions' Sweet Smell of Success is a terrific musical noir, a throwback to a time when the printed word was king and one amoral writer held all the cards. As with their previous …

SOURCE: Chicago Theater Beat at 9:11am on January 16, 2014

Review: Ghost the Musical (Broadway in Chicago) by Scotty Zacher

The non-Equity cast has the attractive Steven Grant Douglas and Katie Postotnik as its star-crossed lovers. The two have a believable chemistry, even if their acting feels not quite organic.…

SOURCE: Chicago Theater Beat at 9:15am on January 15, 2014

Review: Forgiveness (Corn Productions) by Scotty Zacher

Robert Bouwman's staging of Julia Weiss's delicious spoof fills the space and makes every action count. Seth Wanta and Erin Thorn are comic gold as the angsty millennials, while each ensembl…

SOURCE: Chicago Theater Beat at 2:01pm on January 14, 2014

Review: At His Best (Cold Basement Dramatics) by Scotty Zacher

All in all the cast is good, but the material is more of a work in progress. Mike Mroch's direction is appropriate, especially given the material. The work has a promising premise and for t…

SOURCE: Chicago Theater Beat at 2:00pm on January 14, 2014

Review: The Children's Hour (Pride Films and Plays) by Scotty Zacher

With the combined artistry of Lillian Hellman's multi-layered, passionate script and Director Derek Bertelsen's adept staging and casting, I found myself, by the end of the play, on the edge…

SOURCE: Chicago Theater Beat at 9:37pm on January 13, 2014

Review: Pontypool (Strawdog Theatre) by Scotty Zacher

Pontypool is a fast-paced darkly comic tale rife with surreality that will leave audiences reeling"and possibly quieter. Playwright Burgess and Director Lawfer throw you into the deep end o…

SOURCE: Chicago Theater Beat at 5:44pm on January 12, 2014

Review: Through the Leaves (Side Project Theatre) by Scotty Zacher

I highly recommend Through The Leaves. It was -15 degrees when I ventured to Side Project and well worth the trek. (read more...)

SOURCE: Chicago Theater Beat at 8:19pm on January 7, 2014

Review: Men Exposed (Redtwist Theatre) by Scotty Zacher

This is a decent way to spend a Friday late night, but it could be more fun - Men Exposed is overloaded with dialogue and thus the pacing suffers. Additionally, the staging is not well suit…

SOURCE: Chicago Theater Beat at 7:09pm on December 31, 2013

Top 10 Chicago Plays of 2013 by Scotty Zacher

Taking into account the 600+ productions that we reviewed in 2013, here are our picks for the best of the best. Bravo!! (note: for the 3rd year in a row, we're honored to have the national …

SOURCE: Chicago Theater Beat at 12:30pm on December 29, 2013
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